StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Dana An old-fashioned movie made with new-fashioned finesse.

utgard14 Brilliant scientist Janos Rukh (Boris Karloff) discovers a rare element called Radium X that has unusual properties. Dr. Felix Benet (Bela Lugosi) encourages Rukh to hand over his work on Radium X because it could be used for the benefit of mankind. But Rukh refuses to do so until his research is complete. After discovering the exposure to the element has made him radioactive and lethal to touch, Rukh turns to Benet for help. Benet creates a temporary antidote for Rukh and then promptly steals his research and presents it to the scientific community, which praises Radium X's healing properties. Enraged by this and his wife (Frances Drake) leaving him for another man (Frank Lawton), Rukh fakes his own death and uses his lethal touch to seek revenge against those who have wronged him.Another good Karloff/Lugosi film. This one is an early foray into science fiction by Universal. Karloff is marvelous as always. Lugosi gives a fine, surprisingly restrained performance. More proof that he was a better actor than he's often said to be. It's also a credit to the script that his character doesn't go the clichéd route of becoming a full villain. Actually, that's one of the more intriguing things about this movie. There are no clear-cut black & white heroes. Though the narrative often portrays Karloff as the villain, the "good guys" consist of two adulterers, two thieves, and an obnoxious old crow. That's to say nothing of a mother who betrays her son even after he restored her sight! As to the rest of the cast, Frances Drake is gorgeous and does a good job with a somewhat difficult part. Her legendary braless bounciness early in the movie will brighten anyone's day. Poor Janos was making the wrong discoveries, sadly. Frank Lawton is as exciting as dishwater. To be fair, these types of parts are always a hard sell. At least he's no Lester Matthews in Werewolf of London. Beulah Bondi is best in small doses as the butch buttinsky Arabella. Exceptional turn by Violet Kemble Cooper as Karloff's mom. Walter Kingsford is funny as Arabella's husband.Great sets, decent effects, good cast, and a smart script with interesting ideas. Not the best of Universal's 1930s horror films or even the Karloff/Lugosi pairings, but a very good one nonetheless.

mark.waltz In another Gothic castle on a mountaintop far far away, Boris Karloff is busy exploring the stars, searching for the secrets of the planets and what created the earth's core. He knows many gasses make up the earth's core, and in one discovery, gets to witness the big bang from millenniums before. Sharing this with disbelieving scientific guests, he convinces them to take him with them on a journey to Africa where he discovers "Radium X", a gas which turns him into "the touching killer" when it gets too deeply embedded in him. Bela Lugosi is along for the ride, but don't you dare call him "sidekick".This isn't as good as the two previous Karloff/Lugosi co-starrers, and even with a fine supporting cast, it ranks low on the totem pole of Universal fantasy/sci-fi/horror, at least amongst the ones released in the 1930's. Beulah Bondi is present as one of the scientists, guilty in Karloff's mind of pairing his estranged wife (Frances Drake) with another scientist (Frank Lawton). Violet Kemble Cooper, who resembles an older Dame Judith Anderson (and even sounds like her), gives a very melodramatic performance as Karloff's aging blind mother, crippled after assisting her son in one of his experiments.As for Lugosi, he's a total good guy here, out to aid Karloff who in a lucid moment seeks his help in finding a cure. There's one shocking moment where Lugosi refers to a sick African child as an unfortunate creature. Footage of this with Karloff in the head gear was later used for Lugosi's character in the campy serial "The Phantom Creeps". The film's horror doesn't come from the deaths here, but from the actual prediction that the earth is filled with such materials which was almost a decade before the bombing of Japan and the beginning of the nuclear age. For that, this is actually a film of foresight in which the fear might make you think what else exists out there that could destroy mankind.

TheLittleSongbird Perhaps The Invisible Ray isn't a great film, but there is much to enjoy still. The story is a little predictable, while the supporting characters are underdeveloped and not very interesting and I'm not sure whether some of the scientific ideas, while innovative at the time, are as easy to grasp or as relevant now as it was. These are just personal preferences though, and The Invisible Ray was still enjoyable even with those personal reservations. It is a very nice-looking film, original at the time and holds up now, with a great Gothic atmosphere, beautifully constructed sets and nicely done special effects(even from a present-day perspective). The photography fits with the mood very well as well. The Invisible Ray is atmospherically scored, the script is literate and the film moves quickly with few pacing lulls. The directing from Lambert Hillyer is efficient and neatly set-up, I also detected a little bit of a James Whale influence which I liked. There are some actors who don't really distinguish themselves in roles that don't really allow for them to shine properly. Frances Drake and Violet Kemble-Cooper are good though, while the top-notch performances of genre masters Boris Karloff and Bela Lugosi are the film's best asset. I do prefer their performances and chemistry in The Black Cat, but what really makes them worth watching here is how effortlessly charismatic they are and how they are in roles that actually suit them and their acting skills. In conclusion, very entertaining with great lead performances from Karloff and Lugosi. 7/10 Bethany Cox

bkoganbing Universal Pictures teamed their two titans of terror once again in The Invisible Ray. Boris Karloff and Bela Lugosi teamed many times, not always in the best of films. But this one is carried along on the strength of both men.Karloff and Lugosi are a pair of scientists, Karloff regarded as a quack and Lugosi considered one of the best. Lugosi is one of several people invited to Karloff's home for a demonstration of the power of his new telescope which plots the origin of a meteor that originated in the Andromeda nebula. The meteor landed in Africa and Karloff wants in on an expedition that Walter Kingsford and Beulah Bondi are planning with Lugosi. Of course Boris goes to Africa and discovers the fragments which he labels as Radium X, one hundred times more powerful than the stuff Marie Curie and her husband Pierre discovered. But what eventually killed them gets a hold of Boris and he becomes poisonous to the touch. Lugosi finds an AZT like antidote, which controls the symptoms. But the stuff eventually reaches Karloff's brains with some nasty results all around.Karloff plays his usual well meaning scientist whose experiments go terribly awry, he did that in any number of films and the Citadel Film series book on his films says that this was the first time he essayed that type of character. But Lugosi was cast far more offbeat. He's the good guy in this, you could almost say he was a Van Helsing type character up against sinister evil.The Invisible Ray shows both of the Universal stars to good advantage. Later on when they worked together or apart at poverty row studios the results were not as good as The Invisible Ray.