GamerTab That was an excellent one.

Sexyloutak Absolutely the worst movie.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Pat I thought that this was an excellent film. I couldn't get it out of my mind for days. The descriptive blurb does not do it justice perhaps making it sound like a sentimental formulaic chick-flick. Which it is not. It is in turns buoyant and sad and links tragically to the death of teenagers. If it hits any discordant notes for you, just keep watching. The production and the acting are , as will be revealed, pretty faultless. You may find that the film continues in your mind after The End. And you could start having your own "flashbacks" as you start to explain it in your own way. However, it is not one of of those irritating endings where the film just stops because they ran out of ideas or money. You have been brought to a definite end and you have to review the process that brought you there.

Chris Smith (RockPortReview) This film is a beautiful and lyrical meditation of what could have been. What if things would have happened differently? The Life before her Eyes is the second film from director Vadim Perelman, whose first film The House of Sand and Fog brought wide critical praise. It was nominated for three Academy Awards, including best lead actor for Ben Kingsley.The Life Before her Eyes stars Uma Thurman and Evan Rachel Wood playing the same character of Diana. As a teenager (Wood) she is a free spirited girl who is caught in an unthinkable situation. When a boy at school goes on a shooting rampage she and her best friend become trapped in the bathroom with him. The story then flashes forward and we see Diana all grown up with a husband and a young daughter. She is continually haunted by the events of that day and the kind of person she was back then. She tries to protect and nurture her daughter onto a better path but she looks to be failing. Her husband is a professor at a local college and could be having and affair.The plot swaps back a fourth between the young Diana and her best friend Maureen, played by Ava Amurri and the older Diana and her family. It chronicles the building of young girls' friendship and how they have arrived to the point when they are facing down the gunman. While Maureen is religious and chaste, Diana is quite liberal and currently seeing an older man. They are complete opposite personalities, but as friends they were made for each other.The movie is beautifully shot and wonderfully acted. As far as casting goes even though Evan and Uma have similar looking faces, their body types are quite different. The time lines of events for Diana are also a bit sketchy. There is a big twist ending that is a quite debatable and could turn some people against this movie. It could also explain some of the inconsistencies. It deals with some pretty heavy issues to the point of being overstuffed, but it is a good experience overall. The DVD contains many special features including a director's commentary.

kiwisago I saw this film many months ago, but it is one that remains strong in my mind.I think it's Uma's best performance yet, but it's the themes of the film that are especially powerful. Life and death and responsibility for these.Like The Sixth Sense, it only becomes clear at the end what the film is really about, and after that the preceding events look quite different. It is a kind of extended dream poem centred on abortion. I remain pro-choice, but supporters of this view are justified in being concerned lately about the "new sophistication" of anti-choice, as exemplified in this very moving film. It certainly stirred me up more deeply than any other approach to the subject ever has.

DICK STEEL One of the main reasons for picking this up is the star pairing of Uma Thurman and Evan Rachel Wood playing the same character Diana in a tale that explores how lives get changed and affected in a post Columbine styled school shooting. Directed by Vadim Perelman who also helmed The House of Sand and Fog, The Life Before Her Eyes is adapted from the novel by Laura Kasischke, and the first scene sets up the hook beautifully - what if you're caught in a dead end with your best friend, and a gunman?The narrative unfolds in non-linear fashion, which splits the story into two separate threads, one with the younger teenage Diana (Rachel Evan Wood) and her BFF Maureen (Eva Amurri) discussing the usual problems, issues and dreams a teenager would have, and their aspirations in life, and the other putting its focus on the adult Diana (Uma Thurman) now married to a professor and having to raise her child Emma (Gabrielle Brennan) who's quite a handful to handle, providing some mean reminiscence into her own past that she hopes she's able to steer her kid out from that doomed past.In character pieces like this, both lead actresses shine in their respective spheres, with Evan Rachel Wood playing yet again an impetuous youth living life her own way, never hesitating to dabble in sex and drugs, and basically the making all the mistakes that one can make as a teen. The chemistry shared with Eva Amurri was excellently convincing so much so that with the pivotal scene in the bathroom, you're put on the edge of your seat as to the choices that both will make. Which you can partake in if you put yourself in similar shoes, with a gun pointed at you and a chance to live, or die, per your wishes.Uma Thurman tackles her mom role with aplomb, juggling raising a kid with trying to avoid her past which is slowly coming back through flashbacks no thanks to the 15th anniversary of the fateful day in school. It may seem that she's living that perfect life, but the cracks soon show up and little things become opportunities for reminiscence. I suppose as a parent you will try that utmost best to avoid your kid repeating the same mistakes you have made, and will be on the lookout for warning signs. Thurman brings to the table that level of maturity, as well as a sense of paranoia as she tries hard to forget her past.Vadim Perelman created a film that's basically very dreamlike in quality as it deals with themes such as conscience and self-preservation, and crafted the key bathroom scene with ingenuity that keeps you constantly guessing how it will all play out, and pulling his punches at the right time to keep up that level of suspense right up to the end. Production values are purposefully split down the middle to differentiate the landscapes between the two time periods to reflect the lifestyle and mood of Diana and of course to throw clues in addition to what's being done by the narrative, with a haunting soundtrack throughout courtesy of James Horner.Some may not like the how the finale played out but I thought it was refreshingly different from the usual narrative twist attempts. Some may deem it not plausible, but I tend to consider it not as being performed during a single moment, but more of being worked on over a period of time. After all, an idea isn't just conceived and worked on overnight - we tend to think about it at some lengths not necessarily always during the same sitting. Even if you have an inkling of how it will play out, it's the delivery of key scenes and the wonderful dramatic performances that make this way above average. Recommended!