The Mouse on the Moon

1963 "Stop shooting at our moon!"
6.3| 1h25m| NR| en| More Info
Released: 17 June 1963 Released
Producted By: United Artists
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

Sequel to The Mouse that Roared; The Tiny Country of Grand Fenwick has a hot water problem in the castle. To get the money necessary to put in a new set of plumbing, they request foreign aid from the U.S. for Space Research. The Russians then send aid as well to show that they too are for the internationalization of space. While the grand Duke is dreaming of hot baths, their one scientist is slapping together a rocket. The U.S. and Soviets get wind of the impending launch and try and beat them to the moon.

Genre

Drama, Comedy

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Director

Richard Lester

Production Companies

United Artists

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The Mouse on the Moon Audience Reviews

MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Yvonne Jodi Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
Caryl It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.
SimonJack "The Mouse on the Moon" is a comedy satire and sci-fi film that is quite dated and has lost much of its appeal over time. It is one of two movies based on a series of novels by Irish-American author, Leonard Wibberley. The first, "The Mouse that Roared" was a 1955 novel that was made into the smash hit movie of the same title by Columbia Pictures in 1959. Peter Sellers starred in three roles in that film. This second film is from the third novel of the "Mouse" series, also by the same title. It was published in 1962. The mouse refers to the smallest country in the world, the fictitious Grand Duchy of Fenwick. Land-locked somewhere in the middle of Europe, Fenwick has continued its cherished customs based on its English heritage. This film enjoyed success at the time, but its plot was considerably dated to the period of a single decade. Among other drawbacks from the original are a far inferior screenplay and fewer big name stars in the cast. The setting was the space race during the Cold War that pitted the U.S. against the Soviet Union. Russia scored first when Cosmonaut Yuri Gagarin became the first person to travel in space. On April 12, 1961, he orbited the earth in Vostok 1. The U.S. scored second with the first man on the moon in 1969. Neil Armstrong left earth in Apollo 11 on July 16 with Edwin Aldrin and Michael Collins. On July 20, Armstrong and Aldrin landed on the moon, and Armstrong became the first human to set foot on the moon.Since then, the space race has ended, and modern space exploration is done by several nations, most often in cooperative ventures. But, for 1963 the space race was a hot item. So, this film naturally had more interest. The script milks it as much as possible. But, only mildly funny in places then, the script doesn't hold as much interest among audiences in the 21st century. Here's a sample line of humor from the film. Maurice Spender (played by Terry-Thomas), "I read your letter in the Times. Rushed over here post-haste." Professor Kokintz (played by David Kossoff), "How nice." Maurice Spender, "I say. I'm extremely excited to see those Botherbinks." Professor Kokintz, "Botherbinks? Bobolinks." Maurice Spender, "No, that's what I said, didn't I? Bob... bob... bobolinks."
Dave from Ottawa The DVD box claims that this mild comedy is 'hilarious' are somewhat inflated. Okay, the box copy on any comedy tends to exaggerate its hilarity, so we won't hold such hyperbole too strongly against it. That said, this modest sequel to The Mouse That Roared manages to entertain as what it is: a low key family comedy of moderate charms. The idiot locals of the tiny and pastoral Grand Duchy of Fenwick return, this time with a scam to get Uncle Sugar to pay to restore the place's ancient plumbing by way of a 'technology loan'. Wink, wink. When U.S. inspectors arrive to view the results of Fenwick's space program, the locals scramble to keep them off-balance while enlisting the aid of an eccentric old professor to build them a REAL moon rocket. And it just so happens he has been working on that very thing. There are the usual farcical runnings around and the presence of the quirky Terry-Thomas is always welcome in this sort of exercise, but the whole thing is less clever and less fun than the original or the many Ealing Studios caper movies from which it clearly draws inspiration. The look is good, the characters all have their modest individual charms and everything turns out nifty in the end, aww, but don't expect anything overly inspired. There isn't a lot of real cinematic cleverness here, just good, competent old-fashioned movie entertainment. As that it works just fine. Enjoy.
brad_and_ethan I disagree with the other critics who say this doesn't live up to the original. I think that even without Peter Sellers, that this sequel stands on its own two feet. The script was incredibly funny, from start to finish. There are so many nice touches by the screenwriter; it's hard to list them all. However, the touch of having the astronauts and cosmonauts being forced to return in the Fenwick rocketship - is just brilliant! The major drawback with this script is the lead's love interest, the blonde girl. She really feels like a fifth wheel throughout much of the film, and her subplot isn't dynamic enough. However, overall there are plenty of jokes strewn throughout the story, and the direction and editing is also spot-on.
artzau Whoa! Isn't something missing here? Another episode in the Grand Fenwick chronicles and no Peter Sellers? I mean, you got all the standard Brits, Ron Moody, Dame Maggie Rutherford, John Le Messieur and, of course, the gap-toothed Terry Thomas, but where's Peter? This movie is definitely his kind of vehicle and Bernie Cribbins does his level best-- but, it's not Peter. Rumor has it, and I've never been able to trace down the source, that Sellers was slated for this part and contracts, shooting commitments and the like served to interfere... But, we can only imagine how it would have turned out if the PS had been there.