Artivels Undescribable Perfection

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

JohnHowardReid Copyright 4 September 1936 by Paramount Pictures, Inc. New York opening at the Paramount: 2 September 1936. Australian release: 19 December 1936. Sydney opening at the Prince Edward: 19 December 1936 (ran 5 weeks). 98 minutes.SYNOPSIS: The Northern districts of China are being terrorized by the ruthless Chinese bandit chief General Yang. He and his twelve aides hope one day to rule the twelve provinces and subjugate China's millions. O'Hara, an American soldier of fortune, sides with the suppressed peasants, accepting the job of carrying a large sum of money to Shanghai to buy guns for their defense. He is to go to Pengwa, then fly to Shanghai where he is to meet with the loyal Mr Wu and Mr Chen, who are in contact with an American gun-runner named Brighton... Oxford, General Yang's chief aide, makes an attempt on O'Hara's life at Pengwa, but fails. He enlists the services of a cowardly American, Peter Perrie, to help him. Perrie plays on the sympathy of his daughter Judy, inducing her to lure O'Hara aboard a train. NOTES: Number 5 at Australian ticket windows for 1937. Tamiroff was nominated for a prestigious Hollywood award for Best Supporting Actor, losing to Walter Brennan in "Come and Get It". Milner's Cinematography was also Award-nominated, but lost out to Tony Gaudio's "Anthony Adverse". Also losing out were Boris Morros and Werner Janssen, defeated by Korngold's "Anthony Adverse" for Best Score. VIEWERS' GUIDE: Adults.COMMENT: A visual feast created by a master of the cinema, "The General Died at Dawn" is one of the most stylishly accomplished, pictorially exciting films of the 1930's. However, the story is not just an excuse for dazzling set-pieces. It provides wonderful opportunities for the players to shine in well-honed, highly memorable roles. When you think of the dozens of great performances delivered over the years by Akim Tamiroff, for instance, it would normally be a daunting task to select a single portrait that transcends many magnificent others. But fortunately the actor lent his talents to the title role of this movie — which makes selecting the ultimate front-runner easy!The same observation could be applied with equal veracity to other players, such as Porter Hall, William Frawley and J. M. Kerrigan. As for Cooper and Carroll, they make the perfect screen couple!Realized on a no-expense-spared budget, with stunningly imaginative sets, engrossing atmospheric photography, bizarrely off-beat editing, and a weirdly appealing music score, The General Died at Dawn provides thrillingly exotic entertainment in its every powerfully composed frame, its every brilliant stratagem of camera movement, its every breathtakingly novel cut, juxtaposition and dissolve.Formerly available on an excellent Universal DVD.

theowinthrop Made the same year as DESIRE, THE GENERAL DIED AT DAWN is closer to the norm of Gary Cooper's film image. Rather than the charm and humor of Borzage and Lubitsch's film, Lewis Milestone's movie concentrated on the straight and honest decent American that Coop played in westerns and adventure films. Here he is on a mission to buy weapons for the peasantry fighting one of the warlords who overran China between 1911 and 1931, when Japanese aggression became a centralizing force in uniting Chinese (except for Kuomintang v. Communists for awhile longer). The General here is Wang (Akim Tamiroff, at his most subtly threatening). He is aware that there is a scheme to arm his enemies, and he is making all efforts to scotch it by kidnapping the gun dealer (William Frawley - as said elsewhere on this thread in a performance that unfortunately mirrors his frequently mean drunk self), and finding the man who is trying to buy the weapons. Cooper shows early his "boy scout" honor by illustrating (to Russell Hicks, a glib, cynical traveler) what Wang's rule means to the peasants. He asks for a match, and Hicks says he hasn't any. Cooper knocks him down, and calmly asks for the match again. A furious Hicks repeats he said he has no matches. Cooper says he understands that, but what he just did to Hicks about matches is exactly what Wang does to the peasants for food, possessions, whatever he wants, and he treats them far worse than just knocking them down if they refuse him.Madeleine Carroll is the anti-heroine, the daughter of Porter Hall (a year away from killing Cooper as Jack McCall in THE PLAINSMAN). As sneaky as ever he encourages her to help preoccupy Cooper while Hall gets the money from him. Cooper does realize (slightly late) what's going on, and he does confront Carroll (who is not happy at her actions). Eventually there is a confrontation with Hall as well - which ends badly.Hall is not the worst figure in the film. Besides Tamiroff and Frawley there is also J.M.Kerrigan as "Leach" (an apt name), who is a blackmailing scoundrel only out for his own benefit. Like the other villains in the film he does a first rate job. So does Dudley Digges as Mr. Wu, the restaurant owner who is also the contact man for Cooper when he is supposed to get Frawley's weapons. Notice his comment about the pleasure of a particular Chinese dish. Also notice (briefly) the appearance of John O'Hara, the novelist, as a reporter early in the film. He is closer to "Samara" than to "Gibbsville" in this movie.The film's threads all come together in a mass confrontation on Wang's junk. The conclusion is one that only makes sense if you realize what an egomaniac Tamiroff's character really is.I like this adventure film, which is a worthy continuation of the story of China's fragmentation in those years to Von Sternberg's SHANGHAI EXPRESS. Definitely a film to watch and enjoy.

