Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Nonureva Really Surprised!

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

eddie_baggins An ambitious little Australian film that seemingly came to existence from much persistence from its creator Hugh Sullivan and star Josh McConville, The Infinite Man is a film the overcomes it's obvious budget limitations to become an interesting/unique love story that while always watchable is sadly forgettable and in the end acts as a product that you can see will be inspiration for a Hollywood remake, such is the potential here.A hybrid of both the romantic comedy genre and the DIY time travel projects like Primer etc. The Infinite Man never really bothers to explain its science as it's more concerned with getting you engaged in the harsh realities of McConville's Dean's deep seeded and undying love for his girlfriend and sometimes ex-girlfriend Lana as played by Marshall. Dean is an OCD suffering socially inept man who struggles to maintain his sanity when the going gets tough while Lana is a woman who knows what she wants yet is unsure if she can get that from Dean. It's an interestingly played out romantic tale between the two as Dean try's to accustom himself to a life without Lana and then as the time traveling kicks in try's to realise what Lana needs from him, whatever being of himself is currently courting her. It's an intriguing prospect and a not always believable one, the more you think the more the story falls apart but these are usual staples of the time travel genre that aren't enough to completely derail what elements the film does right.The film features a witty and often inventive script and while McConville and Marshall perform amiable the star of this show is Australian acting staple Alex Dimitriades as Lana's ex Terry. Terry is a self-obsessed disgraced Olympian that carries his old javelin in the boot of his car (the javelin is the star of one of the films funniest scenes) and his appearance on screen is always a welcome addition to a film that benefits from his industry experience. The appearance of Dimitriades is what highlights the Infinite Man's largest weaknesses, McConville and Marshall while good just don't possess enough natural charm to really wow us into caring, if we to feel in love with these humans then The Infinite Man could of literally become anything including a sci-fi comedy classic.There is a lot of fine meditation on life, love and friendship on display in The Infinite Man and there can be little doubting of the care taken to get this story made for the big screen and full credit for all involved for this. The film can become a frustrating experience as you feel many a time that it's about to break the shackles and become something truly memorable but as the initially wonderful then sadly generically ended finale fades from view, you realise that greatness was close yet so very far away. Bring on the hopefully impending and improved remake I say.2 and a half javelins out of 5 For more movie reviews and opinions check into - www.jordanandeddie.wordpress.com

JvH48 Saw this at the Leiden Film Festival 2014 (LIFF). What will you do when given the chance to "repair" a failed romantic weekend by changing the past and reliving those days again in a new setup?? Though I found the end result disappointing, there were several positive elements in this film. Firstly, it did not waste resources in the making: 3 actors in total, a single location, and without a gadget overload. Secondly, the deserted sea resort offered an excellent décor with ample opportunities for seeing things from different angles, running parallel scenes in various rooms, and letting variants from the protagonists meet, or even see one copy meeting another. Thirdly, the successive chapters were clearly labeled "xx years later", a great help while trying to follow the story line while it developed in (for me) mysterious ways.On the negative side, I found the movie mildly interesting overall, not thought provoking in any way, no mind bending time paradoxes, at least none that I felt as challenging. The role of the gadgets (looked like EEG headsets, as used in hospital) was poorly explained, and I saw no one actually wearing them, so it is not clear what their purpose was in the proceedings. Devices and schematics might have looked highly technical for the average layman, but were in fact outdated for at least 30 years. The protagonists did not interest me at all, so I was not pulled in by the turn of events that this movie presented to us. It merely looked a bit unnatural, like finding a way to turn a basically good idea into a feature length movie without having enough material to fill the allotted time.All in all, I got less than what I had expected. (And I had serious problems to stay awake. It may not be completely the film's fault, but anyway it was a fact.) My fault may be that I've read too many SF books in my life, and usually observe that movies, within their limited time frame, cannot present a consistent plot without loop holes in the time travel section. For some reason, books prove to be a better place to design a believable setup with richer details. Anyway, the idea behind this film was fresh, the décor was very well chosen, the actors were casted well, and all did their best to cope with the script. Yet, I'm still surprised about the many good things other reviewers found in this film, all of which I regrettably overlooked (so it seems).

Danielle Wade The production was of a very high level, excellent sound and visuals- nice cinematography. Clearly a lot of thought went into the script, but in its quest to be intellectual, sacrificed some of the humanity of the characters. A lot of the quirks of the characters, the way the male lead ran, the vintage clothes, the references to Greek mythology and tantra all seemed very forced.Important philosophical questions about identity, why we love someone at different times in our lives and why/when we should give up on someone were partially raised but never really explored. By the end of it, I felt like a lot had happened, but I didn't care about the characters at all - I hardly got to know them. All in all, it felt like it was all style and little substance.

David Massey With a cast of 3 and barely more than one location, first-time feature filmmaker (and writer), Hugh Sullivan, has woven together a topsy-turvy time travel film that falls somewhere between 'Primer' and 'Groundhog Day'. The initial impression is of pure comedy with time travel as the incidental extreme that the main character (played by a fantastic Josh McConville) is willing to go to in order to keep control over his love life. The result is a complex, infinite loop that wowed me with every twist and turn. Though never stepping over the line into 'Thriller' or serious 'Science-Fiction', the logic of the storyline is mathematically maddening and the film does consider some truly heavy existential ideas like the result of jealousy on relationships and how fear of change and the desire to control others is almost always counterproductive. Ultimately, the film is just a ton of fun and, though it perfectly fits within the supposed film-festival mold, even the most novice of movie-goers would get a huge kick out of this one.