Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

FeistyUpper If you don't like this, we can't be friends.

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Lorene Anderson Amid the entertainment super-stars of the twentieth century—Carol Channing, Lauren Bacall, Joan Collins, Barbara Walters, and more—the white-bearded, bright-eyed Al Hirschfeld cuts a humorous and humble figure. This visual historian doesn't make the stars beautiful in his drawings; he makes them interesting. ESP-like, the line of Hirschfeld's pen reveals an essential and vital character within each of the performers he draws, capturing the rare exuberance with amazing specificity: the gestures, the movements, the facial expressions—all become playfully recognizable as the spirit manifest. What the documentary does especially well is show Hirschfeld at work, and talking about the work. He was 90 years old when interviewed in the film, but seems almost childlike in his delight for his life-long passion. Hirschfeld emerges as the century's most beloved cartoonist, truly earning him the title of The Line King.