The Millionairess

1960
5.4| 1h29m| NA| en| More Info
Released: 18 October 1960 Released
Producted By: Dimitri De Grunwald Production
Country:
Budget: 0
Revenue: 0
Official Website:
Info

When her father dies, Epifania Parerga, an Italian in London, becomes the world's richest woman. She feels incomplete without a husband and falls in love with a humble, Indian physician, Ahmed el Kabir, much loved by his indigent English patients.

Genre

Comedy, Romance

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Director

Anthony Asquith

Production Companies

Dimitri De Grunwald Production

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The Millionairess Audience Reviews

Dotsthavesp I wanted to but couldn't!
Listonixio Fresh and Exciting
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.
edwagreen A real gem of a pill of a picture. Who wrote this? Who made this? It is simply a bomb of major proportions with Peter Sellers, as the poor Indian doctor, drawn to a wealthy Italian woman, the indomitable Sophia Loren. Loren with her money can't find happiness and falls for our Indian doctor when she attempts suicide by jumping into the river.They both have agreements that they have to abide by such as making money and in Miss Loren's case-actually working for it.All of a sudden Ms. Loren is a genius in business. This is so utterly ridiculous, inane and any other negative adjective I can think of.The film is pure torture.
MartinHafer This film starts off with Sophia Loren inheriting her father's fortune after his death. Early on, I disliked the movie as Loren's character was ridiculous--more of a caricature than a real millionairess. I'm a bit surprised I didn't turn off the movie and actually stuck with it. In so many ways, her selfish and petulant routine was almost like a burlesque of that sort of person, as it was too broad and not the least bit subtle or believable. Rarely have I ever felt this annoyed by Loren--a genuinely bad role for the otherwise talented actress. The only saving grace for this incredibly annoying creature was her solicitor, played by Alistair Sim--whose indifference to her ridiculous behavior was at least enjoyable.After Loren proves unlucky in love, she happens to run into an Indian doctor (played by Peter Sellers). Unlike other men, he is completely indifferent to her boorish misbehaviors or ample 'charms'. And, since Loren is playing a spoiled screwball, she falls for Sellers and does almost anything to get him. Frankly, this is an interesting but utterly ridiculous idea--and certainly not enough of a basis for a movie, as there is absolutely no chemistry between them and it didn't make sense. Sellers is pretty good and realistic in this role, but it isn't comedic in the least--despite the film being a comedy! In fact, his Indian character from THE PARTY would have probably worked better with this sort of broad comedy.Overall, a rather pointless waste of the talents of the actors. You'd think they could have done better. But, actors cannot overcome bad writing and indifferent direction. Clearly a misfire.
rosyposy The story has it all--love, money, sex, politics, religion, social ethics...however the cheesy editing and Loren's cartoonish performance distract from what could have been a really good movie. The screenplay deals with issues that I think are bigger today than they were in 1960; socialized medicine and Western-Eastern relations are both hot topics in 2008--maybe it's time for someone to remake this one? That said, Peter Sellers is brilliant as always. He plays confused so well. The movie dates itself with the dialogue and that *awful* "pulse" effect, but the questions it raises and Seller's consistent work save it from being really dreadful.
dmtls I am a big fan of Peter Sellers and this is one of the two reasons I saw this movie.The other one was to get some of this 60s wonderful feeling. Unfortunately both my expectations drowned during movie's running time. Seller's seemed simply not to fit in the role (at least not as much as he has spoiled us to expect from him), and nothing was there from this 60s feeling (apart from some truly kitsch, and for this adorable, nostalgic retro-future building interiors). All in all this was neither a good nor a bad movie, just a boring one.I am sure everyone expected something more than a dull and a bit childish comment on common social problems.