Moustroll Good movie but grossly overrated

Stevecorp Don't listen to the negative reviews

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

kikopops99 I didn't know how to rate this film since the photography, landscapes, animals etc... were fabulous. However, the storyline was a pretty flat. The premise that trappers are needed to keep nature in balance is absurd. Nature does that all by itself without human intervention. It also bugged me that the trapper kept getting his dogs in deadly situations. I wondered how many sled dogs were actually injured in the making of this film.I really liked the trapper's native wife and wish she had a bigger role in the film. She was a very interesting character, but she basically just step and fetched for the trapper all day long. The trapper had a gorgeous canoe, and great dogs too.The film is basically about a bunch of old guys who don't want to leave the wilderness. However, judging by all the trouble they get into, I think it is high time they move to a retirement community with safe activities overlooking the mountains!

youAreCrazyDude While many viewers found the film beautiful and made them love nature, it also should be a warning to us all if our children to see this disappearing beauty. Here is why. We depend on nature and animals to survive. Pollution, eating species into extinction and massacre of environment happens on global scale: sacred and very needed by life on Earth trees are being massacred by human predator. Gold mining, illegal tree cutting, illegal ranching in Amazon already destroyed a lot of sacred trees. Animals' habitat is disappearing with exponential (unbounded) rate. Films: "AMAZON with Bruce Perry", "The End of the Line (2009)". Most vicious predator (human) must learn to stop destroying its own environment. (Aside: the human is most vicious predator because it kills for sports.) While most vicious predator propagates with exponential (unbounded) rate, the nature and animals disappear with exponential rate at the hand of most vicious predator. Most vicious predator must stop unbounded (exponential) reproduction: it leaves no space for healthy environment for most vicious predator and leaves no space for animals. CONSUMPTION is not "cool" anymore. Echo-systems sustain the economies. Economies do not sustain the echo-systems. Bottom-lines and corporations only destroy the nature, environment and animals. In the past, we hoped that our technology would help us to live better lives, but as of today, our technology (better traps, binoculars, nets, better sonars to track our prey, better guns, etc) only leads us to the SIXTH EXTINCTION of all life on the planet, at the hand of the human. If you cannot farm it - do not kill it.

hsilberstein-1 I lately bought the DVD - the landscape is astoundingly filmed, the music is a little similar to the movie of JEREMIAH JOHNSON (the first lines of the music sound like stolen) but the behavior of Norman is sure sometimes very strange and "more than a little stupid" as to say for someone who spent a lifetime in the wild of Yukon: sledging over a lake that just has been frozen (!), pushing his sled up a steep hill..., sledging a crevice in deep snow..., trying to shoot an elk and not hitting it..., building a nest that Nebaska is trying to climb up and brakes down.... and most disturbing not listening to his fine subtle Nebaska Mary Loo....Anyway - Vanier has done a good job: he shows a periled area in the North which is vanishing not only by the loggers as well of climate change!

fechy An excellent film. After having caught on - it took me a while, up to the middle of it - I leaned back and let the sumptuous landscapes overwhelm me. In the rapidly evolving 'documentary' genre, director and explorer Nicolas Vanier's film inaugurates a new variant which we could tentatively call "self-fiction".As one would expect from an authentic trapper and his wife, dialogue is sparse. At times, the protagonists' embarrassment before the camera is palpable. Many scenes involving the couple seem posed, and the main incident involving Norman's sled breaking through the ice, (the re-enactment of what may or may not be a true episode) is not convincing. Voice-over representing the inner voice is omnipresent. One is left to wonder whether excellent actors would not have played Norman and May Loo more convincingly than they themselves. The documentary character of the movie might have remained partly intact, the director having resorted to constructs several times. Even so, the narrative arc remains fairly shallow.This is a movie without apparent violence. Yet violence is subliminally present: it is, after all, the violence of the logging companies against nature's treasures which trigger the film's central action, Norman's move to less dis-equilibrated territory. One strongly senses the violence of advancing, all-devouring modern society. This film could not be more different from the 'classic' trapper movies like Jeremiah Johnson' .For having succeeded with this nonviolent portrait of violence, and for having dared the climate and returned with such magnificent photography, Le Dernier Trappeur deserves 8/10.