Fluentiama Perfect cast and a good story

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

beorhhouse As films go, this one is excellent. How many would think DRACULA could be applied to a story about American Indians being tricked and massacred by Europeans. This film gives part of the story. And, I'm not "White" or Indian--half of both, English and Cherokee/Creek, but I understand trespass (sin) and how to escape (via the Sacrifice of the Wisdom of God come in human form). Too trippy for you? Then don't watch this film, which is almost as trippy. If David Lynch made a film about Indians... you get the picture.

santasa99 In The Only Good Indian we peek at this particular fragment of US (and Canadian) history from First Nations point of view, and follow a tale which is just a part of the voluminous story of how Impostor Americans took place of Real Americans, after committing genocide, unprecedented in human history - Europeans exterminated possibly up to 80 million (some estimate even up to 100 million) of indigenous Americans (Real American), from Alaska to Tierra del Fuego, since 1492. Plot is set in US, sometime in late 19th century or early 1900's, which makes it even harder to swallow, although with the amount and level of racism, exceptionalism, Islamophobia, and all kinds of chauvinism and discriminations in Americas today, especially in US, this statement might be redundant or dubious, maybe even unnecessary. On the other hand reaction of certain individuals here and elsewhere, placed as reviews and/or comments, are truly appalling, no mater how predictable and expected. Bottom line, the film taking point of view which is rare in American cinematography - invisible people's point of view, which shed light on inconvenient history and criminal past.

jmccrea-692-476281 I live in Lawrence Kansas where one of the earliest "normalizing" schools was set up for Indian children. Parents, after having their children confiscated, traveled and set up tents around Haskell School where their mournful cries were heard every night. This film is the FIRST in cinema history (that I am aware of anyway) that attempts to refer to this era of American history from this point of view. The storyline and script are dramatically engaging. The movie showcases a clash of cultures but rather than generalizing, the film reveals the individuality of both white and native individuals and showcases just how war and strife can create opportunistic "survivors" from any ethnic group.I believe this movie adds a new chapter to the Western genre because the Native point of view is well represented in a realistic and powerful manner and because the protagonists, an Indian boy and man, are put into a fully developed role!

James Boyd I had the dubious pleasure of catching this title at the Santa Fe Film festival. I'm baffled as to how this has a 7.5 rating. I wasn't going to say anything until I heard this won "best picture" at the festival.This movie is essentially a native American / first American revenge story; its didactic goals are to remind us of the atrocities committed against the Indians by the federal government and people working under its tacit permission and to re-figure the typical "wild west" narrative into something that actually does justice to the story of Native Americans. This is accomplished by a kind of "modernization" of the plot setting: The protagonist, Sam (played by Wes Studi) is a roving bounty hunter who captures Indian runaways from a nearby Indian School. This movie has some heavy political undertone. I grew up near "Indian School" road without the slightest notion of what the name of the road was derived from. This movie's job, then is to make a kind of "Indian Drama" in the story of the escapees of the school, their interactions with Sam, and their ultimate destiny. But also, it is there to portray the horrors that Indians faced in early-20th century America, horrors that are too often missing from Americans' self-knowledge.These two drives end up pulling the film apart. But all of the above was written as if the movie above actually had any idea what they were trying to say with the film. It's running length (114 minutes) is ridiculous for a film of this subject and budget, the acting abysmal, the story banal.