FeistyUpper If you don't like this, we can't be friends.

Lumsdal Good , But It Is Overrated By Some

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

KineticSeoul This is probably one of the most depressing cartoons I have ever seen. The story at first may seem to be about bullying in middle school at the surface but it's way more than that. This movie is about humanity, shown in a realistic perspective. That some viewers that is in tune with Korean culture may agree with or part of it or at least understand it. It really is a messed up and yet realistic cartoon that is shown in a brutal manner. The story revolves around 3 middle school kids that feel that they will always be the underdogs no matter how hard they try. So one of the kids has the mentality of being vicious, malicious and evil in order to defeat the corrupt. In another words fight fire with lava. Now the kids portrayed in this movie who re being bullied may seem crazy to some, but it's understandable. This movie basically shows the ugly side of humanity and how the people that are suppressed deal with it. However I am not quite sure what the message of this movie is about because the theme basically seems to revolve around hopelessness. Is the message about fighting back, taking what you want from other people and vengeance, because the weak gets taken advantage of? Anyways this didn't have that emotional impact like what the director Sang-ho Yeon tried to convey, but it's still a gripping and attention grabbing flick. Not all Asian cartoon flicks can be like Hayao Miyazaki films with happy endings.6.3/10

tieman64 "Americans remind me of survivors of domestic abuse. There is always the hope that this is the very, very, very last time one gets one's ribs re-broken." - Inga Muscio Grotesque and violent, Yeun Sang-Ho's "The King of Pigs" is a low budget animated feature from South Korea. Like a demented take on Orwell's "Animal Farm", or Golding's "Lord of the Flies" (to which its title alludes), the film watches as a gang of privileged kids (nicknamed the "dogs") repeatedly brutalise and bully a school's lower class students (nicknamed the "pigs").Orwell's tale saw one pig rise and destroy his oppressors. In "The King of Pigs" we see a poverty stricken student, Chul Kim, stand up to his bullying school-mates. Rather than a romantic hero, though, Chul is portrayed as a violent psychopath. "We must become more evil than they are," Chul explains, internalising the hate directed at him and re-directing it, tenfold, at those who brutalise him.Virtually everyone in Yeun Sang-Ho's tale is understood as being either a victim or victimiser. Workers and employers, the rich and the poor, businessmen and prostitutes, students and teachers, men and women, bullies and classmates, humans and animals...they're all trapped in Yeun Sang-Ho's very rigid social hierarchy. Even those who seem to escape poverty ultimately find themselves back in financial debt, beholden to others. Capitalism as a form of psychic and literal violence, the film paints a world bound by the laws of competition, predation and psychopathy. "Money only follows the rich," Chul says, "you need to be a monster if you don't want to keep living like a loser." Whilst Yeun Sang-Ho's film portrays a very real, contemporary problem in South Korea – parental/social pressures and limited job vacancies have led to a rise in local bullying – all his films are works of social critique which portray a more global situation. In "Pigs" we thus see an expansive, social hierarchy based on wealth; the ruling "dogs" and the subservient "pigs". This regime, which infects all social institutions, is enforced by the oldest all the way down to the youngest. Through them, violence is perpetrated against those lower in the social pecking order: the rich against the poor, men against women and humans against animals, who represent the lowest rung on the ladder and the most vulnerable."The King of Pigs" is blunt, unsubtle and pushes its ideas, themes and caricatures to every possible extreme. Women aren't only abused by husbands, but decapitated. Children aren't cruel to animals, but stab them repeatedly. Bosses don't underpay their employees, but beat and humiliate them in public. Like all good grotesque art, Yeun Sang-Ho deals entirely in extremes. Interestingly, the film's aesthetic limitations (low frame rate, small budget etc) only amplify its more grotesque aspects. The result is not only a film populated with freakish, disturbing characters, but one which taps deeply into a reality shared and suffered by many in our world. Elsewhere the film touches upon domestic violence, portraying it as a consequence of male disenfranchisement and male impotency (numerous studies have pointed to the correlation between male unemployment and violence toward women and children).Like an animated version of Pasolini's "Salo", every scene in Yeun Sang-Ho's film is drenched in overt brutality or quiet, unsettling angst. The film's nihilism, which only occasionally gives way to compassion, reaches its apex with Yeun Sang-Ho's final scene. Here the film pushes past the moral bankruptcy of late-capitalism to declare our entire species valueless. "Earth is covered by asphalt as cold as ice and by bodies colder that it is," a young killer muses. Yeun Sang-Ho's follow-up film, "The Fake", is equally misanthropic.8.9/10 – Superb.

S_Craig_Zahler although this received some good press and was supported by the excellent folks at subway cinema, this movie is heavy-handed, monotonous and badly made junk. i suppose it would be a novelty to somebody who has never seen adult animation, but otherwise don't waste your time. if you want smart and rich adult animation, go watch heavy traffic (bakshi), berserk, shigurui, my neighbors the yamadas, ghost in the shell: innocence or porco rosso.the king of pigs animation combines limited, inconsistent and ugly drawings (like king of the hill and beavis and butt head) with rotoscoping (tracing) and bad computer generated models. i saw this on the big screen and the animation is definitely the worst i've ever seen for a theatrical film-- and i saw cool world when it came out.like many bad korean movies, it is monotonously mean and there are stupid twists that undo the limited amount of characterization the writing provided (see also: the good the bad and the weird, the host, shiru). the characters are dull and one dimensional, the scenes are repetitive, the animation is awful and the overall experience tedious.

cblittle Oh dear. Where do we begin? Probably by suggesting that if you are going to get your movie translated and sub-titled into English, you get a native English speaker to tidy up the final version. Sadly, the subtitles in the showing I saw often made very little sense grammatically. It was like a bad web site translation where a literal translation is made but the syntax and context are all wrong. The inability to pronounce and understand the letter "L" also creating the wrong words; "fresh" where the word "flesh" was needed. The few women characters in the film can only be described as completely neurotic, screeching banshees. The animation isn't great either but I'm not knowledgeable about this genre and perhaps this is Korean style. The row of twenty-something Koreans in front of me did say much of the bullying and pressure issues were well represented. They did also spend a lot of time laughing and one of them was on his mobile almost the whole time!I am cognizant that there must be incredible difficulties for Korean film-makers to overcome and I hope they get the help they need to produce meaningful product that can be recognized as such by their international audience.