Alicia I love this movie so much

Actuakers One of my all time favorites.

Smartorhypo Highly Overrated But Still Good

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

MartinHafer This sort of film could only have been made late in Robert Taylor's career. That's because under the old studio system, he was one of MGM's stars and the pictures they put him in were all very well written and produced. "The House of the Seven Hawks", in contrast, is not particularly well written or produced and shows just how far Taylor's career had sunk after he finally left MGM. Although this film was distributed by MGM, it was made by a crappy old film company in the UK and Holland--a far cry from his fancified MGM roots.In this film, Taylor plays a schooner captain who is willing, when needed, to skirt British law. In this case, a Dutch undercover policeman offers to pay Taylor the then princely sum of 500 pounds to sneak him into Holland--and Taylor has no idea he's a cop. However, on the way, the man is found dead in his bunk--seemingly from a heart attack. When he reports this death to Dutch officials, he is taken into custody. After all, the authorities want to know why this man was trying to sneak back in the country. In addition, suddenly Taylor has acquired some 'friends' who also are very curious about what has happened not only to the dead man but some key he supposedly had on him or some mysterious overlay.All in all, the film has only a moderately engaging plot and is very low energy. As a result, it just plods along until it ultimately ends. Nothing fancy or special about this one--just a journeyman performance by an actor who deserved better.

bill-790 "The House of Seven Hawks" would have been much better had it been produced by Robert Taylor's old employer, MGM. Instead, the film turned out to be quite a disappointment for Taylor, a man who had been a major star for two decades. I will say this; the opening is quite intriguing. Taylor's character agrees to transport a man from England to the Continent by boat, and does so. After arrival, however, he soon discovers that this simple business deal is quite a bit more complicated than what he expected.Sadly, the film does not take advantage of this clever opening. From that point on, it is rather routine.As others have suggested, this ends up being a rather lackluster B effort not close to the level of the films Taylor made for MGM. In that regard, this movie is similar to the 1959 efforts of Alan Ladd, a man whose great success in the 1940s and early 1950s was followed by some very mediocre productions. (In Ladd's case, the actor himself was largely to blame due to very poor judgment regarding choice of film projects.)My admiration for Robert Taylor has grown over time. He was a better actor than many gave him credit for. (I recommend his performances in "Bataan" and "Johnny Eager.") Sadly, this particular movie, though watchable, did nothing to enhance his reputation.

bkoganbing The year before this film came out Robert Taylor's long term contract came to an end with MGM. His was the longest contract to a studio in film history. There was a clause in his release which gave MGM the option for two more films. With The House Of The Seven Hawks, Taylor did the first of his two films to fulfill that commitment.It was a film like The House Of The Seven Hawks that probably made Robert Taylor think about television as a venue. It's a routine mystery adventure film that would have been done years earlier by MGM's B picture unit.The House Of The Seven Hawks casts Taylor as an American expatriate running a charter schooner service over in Great Britain. A man charters Taylor's boat and asks him to take him to the Netherlands. On the way the man collapses and dies and upon identifying him through his ID as a Dutch police inspector, Taylor feels he's stepped in a nice bucket of fertilizer. Especially since he had no clearance to leave English waters.Now the film would have been over if Taylor had simply left things untouched, but did his duty as a citizen and just reported the death. But no, he finds some cryptic directions taped to the dead man's abdomen and thinks there might be something in it for him. That got him into even a bigger mess involving a gang of former Nazis and a pair of beautiful women.The villains in this film are taken right out of the Maltese Falcon with Eric Pohlman and David Kossoff doing their best as a pair of continental Greenstreet and Lorres. As for beautiful woman number one, Linda Christian is a gal working her own agenda the same way Mary Astor was doing. There are some elements in the story line that could have come from The Maltese Falcon.Beautiful woman number two is Nicole Maurey, daughter of the dead police inspector who thinks Taylor might have done her father in for a while. Donald Wolfit is the Dutch police inspector who takes the case over from Nicole's dad and keeps a close tab on Taylor.Stealing every scene he's in is professional informer Philo Hauser who makes a living at the art of the doublecross.MGM did not even bother to invest The House Of The Seven Hawks with color cinematography. Certainly that would have captured some nice Dutch countryside. The film was the sixth of seven films Robert Taylor did for director Richard Thorpe and the last one for they did for MGM. Seven films with the same director might normally qualify them as a screen team. Thorpe did three of Taylor's best heroic films, Ivanhoe, Knights Of The Round Table, and Quentin Durward. He also did from Taylor's halcyon days at MGM, The Crowd Roars and Tip On A Dead Jockey. They would team up again for Killers of Kilimanjaro, Taylor's next film which was released by Columbia. My guess is that Thorpe and Taylor were a compatible pair and that's why MGM assigned him Taylor's pictures.Not even Robert Taylor's devoted fans would say this was one of his best roles. MGM was simply trying to work out a commitment and didn't invest much in The House Of The Seven Hawks. I'll bet the inducement of shooting in Europe and maybe taking along Ursula Thiess to visit her family on the continent was reason enough to do this film. And Taylor never balked too much at doing anything.A European trip was a good enough reason for accepting any film offer. Still The House Of The Seven Hawks will never be ranked by anyone as one of Robert Taylor's top ten.

saintsday Very disappointing.Taylor was a very good looking man which netted him a good career in Hollywood and this film at least showed that he could swim! His acting ability did'nt amount to much but this film made no demands in that department.