Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Cassandra Story: It's very simple but honestly that is fine.

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

HotToastyRag I, Claudius, the story of the stuttering, limping cousin and successor to the cruel Emperor Caligula, was never released. Filming was halted when Merle Oberon was in a terrible car accident, and for thirty years, the footage was locked away. Finally, as there was such a great mystery as to why the film was never finished, a documentary was released in 1965: I, Claudius: The Epic That Never Was. Dirk Bogarde hosted the documentary, and Emlyn Williams, Merle Oberson, Flora Robson, director Josef von Sternberg, and writer Robert Graves all gave their own interpretations of why the filming was stopped and never resumed. Alas, Charles Laughton and Robert Newton had since passed away. It's a very interesting hour, and all the original footage is included for the audience's viewing pleasure. Outtakes and misspoken lines are shown, as well as entire completed scenes, adding up to almost thirty minutes of footage from I, Claudius. Charles Laughton plays the title character, and he delivers what would have been one of the most memorable screen monologues, had it been released into theaters. He's so very pitiful as Claudius, and it's truly heartbreaking to see the other characters make fun of his flaws. I happen to like Charles Laughton and think he's very talented, so it was easy for me to be engrossed by his performance. Nothing's sadder than his pout; and when he's ridiculed, he never gets angry or has attitude, making him all the much more endearing.If you like Charles Laughton, definitely give this documentary a watch. You'll get to see a good semi-performance, and you'll be educated in film history.

mark.waltz "Clash of the Titans" has two things in common with "I, Claudius": two actresses who played the role of Roman empress Livia. Sian Phillips looked like a young Livia from the BBC production of Robert Graves' novel, playing a Greek queen, while Flora Robson from the unfortunate, uncompleted version had a cameo as a soft-spoken witch. Corruption in the courts of the ancient world were common place no matter what part of the world they were from, it was all the same. Poison was queen, figs could be dangerous when ripe, and fifteen year old girls could be insatiable nymphomaniacs. Such is the ancient world. Such was the renaissance world, and such is the modern world. The Alexander Korda production directed by Joseph von Sternberg never made it to completion, and this fabulous documentary explains why. What was filmed is presented, and four of the major characters are seen here: Charles Laughton's Claudius, Emlyn Williams' Caligula, Flora Robson's Livia and Merle Oberon's Messalina. So where are Tiberius, Antonia, Serjanus and Nero (among others)? Unseen here, either cut out of the final script or not yet cast or filmed most likely. What is here is a profile of British filmmaking, often overshadowed by Hollywood. Laughton's inability to find his character (although he had already played Claudius's adopted son/great nephew Nero), other principal casting, and ultimately Oberon's accident. What remains gives a glimpse into the four characters who made the later T.V. mini-series. Laughton, Williams and Robson are letter perfect in their parts, but Oberon is obviously wrong for the role of a teenaged girl. Dirk Bogarde adds class as the narrator with the surviving actors determined to share their experiences. This is a must, especially if you have just seen the T.V. production.

Matthew Kresal Having recently picked up the well known BBC miniseries of I, Claudius I was surprised to see this little documentary as a special feature. To describe it as a DVD special feature is an understatement of the highest order. The Epic That Never was is an amazing look at the first film attempt to make I, Claudius that reveals a lost film in all its splendor.Actor Dirk Bogarde hosts this collection of surviving footage, retrospective interviews and footage of the studio where it was filmed as it looked in the mid-1960's. The interviews reveal the thoughts and remembrances of several cast and crew members looking nearly three decades back on the doomed production with some interesting thoughts. All the while Bogarde gives linking narration and commentary on the surviving footage. Yet while all this is interesting it isn't the highlight of the documentary.The highlight of this documentary is of course the footage itself. The footage reveals a somewhat lavish production that could rival any of the epic films of the late 1930's. In particular is the performance of Charles Laughton in the title role especially in his speech in front of the Roman senate. If there is any shame to be found in the fact that the 1937 version of I, Claudius it is that most of the world never got the chance to see Laughton's performance and what influence it might have had.The Epic That Never Was is a fine documentary. With its interviews and narration it is better then many of the similar documentaries found on many dvds today. More importantly the footage reveals what could possibly have been a classic. For anyone who enjoyed the BBC miniseries or is curious to see how that tale might have looked go no further.

dbborroughs A look at never completed version of I, Claudius. This is a wonderful look at film making in the golden age, both as it was and as memory has made it. We get to see the stars and crew talk about a project that got away and how it still haunts them. This is one of the best films on films ever made, partly because it shows us what might have been a treasure, but also because it does what what movies do best, create an illusion of something that doesn't really exist. With a film like this, made decades after events, the mind is left to ponder what the aborted film might have been. From the few scraps of actual footage we expand it out to a completed film that might have been one of the greatest films of all time. Of course it all could have gone south as well, but the fun is in what might have been.... 10 out of 10A Personal request- would someone please put this out on DVD by itself, its stupid to make us buy the BBC miniseries just to be able to see this.