Inmechon The movie's only flaw is also a virtue: It's jammed with characters, stories, warmth and laughs.

Portia Hilton Blistering performances.

Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Cheryl A clunky actioner with a handful of cool moments.

classicsoncall When you cast Audie Murphy, Jack Elam and Richard Jaeckel in a movie, it's pretty much going to be a Western, even if you put it on the ocean. As the story played out I had the distinct impression that it resembled Bogart's "To Have and Have Not" so I guess I shouldn't have been surprised that just about every other reviewer mentioned it on this board. The main tip-off was Everett Sloan in the Walter Brennan role as the alcoholic sidekick to Murphy's Captain Sam Martin. It's too bad no one had the Lauren Bacall part, but both Patricia Owens and Gita Hall were easy on the eyes, even if they didn't get to sashay to a Hoagy Carmichael tune.In many of my reviews of Audie Murphy films I usually mention something about his boyish good looks but this time one of the characters actually did it. When Eva Wahlstrom (Gita Hall) sidles up to the Captain for the first time on his boat she exclaims "Oh, you have such a baby face". Sam's wife Lucy (Owens) also remarks similarly later in the picture, but more along the lines of her desire to keep him safe, and not lose his looks altogether on a dangerous mission.Regarding Sam and his wife, their scenes together as a syrupy sweet couple managed to bother me for some reason I can't explain. Maybe it was just his way of getting the blonde floozy's goat at Freddy's (Herb Vigran) gin mill. If so, looks like it worked.Well the Bogart film gets relocated from the French island of Martinique to Key West and Porto Bello in this tale of Cuban revolutionaries and illicit arms dealers. You usually don't picture Eddie Albert as a villain but he does a pretty good job here as gun runner Hanagan, out to make a quick buck trading in Thompson Machine Guns at a grand a pop. I thought that was a little steep for the late Fifties, but I guess if you're looking to overthrow a government, money's no object. Besides, a lot could go wrong, and it did.Funny, but even though Sam made it back to dry land in one piece, I couldn't help thinking that the story wasn't over with. The authorities came calling on just the hint that his boat made it to Cuba that one time, but now there would be dead bodies floating around the Gulf of Mexico and old Harvey with the loose lips whenever the sherry started flowing again. Maybe another remake will take care of that little problem.

mark.waltz This being the third version of Ernest Hemmingway's novel "To Have and Have Not", it is updated to the Florida Keys of the late 50's where a revolution is going on in Cuba and a gun smuggling ring wants the use of Sam Martin's boat. Audie Murphy, who played himself as a World War II hero in "To Hell and Back", now takes on Bogart's classic role yet is about as far from Bogart in charisma as Cuba is from democracy. There is also the case of the missing vixen, the Lauren Bacall role in the original. Now, Sam is married (to a fairly feisty woman played by Patricia Owens) and runs a fishing vessel that is about to be repossessed for non-payment of dock fees. Everett Sloane takes on the comic relief role of Sam's drunken sidekick (played in the original by Walter Brennan) and gives basically the same performance that Brennan did. Eddie Albert is the bad guy, out to control or fleece anybody he can, and is accompanied by his mistress (Gita Hall) who adds the only heat in the film.While the action sequences are very suspenseful, the film seems like something that was being done on television crime shows, only expanded to 93 minutes for the big screen. Albert's villain is a seemingly likable guy who goes off the nice guy wagon the moment he is confronted in Cuba by a soldier wanting to see his papers. He gives a truly memorable performance. Murphy tries his best, but there is no escaping what he was up against, and the women in the film are simply stereotypes, particularly Peggy Maley as the drunk at the bar. Gita Hall as Albert's mistress takes the role played by Dolores Moran in the original and makes it appear more important than it is.

