CheerupSilver Very Cool!!!

Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Kinley This movie feels like it was made purely to piss off people who want good shows

Kirpianuscus ...who has many chances to be yours. because the subject is more than familiar. the script - wise reflection about contemporary society and its clash against tradition, about a sort of love who only the grandparents and grandchildren knows it, a trip who has as purpose a form of justice who escapes to definitions. a confession - film. because, it is so easy to discover yourself as Alma. so, a tale. a simple one. but useful. for remind . an old man, his olive tree and a gesture changing everything. that is all.

Tom Dooley Alma is a teenager who benefited from the pure love that a grandparent can give to a favoured grandchild. As such she loves her grandfather, but her own father and uncle are not so sweetly disposed to their old man. He, meanwhile, has started to slip from the World. His decline goes back to when his sons sold his beloved olive tree that was two thousand years old to fund a restaurant business before the banking crisis.We get to a point where Alma realises he will die if he is not reunited with the tree and so sets out on a mission to find it and bring it home. Only problem is she hasn't got a clue or any money and no way of achieving her aims but she decides not to let the glaringly obvious stop her.Now this is a lovingly written story by the brilliant Paul Laverty ('I Daniel Blake' etc) and is acted by players who all inhabit their perspective roles with a simple believability. It can be funny and it can be painful but at its heart it is just a very touching and human story and shows how a thing can be as important to a person and another person – we can not help what we love in life. It is in Spanish with a bit of German and some English – well translated in the sub titles. If you like Ken Loach film you will want to see this - completely recommended.

Mike Todd Wasn't sure what to expect with this one, but I was immediately convinced by the solid acting performances of all the main leads in what turned out to be an interesting examination of the bonds that hold family together. Sold for the purposes of short term economic gain, a 2000 year old heirloom olive tree, the love of grandfather Ramon and granddaughter Alma, is sold to a German multinational. The resulting grief of grandfather and granddaughter on experiencing this loss results in the prior losing the will to speak and the latter suffering what can only be described as post traumatic stress. What results is an engaging drama come road trip across Europe shared Alma, her uncle and friend, to return the tree to the now ailing Ramon. A journey which is sufficiently long enough to allow this small group to get to know each other, talk about the reasons that brought the them to that point and to come to terms with past and present family decisions and relationships. Indeed, there is enough time for some additional distraction, humour and small drama which adds to an otherwise straightforward plot. What the film lacks in complexity and any satisfactory feeling of stakes is compensated for by the excellent acting of the main characters which convinces us of Alma and her personal journey to right a perceived wrong. So good is the central performance that doubts about Alma's quest solely being about her attempt to help her 'yayo' are raised, leaving the lector to wonder whether her quest is as much about her own need to find peace than she would openly admit to. The cinematography on show is not particularly inspiring, especially in the second half of the film, but occasionally panoramic views of the beautiful olive groves of Castellon burst out allowing the movie to breath a little. Otherwise, claustrophobic settings of farm houses, flats, cafes and a truck dominate the majority of the film. The unfortunate result is a rather TV rather then cinematic feel to the movie. Better is the music, which captures the moods of loss, some sprinkling of hope and ultimately helps the script capture the themes of traditional values of Spanish family, tradition and the responsibility each generation has to protect the heritage passed down to it from the prior. Overall, an above average melodrama, which leaves the viewer with more to think about than you might have thought likely coming into the cinema. Best watched in Spanish with subtitles.

Ruben Mooijman Alma is what you call a wild girl. She has partly shaved her hair in a decorative pattern, sleeps with boys she hardly knows and throws eggs at the cars of people she doesn't like. But she has one weak spot: her grandpa. Not only is she extremely fond of him, she also sympathizes with his silent protest against the sale of the oldest tree in the family's olive grove. Since the tree was sold, he refuses to speak and marks the spot where the tree stood with little stones.Alma, sensing that her grandfather's death is coming near, starts a search for the sold tree. Through the company who organized the sale she discovers that the tree is now standing in the lobby of a big energy company in Germany. In a whim, she convinces her uncle and a friend to retrieve the tree, in order to let her grandpa die in peace.The film has a nice plot, but is also a clear warning against the excesses of capitalism. The central theme is that there are things that cannot be expressed in monetary value. When Alma's grandfather is told that the tree is useless because nobody buys expensive olive oil anymore, he answers that the tree doesn't belong to him, 'it belongs to history'.On a second level, the film shows Spain after the financial crisis. Alma's uncle is a ruined man, who has used the proceeds of the tree to bribe the local mayor, in order to get a permit for a seafront restaurant that has since gone bankrupt. The film starts with a practical joke: Alma calls her uncle, pretending to be a bank employee collecting the outstanding debt. That's a nice joke, but with a clear message.The screenplay for the film was written by Paul Laverty, a writer with a keen sense for social justice who has written several social dramas for Ken Loach. In some of these, the emphasis was too much on the social aspect, but in El Olivo the mix between the character interaction, the social comment and the human emotion is just right. Talking about human emotion: anyone who is not touched by the last scenes, has a heart of stone.