Ensofter Overrated and overhyped

Moustroll Good movie but grossly overrated

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

MartinHafer Before I saw this documentary, I'd never heard of Klaus Nomi--even though I lived through the time period in which he gained underground fame in New York and abroad. What I remember instead are the New Wave acts that followed in his footsteps--groups that imitated his weird stage routine, makeup and costumes. Probably the closest to Nomi that I remember was Grace Jones, though the hair and costumes of A Flock of Seagulls also had to have been influenced by Nomi as well. As for David Bowie, it's hard to tell how much Nomi influenced him or vice-versa as both had a rather similar "other-worldliness" about them in the 1970s.What completely set this man apart, including from the people listed above, was his bizarre singing. Having had aspirations to do opera and having a very, very high-pitched voice (almost like one of the castrati), his singing was something unmatched then or today. Some of this could be because few could imitate the style and some because it was so strange and outside the mainstream you wonder if there'd even be a market for this sort of music. It was interesting and wild--though, to me, not especially something I would like to listen to for long.This documentary is about his life--particularly after he came to America in the early 70s. His life in Greenwich Village among the artsy crowd, his rise to prominence in what was to be termed the "New Wave" and his ultimate fall when he just started to achieve fame are all chronicled here. A sad piece, but I also appreciated how the film makers didn't just whitewash the man--giving a hint to the darker aspects of this strange man (such as the repeated theft of his friend's music).How the story was told was done well, though there were limits since the video recordings of Nomi were often of poor quality due to the technology of the time. Also, in a VERY strange move, old audio interviews with his aunt were used but in an odd way. Since they had no video, they created sets and used a large cut-out of her! Weird, but considering Nomi's legacy, probably appropriate.Considering that I didn't know about Nomi and was not so taken by his music, you'd expect I wouldn't really care for the film, but this would be mistaken. It was nice from a nostalgic point of view for this 40-something guy and the film was well-constructed. Well worth a look if you like documentaries AND want something different....VERY different.

lambiepie-2 The one thing that everyone can say about the film making genre is that there IS something for everyone. There should be NO argument - film making can entertain, it can educate, it can caution and it can enlighten. This is a documentary that touches a bit on all of those things.You didn't have to be a youngster like me in the 80's going to New York to 'club' to feel the sentimentality of this artist within this film. I wanted to know what happened to Klaus Nomi -- and here is where I found out. From the first moment I saw Klaus, I knew he was onto something special - something new that would be hard for record marketers to categorize but God bless him for picking through all of that and still managing to have an impact career and focus on 80's "New Wave".He was different, brilliant, talented and...strange. He and his artists/band did things no one else did back then - but you had to see it, be a part of to understand. Yes, I was a Nomi fan. I remember the "Saturday Night Live" appearance with David Bowie.By the time "Urgh - A Music War" came out, I thought that would have made him a household name --- and an entertainment star. I had no idea what happened to him, Now I do. A sad, tragic ending to something that seems to have gone rampid in the late 70's and 80's - overly wonderful, talented artists looking for love - and ending up in tragedy for the one thing that everyone should safely have.Told by the people who were around him and knew him best, this documentary on Klaus Nomi tells of a man with the highest castrato operatic voice to hit 'pop' and an artistry that was in the furthest corners of the imagination that made it to the club scenes of the early 80's. And let's be honest - it was all conceived in black and white in a very colorful world. A fiercely unapproachable man who could bake one minute and astound you the next. His vision, the songwriting of him and his other collaborators, we had 80's clubbing fun - and 80's tragedy.One of the better documentaries that captures the beginning of the 'New Wave' wave before MTV commercialism and the influx of non-talented folks and alleged female bands who could look great in front of a camera with studio folks starting them out and them learning to play later, here was the "real deal".A good history lesson in 80's music (and art) touching upon the back stabbers, the brink of success, the talented, the idealistic, the weird and bizarre, the hanger-ons, the work, the sacrifice, the seriously talented, and a cautionary tale as well.

actorman_us Klaus Nomi was certainly an interesting character. Possessing a unique look and a phenomenal voice, he seemed poised for a measure of stardom during the early 1980s. Alas, Nomi was to be one of the first people of note to be struck down by AIDS.This documentary does a very credible job of not only giving us a glimpse into Klaus Nomi, but also giving us a look into the world of the "New Wave" in New York during the late 1970s and early 1980s. It is replete with footage of Nomi in performance, showing off his truly bizarre look and his unbelievable singing voice (Nomi's performance of "The Cold Song," an arrangement of a piece by Henry Purcell, is one of the most beautifully haunting pieces of music I've ever heard).Andrew Horn does a very good job of interspersing interview footage and performance footage. He does, however, misstep in a couple of areas. The use of 1950s Sci-fi footage, used to augment Nomi's ruse of being from outer space, is overdone. Horn apparently feels the need to hammer this motif into the ground. More unusual is the use of paper mache cut-outs used to represent Nomi's aunt, seen as we hear her many comments throughout the film. It is a device as obscure in its intent as it is distracting and annoying in its effect.Overall, this is a good documentary with a pervasive sadness. We lost an amazing voice before it could be heard by the world. It is a well done portrait of a unique character, a colossal talent, and at heart, a lonely man with a sweet, sweet soul.

Cmdr McBragg I just saw this film. I found it exciting, touching, more than a little inspiring, and was impressed by the filmmaker's ability to craft an intimate personal portrait of the man while also rendering a feeling for the period in which he lived.Good times -- will likely get out to see it again before it leaves town.Agree with the original poster: this one seems destined for cult status.PS: Anyone find it odd that saving bandwidth by writing concisely here is punished by IMDb? I love everything else about this site, but the arbitrary requirement that we each become novelists in the mini-reviews is silly, and ultimately counter-productive: is it really so bad if you can say what you need to say in under 10 lines? I pity those who can't, and if IMDb must ban me rather than update their policy to accommodate those who can communicate well, then at least the few of you who read this before they ditched me know that at least I tried.Some businesses learn and adapt. Others ban reality.