Clevercell
Very disappointing...
SpuffyWeb
Sadly Over-hyped
SnoReptilePlenty
Memorable, crazy movie
punishmentpark
Sweaty performances, indeed! Did director Robert Aldrich turn extra spotlights onto his cast to recreate that simmering Kansas heat? In any case, Scott Wilson's rendition of Slim Grissom is uncanny, but the rest of the cast keep up more than plenty, of whom I would specifically like to mention Kim Darby, Irene Dailey and Tony Musante. You don't like the characters? Really? Do you never watch crime films, or do you like them as uninspired or flat as they can be? If you want to see a film about unflinching criminals, intense, gut wrenching drama, and a good dose of action, 'The Grissom Gang' is a one you may not miss. Touching on several intriguing issues (such as Stockholm syndrome), Aldrich pulls a tour de force on the viewer that has virtually everything, without it being too much. And then there's that bleak, bleak, bleak sense of humor that one might at times almost mistake for tastelessness... Plotwise, there were some silly decisions made by the otherwise brilliant gang (two murders that could be all too easily linked to them) - my only point of critique, actually.And I hád to rewind that casual briefcase knockdown by Robert Lansing a couple of times; be sure you don't miss it, even if it is just a bit of comic relief.A big 9 out of 10.
Woodyanders
The 1930's. Spoiled and snotty wealthy heiress Barbara Blandish (superbly played to prissy perfection by Kim Darby) gets abducted by a vicious family of depraved and dangerous outlaws. Complications ensue when the infantile, yet lethal and volatile Slim Grissom (a remarkable performance by Scott Wilson) falls for Barbara. Barbara soon realizes that she will have to do whatever it takes to stay alive. Director Robert Aldrich, working from a tough and biting script by Leon Griffiths, expertly maintains a tense and sordid atmosphere throughout, offers a vivid, grimy and credible evocation of the bleak and desperate Depression era, stages the sporadic shoot-outs and startling outbursts of raw, bloody violence with his customary flair, and further spices things up with a wickedly funny sense of pitch-black humor. Moreover, Aldrich and Griffiths score bonus points for their admirable refusal to either sanitize or romanticize the clan of ferocious and frightening criminals in any way; these folks are truly mean, scary and even downright grotesque. The thespians who portray this ghastly bunch all do sterling work: Tony Musante as smooth heel Eddie Hagan, Irene Dailey as fearsome, venomous matriarch Gladys "Ma" Grissom, Joey Faye as the jolly Woppy, Ralph Waite as the excitable Mace, and Don Keefer as the timid, laid-back Doc. Contributing equally fine supporting turns are Robert Lansing as shrewd, weary private eye Dave Fenner, Connie Stevens as brassy, cynical, dim-witted tramp singer Anna Borg, and Wesley Addy as Barbara's cold, disapproving millionaire father John P. Blandish. Better still, we've also got a strangely touching, albeit off-kilter central love story amid all the stark cruelty and unsparing unpleasantness. Gerald Fried's sprightly, rousing score, a jaunty soundtrack of vintage catchy 30's swing tunes, Joseph F. Biroc's sharp, polished cinematography, and the devastating downbeat ending all further enhance the overall sound quality of this supremely harsh, but still gripping and satisfying crime saga.
shepardjessica
This little gem of a film was treated as exploitation trash, but a fascinating kidnapping tale with unrequited love and dysfunctional family relations. Scott Wilson (so brilliant in In Cold Blood) is incredible as Slim, the lonely offbeat member of the gang who is somewhat understood (but very edgy). Throw in Kim Darby, Tony Musante, Irene Dailey (more demented than she was in Five Easy Pieces), and Joey Faye as Woppy, how wrong can you go?There's a good sense of time period. This film is nothing compared to Bonnie and Clyde, but closer to Thieves Like Us. Connie Stevens is an added attraction. Give these folks a chance. Rated 7 out of 10.
shark-43
Man, is this an early 70's movie or what?? Made around the time realistic brutality and violence were embraced, this film makes sure you embrace it too. The camera stays on the murder victims for a long period of time and makes sure the blood is red, REALLY red. Machine gun riddled bodies litter this fun mess of a movie. At the height of Kim Darby's fame, she gives it her all, desperately trying to make ridiculously written scenes work with Scott Wilson, who chews up the garishly decorated scenery. (Wilson's work with Robert Blake in IN Cold Blood still ranks as some of the finest in American film). The actress playing Ma is so over-the-top you gotta love it. It lookslike she was directed with Think Bette Davis!! She snarls, whoops, shouts, I even think they give her a moustache. And boy do they sweat in this movie. The lighting is designed to bring it out and everybody sweats. The cops sweat, the gangsters sweat, the stoolies sweat, even Connie Stevens sweats!
