The Land Girls

1998 "The story of three young women and the events that would change their lives... The friendships that would stay with them forever... and the loves that would change their hearts."
6.2| 1h51m| R| en| More Info
Released: 12 June 1998 Released
Producted By: Canal+
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

During World War II, the organisation "The Women's Land Army" recruited women to work on British farms while the men were off to war. Three such "land girls" of different social backgrounds - quiet Stella, young hairdresser Prue, and Cambridge graduate Ag - become best friends in spite of their different backgrounds.

Genre

Drama, Romance, War

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Director

David Leland

Production Companies

Canal+

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The Land Girls Audience Reviews

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
michelerealini The main interesting points of the film are the beautiful English countryside and the three actresses -Catherine McCormack, Rachel Weisz and Anna Friel... they're charming and witty, they're well together.The film instead is quite boring -the story is not so intriguing, honestly. Many actions are quite predictable, emotions go not very high. The director doesn't propose anything special, the film is formally correct but it misses something...It's a pity, because the period chosen for telling the story deserved a more accurate way of telling the facts.
pandit Being English might have had something to do with it, but I loved this film. All the acting was outstanding and the multitude of little comic moments had me laughing much more than other 'comedies' that we get from hollywood. Although the central theme of the plot - an unlikely love affair - was a little unbelievable and forced, the gentle pace and quaint bizarre moments, and the refreshing setting made this a view again movie. Weiss character was a little ott at first but she played it beautifully with a surprising comic ability. As for the unintelligible accents, well I suggest that the American market which struggles to understand anything not US formulaic mass media, grows up.
MarLeigh Montalvo I always love period dramas, especially films that focus on women and their friendships but this movie left me wondering what the point was after two hours. The three girls come to work on the farm with three totally separate personalities. You have Prue the party girl, Ag the uptight college girl, and Stella who is supposed to be the mainstay of the entire movie, the sensible one. In fact, it is Stella who narrates the movie and opens it with how she moved to the farm to help and be closer to her fiancee. So we establish that she's committed and in love with her fiancee, but within the first 30 minutes, she's falling in love with the farmhand Joe, even after saying how unspeakable he is, for no good reason. Worst of all, the reason is never explained on how she fell out of love with her fiancee and fell in love with Joe. And she seems to have no problem with Joe falling in love, or at least in bed, with everyone else around her. The movie did not make sense to me at that point. Still it is a quiet film with gorgeous English scenery and if you just want a movie that focuses on friendship, then this is the movie for you. I watched it once and that's enough.
pugdad Beautifully photographed in the English countryside, this odd film about three English women assigned to work on a farm during World War II provides the promise of heat but never delivers. None of the characters (perhaps the director should have focused on fewer characters to provide proper depth) nor the relationships between the characters are remotely believable. This film exhibits a dangerous trend in films today where the mentality of the 90's is transposed onto the 40's. Directors and screenwriters would be well advised to do more homework on the period in which their films take place. Further, good acting and excellent production values cannot overcome a mediocre script or lackluster direction.