Benoît A. Racine (benoit-3) It's got the idealistic but hardboiled liberal-minded gun-toting man of action with a monkey on his back (literally!) who will probably end up opening his own café in Casablanca one day, the curvaceous, mysterious two-timing lady (from Shanghai, no less!), and, if you count Chinese warlords and American gun merchants, it's even got gangsters. That and the impeccable and moody black and white photography emphasizing some very seedy set-ups make it a very distinct ancestor of the film noir. Its slightly off-kilter sense of rhythm probably also inspired films like "Lady from Shanghai" and even "Last Year at Marienbad". As if that isn't enough, this is the film that gave us the wonderful line "We could have made beautiful music together". This film has everything, in spades: atmosphere you can cut with a knife, a sense of time and place, witty dialogue, innuendo allowing for mature human sexuality and its expression and a literary and politically sensitive subtext provided by American playwright Clifford Odets. The acting ensemble is peerless, even if it's Akim Tamiroff's show. Madeleine Carroll never looked or sounded better (she was a doll in "The 39 Steps" but she's all grown up here) and, as usual, Gary Cooper gives a legendary performance, aided by Wener Janssen's ethereal music. Extra bonus: The ending is one of a kind and may still shock some. This film is available on DVD as part of 5-film Gary Cooper Collection.

bkoganbing The General Died at Dawn, the title itself is enough of a giveaway as to what happens. But the circumstances leading up to the death of Chinese Warlord Akim Tamiroff is quite a tale.The setting for this film is Kuomintang China where the government of Chiang Kai-Shek doesn't have its writ run very far. Most of China in the Twenties is controlled by various provincial warlords. In fact a case could be made that the Chinese Communists under Mao Tse-tung was viewed as just another warlord. But that's a whole different story.American adventurer Gary Cooper has a money belt with a whole lot of cash in it entrusted to him by the opposition faction to Akim Tamiroff. He's supposed to make contact with William Frawley in Shanghai who when he's not drinking the hotel bar dry, runs guns. But Madeleine Carroll and her father Porter Hall who are working for Tamiroff help Tamiroff part Cooper from his money. In the case of Coop, he's real guilty of thinking with his gonads. Then Porter Hall steals the money for himself and the film gets real interesting.There's one big flaw in the film, occurring when Madeleine Carroll who starts falling for Cooper, refers to him as the "O'Hara Boy." O'Hara is Cooper's character name. Coop was 35 when this film was made and referring to him as 'boy' was ludicrous. But then again a man of 35 should have been on better guard. Film might have worked better if someone younger like Robert Taylor or Tyrone Power played the part of O'Hara. Or Clifford Odets's script should have given Carroll a more elaborate ruse to play on Cooper.Two major oriental roles were given to occidental players. Casting like Akim Tamiroff as the warlord Yang and Dudley Digges as Mr. Wu who employs Cooper would never happen today. But both do well and come to think of it Tamiroff does have an oriental strain in his ancestry.One bit of casting really hits home. By all accounts William Frawley was hardly the lovable tightwad Fred Mertz in real life. He was a misanthropic alcoholic in the tradition of W.C.Fields and a mean drunk when he was loaded which was often back then. His role as Brighton, the misanthropic, mean, and thoroughly racist gunrunner was way closer to the real Bill Frawley. Gary Cooper in The General Died at Dawn was playing a role that Humphrey Bogart would probably have done in the forties. It was always joked that Cooper's dialog consisted of 'yup' and 'nope.' But the way he gets himself, Carroll and Digges out of a real predicament in the end called for quite a gift of gab.