Scanialara You won't be disappointed!

VividSimon Simply Perfect

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

dbdumonteil As an user pointed out,DR Kimble ,the fugitive ,might have been inspired by "the hangman"".As for me, I 'd rather think that Dudley Nichols -who took some of his inspiration for "stagecoach" from Maupassant's "Boule De Suif "- had thought of Javert and Jean Valjean in "Les Miserables" Bovard (the name sounds a bit French)appears first a rather unsympathetic character;he places duty over everything (we learn the reason why later in the movie),and understanding and compassion are words unknown to him :isn't he called "the hangman"?Curtiz's movie is first a psychological western -not an action-packed movie full of shoot-outs -in which a man learns humanity.Johnny unintentionally took part in a hold-up (in Hugo's novel,Valjean stole a loaf and was sent to the chain gang),he had to flee to another town where he was known as a good fellow,always ready to lend a helping man ."He made me a better man" says the sheriff Like in "it's a wonderful life" ,a man who's got friends is never lost.(Valjean became the mayor of another town and was considered a known and respected man,who helped the sick and the poor;but Javert was always on his heels)A true friend does not betray :even if she is told that at 24,she looks like she 's 30!The thirty pieces of silver (here represented by 500 dollars)trick does not always work.This is a very suspenseful film (notably the scenes with Tina Louise on the street),often moving,without a single real villain .With a nod to Alfred Hitchcock 's "the thirty-nine steps" (the handcuffs) at that.

King_man This is sort of a crossroads film where some on the way up (Lord, Parker, Louise) cross paths with a Taylor whose career is winding down. As a western, it's not your usual "shoot 'em up." Marshall Taylor, a man on a mission, arrives in town to arrest a murder suspect. The only problem is he doesn't know this man's identity. Enter Ms. Louise as the answer to his problem. Dangling a $500 reward for her identification of the suspected killer, he figures his problems are over. Only issue? They are just starting. With local sheriff Fess Parker and wanted man Jack Lord plus some other familiar faces in supporting roles, The Hangman is much more about dialog and character study than action. The ending was a bit awkward but the journey there an OK ride.For me, the most interesting element of this film was Ms. Louise. I'd only seen her previously as the breathless Ginger Grant, trapped forever (or it seemed that way) on Gilligan's Island. She is definitely a head-turner in this, her third movie, and does a fine job as a somewhat down on one's luck widow who sees more to Taylor than he sees in himself. One never knows why some actors move up the food chain while others sort of stall out. Between this release and Gilligan's Island were a bunch of Italian movies and some rather nondescript US B-films so maybe getting type cast as Ginger wasn't as career crippling as one might presume. Personally, I'd love to know if her trajectory might have changed if she had avoided the Italian phase and been cast in some mid-level US films instead. She certainly didn't embarrass herself in The Hangman and while we might have had to do without Ginger, I'd like to have seen how she fared in more substantial roles.

drystyx This isn't your typical Western, but it isn't exactly "atypical" either.This is actually more of a drama that just happens to be set in the West.In other words, you could put this on a stage in front of a live audience, and probably get the same production.And that's generally pretty good.We have a story line that really isn't the story line.The surface plot is Robert Taylor as a cynic who is trying to identify the fourth man in a robbery, a man we know early on played a very minor role, if any. The man is sentenced to be hanged.He finds that people don't want to identify the man, Jack Lord with blond hair. It's much like "The Spy Who Loved Me" in that it is a quest to have a man killed who probably doesn't deserve it.That's just the surface plot. In essence, Lord becomes the fourth character. The real plot is the romantic subplot that lays beneath the surface.The woman in the triangle finds herself in emotional turmoil over betraying Jack Lord's character to the law, which is represented by Taylor and Fess Parker.Parker is the younger, striking man who immediately sets out to make her his wife. Taylor is the older man who sets out to understand her and have a relationship.In this, we have a switch. The younger man becomes the solid, steady force, and strangely devoid of romance. He is a tall, handsome, affable fellow. What women call "a catch" in public, but in practice, they just can't find what the all "chemistry" with.Taylor's character, meanwhile, is full of charged emotion. While Fess is a "Earth", Robert is "fire".The story becomes the story of female romanticism. It is a very credible depiction, whether we like it or not.It isn't what I call a "great Western", but perhaps I judge it on the standards of usual action. It is actually a drama, one of those stage dramas that focus on a subject. It isn't dull, and the characters are three dimensional, like most golden age Westerns. It's very watchable.

mamalv I like this movie for a number of reasons. The first being it is a Robert Taylor western, which you can always count on to be a good movie.Taylor plays MacKenzie Bovard a feared marshall nicknamed the Hangman because he catches the bad guys and then "the law hangs them". He is after the last of a hold up gang, and this he says is his last job. He has missed out on life and wants to move to California to start again. He persuades Selah Jennison (Tina Louise) to come to town to identify Johnny Butterfield (Jack Lord). She is miserable and alone and eventually goes to town for the money. Bovard is disappointed that she arrives because when she did not show up immediately, he felt he had finally found someone who could not be bought. He treats her badly, but still feels something there. She is much younger in years but is loyal to Butterfield. When she goes to Johnny to warn him, Bovard follows her and a friend of Johnny's ambushes him, shooting him. Selah goes back to her room and is confronted by an angry Bovard, wounded and unhappy that he could have ever thought she was something different. She tries to make him believe that she is concerned only for him, but he rejects her. The next morning she awakes to find Bovard in her bed, and handcuffed to him. He tracks down Johnny with Selah still handcuffed to him, a good comic twist to a serious story. In the end Bovard shoots above Johnny's head and lets him escape. The sheriff, Fess Parker is in love with Selah and has asked her to marry him, but she rejects the proposal and goes to California with Bovard to start a new life. Taylor is great as the cynical lawman, who in the end finds that a young woman knows more of loyalty and love than he could have ever imagined. Tina Louise is good as the girl, and has some good scenes with Taylor, quite touching one minute and argumentative the next. Good western, and the first independent film Taylor made outside the MGM studio system.