Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

horacekohanim This is a remarkable, swift, simple, beautiful, profound, fun and candid vision of the blank canvas turning into A Picasso. Director Henri-Georges Clouzot does just enough to infuse himself and the documentary presence of film, allowing the master to riff a couple dozen times. Simply watching the images appear and then evolve is a treat, scored with music. Picasso too brings some of himself to the film, but the dialogue is minimal, again focusing on the images he creates. This is a very memorable work. It could succeed in a classroom for elementary, high school or even college students. It could play on a loop at a party. An artist could play and rewind a particular sequence, perhaps wanting to copy Picasso's brilliance. Great.

Claudio Carvalho Henri-Georges Clouzot, the French director of the masterpieces "Les Diaboliques" and "Le Salaire de la Peur" convinced his friend Pablo Picasso to make this documentary, painting twenty paints in front of the cameras. Using some special technique, Clouzot filmed from the other side of the canvas or stop-motion, and the result is this movie, where two geniuses are gathered: one behind and the other in front of the camera. In accordance with the information on the DVD, the canvases have been destroyed in the end of the shootings. Further, in 1984, the French government declared this documentary a national treasure. Clouzot and Picasso deserved this beautiful homage. My vote is eight.Title (Brazil): "O Mistério de Picasso" ("The Mystery of Picasso")

stephen-357 One of the greatest filmmakers of France, Henri-Georges Clouzot, makes a film about his friend Pablo Picasso, perhaps the 20th Century's most renown artist. Clouzot begins with a proposition: if one were present at the conception of a great artistic masterpiece such as Mozart's Jupiter Symphony, and could peek inside the mind of the artist, what would one see? Fortunately, the visual art of painting offers a filmmaker that insight, and so Clouzot begins with Picasso in a dark room with white light directed at an empty canvas. The artist, like a bullfighter, confronts and ultimately displaces the empty space with drama and suspense. Clouzot takes a minimalist approach which chooses to focus on the art rather than the artist, and he achieves this objective by having Picasso sit on one side of a translucent canvas, and the camera on the other capturing only the ink or paint that has been administered, without the distraction or impediment of the artist - pure creation. A window into the mind of the artist! Twenty artworks are created in this manner, each being overlayed with the often suspenseful sounds of Georges Auric's excellent score. With THE MYSTERY OF PICASSO, art becomes exhilarating as one attempts to anticipate what Picasso will do next. "How will he resolve this problem?" Clouzot has created a priceless document for anyone seriously interested in art.

cscjr8 This film reminds us that film is visual - very few words are spoken in Le Mystère Picasso. Instead, the camera just trains in canvas and white paper and watches Picasso create. It could have been boring, but instead it's hypnotic. One learns about the creative process without lecture!