GrimPrecise I'll tell you why so serious

ThrillMessage There are better movies of two hours length. I loved the actress'performance.

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

cultfilmfreaksdotcom When Dianne Hull's otherwise energetic and sexy college student/disco queen Kelly wakes up in a mental ward (like Dorothy back in Kansas), surrounded by onlooking patients with endearingly unique personality traits, you'll think this was a heartfelt made-for-TV movie. That's until the full frontal nudity occurs within that fifth floor, a mental ward that isn't such a bad place after all.Except for Bo Hopkins as Carl, who seems like a nice enough attendant but he's dead-set after Kelly's body. He's already raped another inmate, that being scene-stealer and poster girl Shannon Farrell as Melanie. With shaggy dirty-blond hair and an eclectic range of emotions, she's the person most effected by what our main character Kelly should be more effected by: being stuck in a blue-walled purgatory that offers random electroshock therapy like peanuts at a ball game.Kelly, falsely accused of attempting suicide, had been intentionally poisoned. There doesn't seem to be any way out of the ward except one successful escape that doesn't last very long since Kelly's boyfriend (John David Carson) is in cahoots with the friendly head doctor (Mel Ferrer). Meanwhile strict nurse Julie Adams has real Nurse Ratched potential but turns out sweet and friendly, making Bo the sole antagonist.With frightfully promising taglines like "Once the door closes here, it never opens" or "The Nightmare is knowing You're Sane," it's much too cozy a cuckoo's nest for our sexy and vulnerable ingénue, who winds up teaching the patients how to disco dance and assert themselves... That is, except for Sharon Farrell's emotionally-scarred Melanie, stubbornly remaining the only worthy example of (what could have/should have been a much edgier version of a) character-driven 1970's exploitation that, despite the flaws and missed opportunities, is still somewhat intriguing. Other inmates including Patti D'Arbanville (BIG Wednesday), Robert Englund (the original Freddie Kruger), Anthony James (who starred in THE TEACHER also directed by Howard Avedis), and Earl Boen (the doubting Thomas of the TERMINATOR franchise) add little to the overall melodrama but it's a nice bouquet of character-actors nonetheless.

lazarillo A woman (Dianne Hull) is poisoned with strychnine while disco dancing (now THAT might have been an effective way to stop disco). Everyone (including her clueless boyfriend) takes her poisoning to be a suicide attempt and she ends up involuntarily committed to a co-ed mental institution where there is a lot of melodrama, but really little that goes beyond a typical 70's TV movie of the week. Her main antagonist is a corrupt male orderly (Bo Hopkins) who pressures her for sex. Her fellow inmates, meanwhile, include a young Robert England and an (apparently genuinely) pregnant Patti D'Arbanville.A lot of stuff in this movie seems rather preposterous today, but back in the 70's perhaps not so much. This movie kind of reminded me of the the contemporary theatrical film "Human Experiments" and the TV movie "Nightmare in Badham County". Dianne Hull was one of those very cute 70's actresses who appeared in a few things and then pretty much vanished into oblivion. This is perhaps her most memorable role aside from "Girls on the Road" (where she'd played a hitch-hiking teenager who almost has sex with "Papa Walton"). Her full-frontal nude scenes are about the only thing that separate this from a tame TV movie, but she does give a pretty good performance. And it's always fun to watch Bo Hopkins play a redneck villain even if he's not quite as memorable as he is in "White Lightning" and .This is probably not a movie that's going to make a deep impression on anybody, but it's entertaining enough I guess.

preppy-3 I caught this in 1980 as part of a double bill at a theatre. The other film was the sick "Don't Go In The House". This was only a little better but that's very faint praise.Supposedly based on a true story (I have my doubts) this is about a college girl who is wrongly sent to an insane asylum by a vengeful boyfriend. OK--just the basic premise is silly. Really--a BOYFRIEND has his girlfriend committed???? Where's her family? On what charges? So--right off the bat--it doesn't make sense. In the asylum we meet the yawningly familiar type of lovable psychos. We also meet the nasty orderly--he's played by Bo Hopkins so you KNOW he's evil. The film is filled with the regular pointless female nudity, a dull plot and pretty terrible acting. Only Hopkins (who is obviously having fun) even tries to give a good performance. For his acting alone I give this a 2. Otherwise it's pretty run of the mill and dreary.

adriangr The Fifth Floor is an engaging piece of work that was much better than I expected. Using a tag line like "From the disco floor to the insane asylum" is asking for trouble but the film deserves better than that.Dianne Hull plays Kelly, a friendly girl who works at a disco club (not sure what as!), who has a sudden seizure one night while dancing and is rushed to hospital. When it is found that she has strychnine poisoning, Kelly claims that she has been poisoned, but alas for her, no-one believes her and she is sent to a psychiatrist as a possible suicide, which, due to a few more misunderstandings, leads her to being incarcerated on the "Fifth Floor", which is a special secure ward for the insane. Can she establish her sanity and get out of the place and back to normality? What I liked about the film is that it plays the scenario of Kelly's plight out quite seriously. The more she complains, accuses the staff of lying and refuses to take treatment ( a very good performance here by Dianne Hull), the more deeply she gets herself trapped. While watching you find yourself thinking: "Yes I guess that's exactly what a mad person would do and say as well", and her plight struck me as all too believable. The biggest spanner in the works for poor Kelly is a corrupt and lascivious orderly called Carl (effectlively played by Bo Hopkins) who likes to sexually assault the younger female inmates and then blame their later accusations on hysteria. He takes a shine to Kelly and the two scenes in which he abuses her are quite unpleasant. Thrown into this are some good minor performances by the other inmates that Kelly befriends, including a pregnant girl called Cathy and a seriously unhappy and troubled woman named Melanie, played with genuine feeling and impressive intensity by Sharon Farrell.So, although the plot is nothing new (sane person committed to an asylum by mistake), the film does a good job of handling it. Although the situation is kept small scale, you can certainly feel for the central character, and with great performances all round and a couple of rather surprisingly brutal scenes, it all goes towards making "The Fifth Floor" a place you really should visit.