Cebalord Very best movie i ever watch

Sexyloutak Absolutely the worst movie.

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Lee Eisenberg If you only watch the first minute or two of "The Old Army Game", you'll think that it's a nice, silly cartoon about going AWOL from an army base. I particularly liked how Pete (the common antagonist in Disney cartoons who looks like a cross between a cat and and a bulldog) calmly puts his ear against the door to listen to the snoring, only to discover that the "snoring" is from a record titled ASSORTED SNORES, and then he finds that the beds are full of dummies.That's where the cartoon takes a nasty turn. After Donald returns to the base, Pete tries to get him, but through a mishap thinks that he killed Donald and gives Donald advice on suicide! I liked it whenever Bugs Bunny feigned death, but this was just gross. I don't recommend the cartoon (except for the first minute or two).If I remember right, 35 miles/hour is approximately 55 km/h.

TheLittleSongbird I happen to love Disney and both these characters, especially Donald. And I find The Old Army Game to be one of their finest efforts together. The animation is wonderful, with the colours vibrant and the backgrounds fluid and always interesting to look at. And The Old Army Game also contains some of the best character animation I've seen for both Donald and Pete. I have always loved the music in the Disney cartoons, and The Old Army Game is no exception, right from the rousing main theme to the typically energetic and action-enhancing background scoring. The story is crisply paced and very tightly told, helped by the fantastic rapport between Donald and Pete and the imaginatively timed and funny sight gags. The missing legs and suicide attempt sequence is the highlight, both uproarious and disturbing. Clarence Nash and Billy Bletcher are as ever impeccable. In conclusion, a real treat in every regard. 10/10 Bethany Cox

Shawn Watson Donald has snuck out of the barracks with the rest of the Privates. But he's the first to return and the first to meet the wrath of Sargent Pete, who is not impressed with his hijinks. A chase around the barracks follows as Donald hides from Pete and a possible thrashing. At one point Pete chucks Donald along a spiked fence and the little duck believes he's been cut in half. Donald and Pete both shed tears over this awful situation and Donald tries to end it all with a bullet to the brain (sure this would never be allowed in a cartoon today).A mild plot revolving around a chase, seems more like the basis for a Tom and Jerry. Kinda funny though Donald has done better.

Ron Oliver A Walt Disney DONALD DUCK Cartoon.It becomes THE OLD ARMY GAME when Donald tries to sneak back onto base without Sergeant Pete catching him...Here is another of Donald's wartime cartoons, with lots of laughs and physical comedy. Pete has finally found his perfect niche as a military noncommissioned officer. The legendary Carl Barks was one of the writers involved in this little film; Clarence Nash provides the Duck with his unique voice.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.