The Eddie Cantor Story

1953 "Big and Bright as Those Banjo Eyes!"
5.6| 1h55m| NA| en| More Info
Released: 25 December 1953 Released
Producted By: Warner Bros. Pictures
Country:
Budget: 0
Revenue: 0
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Film biography of entertainer Eddie Cantor, with Keefe Brasselle starring as the popular stage, radio and movie comic.

Genre

Drama, Music

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Director

Alfred E. Green

Production Companies

Warner Bros. Pictures

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The Eddie Cantor Story Audience Reviews

Pluskylang Great Film overall
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.
Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
Regina Wolfe-Parks I don't know where to begin except with George Burns quote on this movie "They managed to make Eddie Cantor's life look boring". From the misconceptions (he is called Eddie at age 13 in the movie wen in fact, he didn't change his name to this until he was 21.) as well as the very bad Jimmy Durante imitation that seemed like something out of a Saturday Night Live sketch (replete with the fake putty nose that looks even faker with a big screen high def TV). I couldn't get into the movie because of Keefe Brasselle's crazy eye rolling at the most inopportune times. I finally got through the movie thinking "Here's two hours of my life that I'll never get back". Eddie Cantor had a much more interesting life than what was shown here from his work with the March of Dimes as well as his film work, which was never even mentioned!!! Hopefully someone will do a much better biography on his life one day.
bkoganbing Not to be out done by his late rival Al Jolson, Eddie Cantor got a biographical film of his own. It's no more true to life than The Jolson Story in fact it may be less true. Cantor had his faults, but on the whole was a nicer person than Jolson. But in fact these films are only an excuse to hear the many songs identified with Cantor over the course of his almost 50 years as an active performer beginning with him as a child working in one of Gus Edwards productions for talented kids.Keefe Brasselle is superficially suggestive of Cantor and the lipsynching of Cantor standards is performed well. I don't think he came close to capturing the inner Cantor. Best in the film is Aline McMahon as Eddie's fabled Grandma Esther who raised him after he was orphaned.At least the Jolson Story got it right that Al Jolson was not the man's birth name, he's presented to us as Asa Yoelson the cantor's son (no pun intended) from the beginning. Eddie Cantor's real name was Izzy Ishkowitz, but that was never brought up at all. It's the biggest error of the film.The film stops in the early 30s and Cantor had at least 20 more years of active performing. It's adequate, but catch some of his films if you want to know what a marvelous performer Eddie Cantor was.
Mike-764 The story of Eddie Cantor with plenty put in and taken out by 1950's Hollywood standards. Here Eddie grows up in a tough part of New York City, living with his grandmother. He catches a break when he wins a local amateur contest and gets a part with a group of young performers in a traveling show. When he grows out of the role, he marries his girlfriend Ida and struggles in getting new parts. Pal Jimmy Durante gives him a break in a show out in Los Angeles and leaves Ida pregnant with his first (of five) daughters. He comes back from LA and manages to get a part in a Ziegfeld show and his career takes off despite the loss of his grandmother and the strain it puts on his and Ida's marriage.Plenty of liberties were taken with Cantor's life here, but the film is entertaining. Brasselle looks like Cantor but his performance isn't acting, its more on the line of an imitation. The fact that Cantor dubbed in all of the singing and the cameo by Eddie and Ida at the end of the movie are nice touches. It would have been nice to make more of Eddie's charitable work rather than condense it to 3 minutes at the end.Like I said, a good film, but one I would have liked to enjoy more.Rating 5 out of 10.
none-85 While this film is not as good as The Jolson Story, it is nevertheless very entertaining. Eddie Cantor dubbed the songs for Keefe Brasselle, and it is Cantor's great voice and the exciting songs that make the movie. Songs like Ida, Sweet As Apple Cider, If You Knew Susie, Potatos Are Cheaper, Margie, and I'd Like To Spend each Sunday With You are just great. Brasselle has taken criticism for his portrayal of Cantor, but he really does a pretty good job. Parks was better in the Jolson bio, but in fact, Brasselle resembled Cantor in appearance more than Parks resembled Jolson.