SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Inmechon The movie's only flaw is also a virtue: It's jammed with characters, stories, warmth and laughs.

Kimball Exactly the movie you think it is, but not the movie you want it to be.

Lee Eisenberg The most famous movie adaptation of a novel by L. Frank Baum entails Toto, a tornado, ruby slippers and a yellow brick road. Well, it turns out that Victor Fleming's 1939 adaptation was not the first. An earlier screen version of "The Wizard of Oz" was a 1925 loose adaptation of the story, notable for casting Oliver Hardy as the Tin Woodsman.And then there were the adaptations in which Baum himself participated. He founded the Oz Film Manufacturing Company and made some movie versions of his novels. These aren't the most sophisticated adaptations but are worth seeing as a look into early cinema. "The Patchwork Girl of Oz" features things like people getting turned into statues (and one of them getting shrunken down so that a woman can carry him). Yeah, Baum came up with some wacky stuff.One interesting thing about this movie is that the lion is played by none other than Hal Roach, best known as the producer of Laurel & Hardy's movies. It appears that only Stan Laurel didn't get to go to Oz on the silver screen. Of course, I can't picture him in Oz without imagining that he would have turned everything upside down. In other words, it would have been another fine mess that he'd gotten himself into! Anyway, this movie is worth seeing. I wonder what Baum would have thought of the most famous adaptation of his work, had he lived to see it.

OldAle1 I watched this on a VHS from the American Movie Entertainment box set (1996) of four early Oz films. The print was OK, fairly sharp and without too many pops or scratches -- but with at least one significant scene missing (where Scraps accidentally turns three of the other characters into statues) and some lengthy portions where the right side of the screen is burnt/melted. The music was weird; it vacillated between fairly appropriate ragtime-esquire piano and an electronic score more appropriate to a Tarkovsky film! Those caveats aside, I really liked the first half of the film a lot, as Ojo and Unc Nunkie set out for the Emerald City but end up delayed and sidetracked after encountering magician Dr. Pipt, his wife and his magical creation Scraps, the Patchwork Girl. The adventures up through that point, and the finding of the Woozy, and the sequence around the Dark Well are all inventive and fast-moving, but the film gets a bit bogged down and repetitive once the action shifts to the Emerald City. I did like that the characters for the most part looked like they came straight out of the original illustrations -- Scraps and Mr Pipt in particular looked and acted just right; also some of the sets, like Dr. Pipt's house, are quite excellent, busy and full of clutter, which seems appropriate. The special effects are pretty well done and there are a surprising number of them; especially nice is the way in which Scraps is put together. I think this one is more for true fans of the books than general silent film buffs, and I suspect that will be true of the other films.

Baldach Thomas Edison not only was the inventor of the motion picture camera, but he was the one of the earliest movie producers. I have been a fan Baum's "Wizard of OZ" books for years so when I saw this movie at my local library I was intrigued. Techincal the movie shows its age being silent and some parts of the movie missing, and the special effects looking primitive. The movie closely follows the book, while being quality family entertainment.

F Gwynplaine MacIntyre "The Patchwork Girl of Oz" was the most racist of L. Frank Baum's Oz novels, featuring the Tottenhots (stereotyped Africans) and also an ambulatory Victrola phonograph that sings ragtime songs in an offensive "darky" dialect. Fortunately, this film version (written and directed by Baum himself) omits the ragtime racism and reconceives the Tottenhots so that they're only barely recognisable as racist stereotypes. This is a fun movie, which I recommend without reservation for adults and kids.It is of course rather a crude film, even by silent standards, and hampered by cross-sexed casting in both directions. The hero of the film, a Munchkin boy named Ojo, is obviously played by an adult woman. The Patchwork Girl, Scraps, is very obviously played by a man. However, Pierre Couderc, the French acrobat who plays this role, gives an incredible performance. He effortlessly turns backward handsprings and shoulder kips, his performance made even more amazing by the bulky costume and elaborate hoop skirt he's wearing. There's one very amusing sight gag when the Patchwork Girl and the Scarecrow meet for the first time. Ah, true love!The plot of this film is a simplified version of the Oz novel. Orphan boy Ojo and his elderly Unk Nunkie visit Doctor Pipt the magician. Pipt has invented the Powder of Life, which brings life to any inanimate object it touches. (Why doesn't it animate its own container?) Pipt's wife Margolotte has made a girl dummy out of patchwork quilts, which will become Margolotte's maidservant after Pipt animates it. When Pipt brings the Patchwork Girl to life, her exuberance causes her accidentally to spill another elixir over Margolotte and Unk Nunkie, which transforms them into marble statues. Dr Pipt can't reverse the enchantment until he mixes another batch of the Powder of Life, which requires certain ingredients ... including three hairs from a Woozy's tail. Ojo sets forth to obtain the ingredients.Animal impersonator Fred Woodward does amazing work as several different animals. Woodward is the spiritual father of Janos Prohaska, a 1960s stuntman who specialised in portraying animals and aliens. One of the roles Woodward plays here is the Woozy, a creature whose body is made of cardboard boxes. (This is a very low-budget movie, but that's part of its charm.) The squared-off look of the Woozy in the Oz book's illustrations was obviously inspired by the low-budget costume worn by Woodward in this movie.TRIVIA NOTE: Watch for Harold Lloyd and Hal Roach Snr (very early in their careers) in grass skirts and body paint as two of the Tottenhots. Shortly after this movie was filmed, Roach received the inheritance which enabled him to set up his own film studio. Juanita Hansen, later a Roach actress, appears briefly here. Also glimpsed is Charles Ruggles, who would soon get his big break as Private Files in L. Frank Baum's stage musical "Tik-Tok in Oz"."The Patchwork Girl of Oz" is an absolute delight, which adults and children will enjoy in repeated viewings. There are some impressive sets and costumes, despite the low budget. Jaded modern audiences will sneer at the very crude special effects, but I would rather watch this movie instead of a certain overrated MGM musical starring Liza Whatsername's mother.