Jeanskynebu
the audience applauded
Rosie Searle
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Zandra
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Philippa
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
SnoopyStyle
Louis Aubinar (Bob Hoskins) is a photographer specializing in pictures of religious figures. He lives in Paris with his oddball sister Elizabeth and her crazier food like grinding up a whole swordfish. He does a favor doing a voice-over job. He is shocked to be dubbing porn beside fellow voice actor Sybil (Natasha Richardson). She confides in him about a depressed pianist (Jeff Goldblum). They worked at a restaurant and a spoiled girl offered Sybil a watch if she makes the pianist act happy. Sybil flirted with the pianist which improved his playing. The restaurant gained respect and then one night, the pianist became jealous of the violinist over Sybil and attacked him. He is taken to prison and now he is being released. Meanwhile Louis is having trouble finding the right Jesus until he sees the rain-soaked pianist in his window without knowing that he's Sybil's pianist.This is a weird movie. Dubbing porn is hilarious. The rest are strange and lovely. I really only laughed at the porno scenes. The movie is quirky but not outrageous enough to be consistently funny. The energy is a bit on the low end. It needs a faster pace and some more energetic music.
waltcosmos
This might be considered a spoiler although it doesn't give away the movie, it just describes one particular scene I always found totally hilarious. Hoskins is carrying a silver coffee service tray back to where Goldblum is so they can both have a cup. As he approaches Goldblum, Goldblum's face becomes a mask of fury and smashes his Jesus staff across Hoskins' head. Hoskins staggers and apologetically says "Ah cudn't rumembah if you took milk..." and then collapses...Now I have to write other comments because unless I meet the ten line requirement, even though I've actually said all I want to say, I won't be allowed to post this comment. How ludicrous is that? Too bad I'm not getting paid per word. Which reminds me. Why do you suppose IMDb has such an idiotic stipulation? Do you suppose THEY are getting paid per word? Anyway, Goldblum showed the exact same face of rage when he began wailing on Kieren Culkin in Igby Goes Down. And once again, it was for almost the same reason. Weird.
hokeybutt
THE FAVOUR, THE WATCH AND THE VERY BIG FISH (3+ outta 4 stars) I hadn't seen this movie for along time but I remember thinking when it first came out that it didn't have much going for it. Seeing it a second time I was really surprised at how much more I liked the oddball storyline. Bob Hoskins plays a nerdy church photographer who is trying to complete a photo series of famous Biblical characters. Unfortunately he hasn't found the right Jesus yet and his boss (Michel Blanc) is putting on the pressure. Filling in for an ailing friend, Hoskins finds himself doing voice-over work for porn movies... where he meets Sybil, the girl of his dreams (Natasha Richardson), in the funniest scene in the movie. Hoskins finally finds the ideal Jesus in a sad-faced homeless man played by Jeff Goldblum... who, after becoming famous playing Jesus, begins to think that he might *really* be. Many, many complications arise... and lots of extremely odd plot twists and bizarre characterizations. The movie definitely does not go where you think it is going to. The actors all do great jobs... and the script is filled with witty one-liners... and even a serious aside or two. Definitely worth checking out if you like unusual movies.
Phil-82
Totally disagree with the four reviewers in the IMDB, obviously grossed out on too many parochial "local" style movies. It is a witty subtle story and one too rare in the style of 'Tati'.