Scanialara You won't be disappointed!

BootDigest Such a frustrating disappointment

CrawlerChunky In truth, there is barely enough story here to make a film.

Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Basil Nestor The Moon-Spinners is classic Disney-style fare from the mid-60s. It fits right in the groove with other Disney movies from that era like "That Darn Cat" and "The Love Bug". Keep in mind that this stylistic resemblance may be seen as an advantage or a serious flaw. The story happens in Greece, on the island of Crete, though it's actually not very much about Greece or its culture. Of the seven major characters, only one is actually Greek. Two of the actors (notably Eli Wallach) play at being Hellenic while struggling through bad accents and mangled dialog. Culturally, the whole film is a profound embarrassment if you know anything about Greece. But of course, that wasn't the point of the project. Rather, it was a vehicle for Haley Mills. By this standard, she does good work presenting herself as a wacky cute girl who stumbles onto a scheme involving stolen jewels. The plot itself is needlessly confused, and characters say and do all sorts of things that make no practical sense except as stale devices to move the story along. The truly shining moments of the film come only near the end in scenes involving former silent-movie-legend Pola Negri in her final film role. At this point the movie thoroughly entertains and nearly makes up for the hour-plus of previous tedium. Unfortunately, even Eli Wallach fails to impress in this strained vehicle. If you're looking for a "good movie", one with a solid plot and uniformly good acting and directing, then pass on The Moon-Spinners. It's really quite unremarkable. But if you want to conjure warm memories of a classic-Disney childhood, and you want to see the last glimpse of the amazing Pola Negri, then definitely watch this film.

survivor73 This is one of my absolute favorites. My sister and I rented this movie from Netflix and we just don't want to send it back! Its almost surprising that I liked this movie so much considering the fact that I have never enjoyed Hayley Mills' acting skills, but she was seriously great in this. I also REALLY liked the boy who played Mark. Irene Papas was a great supporting actress & like everything she does, she performed the small part perfectly. It was the first movie I'd ever seen with Eli Wallach and I thought he made a marvelous villain. All the characters were so enjoyable! Even little Alexis. The theme song is awesome! Its super family friendly and just tons of fun to watch! I love this movie.

James Hitchcock In some of her early films, such as 'Tiger Bay' or 'Whistle Down the Wind', Hayley Mills revealed herself to be one of Britain's most remarkable child actresses, but as an adult her films were generally unremarkable. The light family films she made in her teenage years for Disney and others can be seen as marking a stage in her decline to the ordinary from the extraordinary. Indeed, they were possibly a cause of that decline; had she been given more demanding roles during this period she might have matured into a bigger adult star. The studios' determination to fit her into the role of Teenage Virgin Queen occupied a few years earlier by Sandra Dee might also have made it more difficult for the public to accept her as an adult woman.'The Moonspinners' is a typical offering from her Disney period. The teenage Nikky Ferris arrives for a holiday in Crete with her aunt, a musicologist who wants to make recordings of Cretan folk-music. The owner of their hotel, however, is unwelcoming and his behaviour soon arises Nikky's suspicions that he is involved in some criminal enterprise. Nikky meets and befriends a young Englishman, Mark, and the two soon find themselves involved in a search to recover some stolen jewels. Several other reviewers compare this film to the work of Alfred Hitchcock. The film is a mixture of romantic comedy and thriller, although I felt that the romance and comedy elements predominate over the suspense elements to a greater extent than they ever do in Hitchcock, even in his lighter films. The scene where Nikki and Mark are rescued from the windmill, however, did strike me as very Hitchcockian; I wondered if it was intended as deliberate homage to the similar scene involving Joel McCrae in 'Foreign Correspondent'. My general impression of the film was that it was, despite some attractive location photography, a fairly routine light thriller. Peter McEnery, as Mark, makes an uncharismatic leading man, and the principal baddies (Eli Wallach as suspicious, surly foreigner and John Le Mesurier as smooth but hypocritical English gentleman) are drawn straight from the Official Hollywood Scriptwriter's Guide to Stock Villainous Characters. There is an amusing cameo from Sheila Hancock as Le Mesurier's alcoholic wife, but the best thing about the film is the presence of Hayley herself. She reminded me of Audrey Hepburn whose charisma and presence frequently enabled her to make memorable what would otherwise have been very ordinary thrillers or romantic comedies. Hayley was, of course, considerably younger than Audrey and (in my view) less classically beautiful, but shared with her the ability to carry a film through charm and charisma. 'The Moonspinners' is not in the same league as Hayley's best films, but it is worth watching for a chance to see this fine young actress. 6/10

Linda Lee For me, this really is an example of how not to adapt a book to the screen. Mary Stewart's novel is an exciting mixture of suspense and romance, with the added bonus of a beautiful and exotic setting. It is also a fairly dark tale of murder and vengeance.Unfortunately, with Hayley Mills as the principal character, the film becomes a pretty-pretty story of a teenage romance with a few rather obviously sinister 'baddies' thrown in. John le Mesurier is simply wasted - his character's role in the book is pivotal, whereas in the film he appears towards the end almost as an afterthought. He is also given a completely unnecessary alcoholic wife - a role that did not exist in the book, because he was gay!This is a story with terrific potential for the screen (as are most of Mary Stewart's novels) - what a shame it was wasted in this production.