The I Don't Care Girl

1953 "The Wild and Wonderful Musical About the BAD Girl of Show Business!"
6.1| 1h18m| NR| en| More Info
Released: 14 January 1953 Released
Producted By: 20th Century Fox
Country:
Budget: 0
Revenue: 0
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This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen treatment for the life of Eva Tanguay, and Jessel is unhappy with what the writers present him.He tells them to look up Eddie McCoy, Eva's one-time partner, for the real inside story on the lusty and vital Eva. Eddie's version is that he discovered her working as a waitress in an Indianapolis restaurant in 1912, wherein singer Larry Woods and his partner Charles Bennett get into a fight over her and both land in the hospital, and McCoy convinces the manager to put Eva on as a single to fill their spot. She flopped, but McCoy arranges for Bennett to be her accompanist, and she went out of his life. The writers look up Bennett, now head of a music publishing company, who says McCoy's story is phony, and it was Flo Zigfeld who discovered Eva for his Follies.

Genre

Music

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Director

Lloyd Bacon

Production Companies

20th Century Fox

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The I Don't Care Girl Audience Reviews

Cubussoli Very very predictable, including the post credit scene !!!
ShangLuda Admirable film.
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Mandeep Tyson The acting in this movie is really good.
mark.waltz There's really a lack of cleverness in this "biography" of the forgotten "I Don't Care" girl Eva Tanguay who was a major vaudeville and musical revue star of the early 1900's. What had already been done (and much better) by Paramount with two films starring Betty Hutton about former stars Texas Guinan and Blossom Seeley became an imitation of her life which switched the facts around to make her more sympathetic than she probably was. Even with her as the leading heroine, she's not all that sympathetic, and pretty much a hot-tempered star who was notorious for her off-screen antics. In real life, Tanguay took a number away from the rising Sophie Tucker, while here, that is blamed on another star, played by Hazel Brooks, for doing the same thing to her.There's no sense in breaking the story down by producer George Jessel's attempts to film Eva's story by talking to two of the men who knew her best and trying to find the one she loved for years. David Wayne plays a drunken partner whose career fell apart as hers rose (think of a vaudeville version of "A Star is Born") and Oscar Levant an egotistical producer who claims his version is the truth. Other than the first version of the title song (performed as she ambles up from the stage to a box), the numbers are badly staged, the Ziegfeld Follies reprise of "I Don't Care" seeming more like something Marilyn Monroe would have turned down in present day character than something the real Eva would have done in 1906.There's not even enough novelty numbers to make this entertaining enough, even though Wayne does get to reprise "This is My Favorite City" which Dan Dailey and Betty Grable had done with more success in "Mother Wore Tights". In fact, there's really little story, and at under 80 minutes, this really never gets a chance to develop Eva as a real character and make her interesting beyond simply being an almost forgotten historical entertainment figure. Mitzi Gaynor does her best in the title role, doing what she's directed to do, but overall this ranks as one of her few disappointments.
ron-fernandez-pittsburgh What could have been a very good musical ends up being bunch of mixed up scenes that make no sense whatsoever. Fox had a good idea with the material, but somehow botched it up. A good vehicle for poor Mitzi Gaynor, and she must have very dismayed with what ended up on the screen.Fox Archives has released this recently along with other older films. Too bad they couldn't include the missing footage as it's very obvious scenes and details to the plot were left out on the 'cutting room floor', so to speak. The musical numbers, for the most part, are very good to excellent, even though they do not belong in the time element of the story. One very strange number, the second I DON'T CARE sequence, has Mizi changing costumes RIGHT IN THE MIDDLE OF THE ACT, and a character that was long gone, back in the scene. I'm sure this number was supposed to be a 'dream sequence', that would be the only reasonable explanation!!!! What did Mr. Zanack have in mind when he edited this film??? I know he was responsible for all editing of films under his regime. He also ruined the fabulous MM movie, NIAGARA along with sever cuts to THERE'S NO BUSINESS LIKE SHOW BUSINESS. And he was supposed to be a 'movie' person? I think not.
rowan1925 In spite of its imperfections, the film contains one of the most inspiring performances of any song in any film. Mitzi Gaynor becomes Eva Tanguay, insists on coming out into the audience, hits a star quality personality in the song "I don't care" when she sings - "Let down the gangway, for I'm Eva Tanguay, and I - DON'T - CARE!!!" I have tried to find this on DVD, but it does not exist. CAn someone get this changed??? Does it exist on CD or MP3 anywhere? I believe that Judy Garland sang the song in the film "Good Old Summertime" but I can't find that either. I have been remembering this song for over fifty years now, which shows how memorable it is. Not many songs have this power to impress itself on the memory, and it is only because of the great performance of Mitzi Gaynor, who is apparently still going today with live performances!
Williams Not the greatest of musicals I've ever seen, but I was fascinated by the combination of Mozart & The Johnson Rag. The intricate dancing was dazzling & I replayed this sequence several times. Turns out that the Italian lyrics were not the original ones but the combination of Mozart & jazz dance steps I thought were brilliant. One of the most intriguing dance routines I've seen. Being 20th C Fox & not MGM, this has never been given the credit it deserves. Oscar Levant, as always, was a bonus.