AniInterview Sorry, this movie sucks

Tedfoldol everything you have heard about this movie is true.

CrawlerChunky In truth, there is barely enough story here to make a film.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

kenbarr-ny As a movie, "The Jazz Singer" is not terribly good. However, Neil Diamond's music make it worth at least a look. Particularly relevant in these times is his hit "(Coming To) America, an anthem extolling immigration and the contribution of immigrants to American culture. The acting, however, is another story. This was one of Laurence Olivier's "made it for the money" flicks and Lucie Arnaz was tragically miscast. As an actor, Diamond is a great singer. I don't know what spoilers I'm adding here but I figure it's better to err on the side of caution.

jarrodmcdonald-1 Charter cable's on-demand service usually provides films airing on FLIX and those titles are separated by decade. Last night I selected the menu for the 80s, and I came across the Neil Diamond version of THE JAZZ SINGER, from 1980. Since Dr. Goldman had recently screened the 1927 and 1952 versions on TCM as part of the Projected Image Series without even mentioning this later, more modern one-- I decided to watch it. I had never seen it before.Early in the picture, after Diamond's character starts to go off on his own and sing pop music, he is traveling with his band to a club. On the way there, he finds out it's a black club (which is what he says in the movie). All the guys in his band are black, except for him. When they get to the club and go backstage to get ready, someone has the idea of putting him in black face so he will blend in with the rest of them. We cut to them performing on stage and Diamond is indeed in black face for that number. The camera pans to the crowd and all the patrons are black and they are digging the music. At some point, a guy in the audience realizes Diamond is Jewish, not black, and he is exposed for being 'different.'Personally, I did not find this scene to be offensive-- and I thought it was a rather clever way for the writers to come up with keeping that portion of the Jolson version in the story. I can't remember if Danny Thomas appeared in black face in the second film, but I don't think he did. Neil Diamond's THE JAZZ SINGER was not a huge commercial hit, but it made $27 million at the time of its release ($78 million dollars today using an inflation calculator) and it earned another $4 million with domestic television broadcasts. Obviously a lot of people at the time saw Diamond in black face, and it wasn't enough for the project to fail. The soundtrack went multi-platinum, too. So in a way, this version did have a significant cultural impact, long after the days of Martin Luther King and the civil rights era-- but of course, before our current stranglehold of political correctness.

tedg I like to see remakes, because in many cases you experience two films at once: the film you are watching of course, and the one you recall. Usually that prior one is pretty good. In this case, it IS pretty good, and historically important too.It was the first popular talkie, and not all talkie either. It was pretty amazing in depicting New York Jewry in a way gathered from the reality of the era, and on that score alone is fascinating. It was perhaps overly melodramatic, but suitably severe. And its "message" though simple wasn't quite dumb: that "jazz" music can be sacred work if delivered so. Along the way, we got (still!) entertaining songs. Now this. I do not know what prompted the remake. It seems that they simply had Neil Diamond and saw a fit. He is Jewish. He has a fantastic portfolio of songs, some of which seem written for the project, and he is at least a credible actor. So they tromped through the old script, modernizing as they went. They shifted the focus to the music and the self- discovery of the musician. The rift with the father is recast as upset over sex rather than jazz, something I think is a big mistake.And the script and production values (other than the songs) is horrible, Laurence Olivier embarrasses himself and us all every thing he speaks with some sort of faux stage accent. he is truly dreadful. Everyone is, save one, but he is the worst. The only good actor is on screen only a few times: he is the booker, played by Sully Boyar, and every time he shows up to speak, the sun shines. Doesn't kill the mold though.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

nolbar The Jazz Singer with Neil Diamond is one of my favorite movies. How can anyone say he can't act? Every time I suggest to my husband that we watch it, he usually doesn't want to because he reckons it is one of the saddest movies of all time. I keep saying "They are only acting and it does work out in the end after all" but I still have trouble getting him to watch it and I usually have to agree to watch 'Going my Way" first!!!! Neil Diamond in concert is fabulous. Neil Diamond acting is nearly as good. I also can't understand why Lucy Arnez didn't make it as an actress, having famous parents must be a disadvantage in some cases.