zardoz-13 World War II's most decorated hero Audie Murphy recreates the Harry Morgan role that Humphrey Bogart originated in director Howard Hawks' "To Have and Have Not" as a Florida Key West charter boat skipper who finds himself caught between a rock and a hard place with villainous arms smugglers. Clocking in at a trim 83 minutes, "Invasion of the Body Snatchers" director Don Siegel's "The Gun Runners" qualifies as a straightforward, no-nonsense, apolitical, maritime melodrama about a hard luck skipper who is literally living on a borrowed time. As Sam Martin, Murphy is so destitute that he hasn't been able to make a boat payment in three months, and the man who pumps his boat fuel hovers around him greedily in anticipation of getting his long overdue money. Nevertheless, despite these trials and tribulations, Sam enjoys a good life. He is his own boss, and he is married happily to Lucy Martin (Patricia Owens of "The Law and Jake Wade"), and he doesn't have a dishonest bone in his body.Siegel's film isn't half as good as either Hawks' classic or director Michael Curtiz's remake "The Breaking Point" with John Garfield, but it is still an interesting film, competently made, without flashy effects or thematic pretensions. The characters constitute a motley bunch, but the level of corruption in "The Gun Runners" is nothing compared to an earlier Siegel thriller "The Line-Up." "The Gun Runners" suffers from contrivance, but the narrative generates some suspense. The cast is stellar with Eddie Albert as a despicable villain, backed up by Richard Jaeckel. This United Artists theatrical release differs substantially from the Hawks' original and the Curtiz remake. Scenarists Daniel Mainwaring of "Out of the Past" and Paul Monash of "Salem's Lot" have altered several scenes and characters. Like the previous big-screen adaptations, however, "The Gun Runners" jettisons the chief complication in the relentlessly depressing Hemingway novel. Ostensibly, Sam doesn't lose an arm like his literary counterpart and he doesn't die in a gunfight aboard his charter boat with bank robbers.Like the earlier outings, "The Gun Runners" opens with our hero losing a fishing rod and line when a tourist lets a marlin run off with it. Peterson (John Harding of "The Joker is Wild") has spent ten days out on Sam's charter boat and he has had rotten luck. The last day out he hooks into a big one, but he fails to follow Sam's suggestion about handling the fishing rod and he loses it. In the original, the same character with a different name tried to skip out of Bogart, but he got caught in a cross-fire as Cuban authorities tried to round up revolutionaries. "The Gun Runners" is set in the days before the botched Cuban revolution and Peterson here never pays his bill. The authorities catch up with this bad check writer who has been kiting checks galores and Sam doesn't get his money. This bad luck frustrates Arnold (Jack Elam of "Gunfight at the O.K. Corral") because he was counting on Sam to pay him off. Along comes a happy-go-lucky fellow Hanagan (Eddie Albert of "Attack") who wants to rent Sam's boat. Eventually, Hanagan tells Sam that he wants to go to Cuba. Sam is already leary of Cuba and Cubans. Cuban revolutionaries have tried, as they did in the earlier versions, to charter Sam's boat for subversive activities against the government. In fact, the revolutionaries kill a cop when they try to persuade Sam to join their cause. Sam wants nothing to do with the revolutionaries. Like the other versions, Sam has a deckhand, a rummy named Harvey (Everett Sloane of "Citizen Kane"), who interferes in everything that Sam does. One character asks Sam why he doesn't get rid of Harvey and stop worrying about taking care of the guy. Sam replies that Harvey believes that he is taking care of him.Destitute for money, Sam agrees to land Hanagan and his girlfriend in Havana for an evening despite not having proper papers. Hanagan makes a deal with the revolutionaries to deliver weapons to them and he pulls Sam into the scheme. Sam learns too late that Hanagan has bought the note of his boat so Sam will have to take Hanagan back to Cuba to conclude their arms deal. Hanagan brings aboard a Cuban revolutionary who is supposed to take them to a rendezvous where they will exchange the money for the guns. The revolutionary learns too late that Hanagan had planned to double-cross him and a gunfight erupts on Sam's boat. Hanagan and his henchmen as well as the Cuban die and Sam catches a slug. Luckily for Sam, Harvey remained concealed aboard the charter boat and pilots it back to Key West. Harvey has iron-clad faith in Sam and Sam's moral values. "I knew you couldn't do it, Sam. I knew it. You know why? Because like I told Arnold, a man can't go bad if it ain't in him to go bad. And it ain't in you, Sam. Even if you tried it." Again, the performances are all good and Sloane is really good, but he doesn't surpass Walter Brennan in the original. Siegel maintains enough tension throughout the action, but he allows his protagonist to romance his wife and spend some time with the other characters at Key West.

verbusen I won't remember any lines or scenes from this film like I do from the Bogart film version of this Hemingway tale, but this is a decent film and worth watching for Audie Murphy and Don Siegal fans. I actually find this version more accessible for younger viewers as I feel that the Bogart version is chock full of clichés and it's also very drawn out, IMHO. This version because it was made in the late 50's can be related to a lot more then a film from the 40's, mostly because of the lack of street slang used in this version that in the Bogart film is outdated and forgotten. It's worth watching Murphy as the law breaker, he always had such a young looking average man's face, he will never pull the weight of a Bogart, but for me it's refreshing to watch as he looks very vulnerable, much more so then a Bogart is able to come across. I was able to follow this version a lot better as it was pretty straight, with the Bogart 40's films (and a lot of Noir from that time) they took an extra turn or two to add to the suspense but also could get kind of confusing and drawn out. Everett Sloane plays the rummy, and for me he did a great job. I'm sure that Walter Brennan has a ton of fans and probably won or got a nomination for his rummy role in the Bogart version, but for me he was annoying as all get out, so much so that because of To Have And Have Not, I cringe whenever I see him in a film thinking of that way over the top role he played. Eddie Albert has a decent bad guy role, and this may be one of his first as the villain although his career goes way back before this so I don't know, but his condescending villain in such films as The Longest Yard is displayed fully here. Jack Elam and Richard Jaeckel have bit parts that do nothing much for their resumes, and Robert Phillips another henchman on the ending scene is recognizable in the Star Trek pilot "The Meangerie" talking about the dancing green Orion slave women's sexual prowess with Captain Pike, as well as a pretty decent role in another Don Siegal movie, The Killers (one of my favorites). All in all it's a straight forward crime film about people that get drawn into crime during hard times. Murphy has nothing to be ashamed of in this film, and I rate it a 7 of 10 and worth watching.