The Night Stalker

1972
7.4| 1h14m| NA| en| More Info
Released: 11 January 1972 Released
Producted By: ABC Circle Films
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Budget: 0
Revenue: 0
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Wisecracking reporter Carl Kolchak investigates a string of gruesome murders in Las Vegas. It seems that each victim has been bitten in the neck and drained of all their blood. Kolchak is sure that it is a vampire. He's hot on the trail, but nobody believes him. His editor thinks he's nuts and the police think he's a hindrance in the investigation, so Kolchak takes matters into his own hand.

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Director

John Llewellyn Moxey

Production Companies

ABC Circle Films

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The Night Stalker Audience Reviews

SnoReptilePlenty Memorable, crazy movie
Listonixio Fresh and Exciting
Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
mark.waltz So is the tongue-in-cheek of Darren McGavin in this Sensational 1970's TV Thriller that spawned a sequel and a brief TV series. I remember watching the series as a kid, and remember being disappointed that it only lasted a short time. However, in seeing the TV movies years later, I can understand why McGavin decided to call it a day when the TV series became simply too camp to be taken seriously. It was if "Dark Shadows" had taken over the streets of the modern big city, with every kind of creature of the night possible. Like "Dark Shadows", this focuses on a fearsome vampire, and like that classic daytime soap opera, even the same composer (Robert Cobert).A string of bloody murders are befuddling the Las Vegas police department, giving indication of something evil, possibly supernatural and maybe even undead. The killings themselves are truly gruesome, and once you see the culprit, you might wonder too if vampires still roam the earth. McGavin is delightfully subtle in the tongue in cheek way he delivers his dialog, surrounded by such familiar faces as Simon Oakland, Claude Akins and Carol Lynley. The Vegas officials don't want the rumors of possible vampirism spreading around and scaring the tourist trade away. But when a victim is unable to prevent her horrid death with the protection of a fierce doberman, the truth is going to get out. This never lets up, flying by in just 75 minutes. I can see why it was the most popular TV movie up to that time because it's simply no nonsense good fun that more than 40 years later still holds up.
Rainey Dawn Generally speaking, the 1970s had some good made for TV horror, mysteries and thrillers - I love a few of them. But this I really don't understand the hype over this one. I realize it's a pilot for a short lived series and it's about a vampire but I found it rather boring. Too much washed up reporter trying to get his name back and not enough vampire throughout most of the movie. It does get a little interesting at about 50 minutes into the movie - for me.I was just rather bored with it and had to fast forward to get to the reason I'm watching the film. I wanted to enjoy this film but I did not.I'm giving it a 3 out of 10 for the idea of using a vampire in a pilot TV series.3/10
bayardhiler Only in the glory days of television could you have a guy like Carl Kolchak-a middle aged reporter who's worn the same style of clothing for twenty plus years-be the main character and hero of a prime time event. Produced by legendary TV producer Dan Curtis and written by the equally talented Richard Matheson, "The Night Stalker" introduces us to that old school newspaper reporter Carl Kolchak, played by the late great Darren McGavin from "A Christmas Story", in what has to be one of his best and most iconic roles.Our story begins in the dazzling streets of Sin City, where a young woman is stalked and murdered by a creature of the night. Of course, the cops do everything in their power to try to cover up this fact but a certain dogged reporter just won't leave it alone (take a good guess who) much to their and Kolchaks's ever tortured boss ,Mr. Vincenzo's (Simon Oakland in his most memorable role) dismay. But as the bodies pile up, it soon becomes apparent to even the authorities, that only Kolchak has the answers to save the day. "Stalker" is a total blast to watch for several reasons but above all, Darren McGavin, who through his use of tape recordings, provides the audience with a straight forward and at times comical narration of events. Director John Llewellyn Moxey must also be praised for creating a spooky atmosphere for the film as well. And of course what vampire film would be complete without an effective Nosferatu and boy do we get it in the form of Barry Atwater, who may not say a whole lot, but manages to be quite memorable, I assure you! But there's something else I feel the film has and that is a grain of truth. Now I'm not saying that I believe in vampires; however in real life, when something strange is reported, something that defy's all natural logic, the authorities in charge-be they police, government, military,etc.-will never admit to the fact that they can't explain it. Rather, they will do everything in their power to down play the strange nature of the event by playing with words and burying the case as fast as they can (a fact that Kolchak learns the hard way). To sum it up, if you're in the mood for a fun filled, spooky movie, you can't go wrong with "The Night Stalker". Catch it on you tube sometime! Also starring Ralph Meeker, Claude Akins, Charles McGraw, and Carol Lynley.
caprairie This.....THIS film is the reason that an eight year old kid lost a lot of sleep in the '70's. I used to sleep with all the blankets tucked under my chin in case the Vampire came at me in the night....he'd have a hard time biting through all that cloth. The great thing about Darren McGavin's Kolchak is that he is a stubborn, obsessed reporter in dogged pursuit of the truth, but once he finds it, he's scared to death. Barry Atwater makes a chilling vampire, totally silent until the moment he opens that closet door and all hell breaks loose! I remember three-quarters of the way through this movie in 1972, my father asking me: "What's wrong son"? "I have to go pee Daddy." "Then why don't you go upstairs and go to the bathroom"? "Are you CRAZY??" The realistic way that this movie ends is with these now classic lines: "Judge for yourself its believability, and then try to tell yourself, wherever you may be, it couldn't happen here."