Matialth
Good concept, poorly executed.
Contentar
Best movie of this year hands down!
Matylda Swan
It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
zkonedog
In recent years, after directing films like Million Dollar Baby, Gran Torino, and Invictus, Clint Eastwood has established himself as not only a classic actor, but also director/producer. This little documentary sits down with Clint to talk to him about some of his films.Though not getting into any of Clint's personal life, this documentary spans his Dirty Harry, loner western, comedy/romance, and high-drama career turns over the past 30 years. Not all his films are covered, but the most iconic ones are. Clips of the films themselves interspersed with Eastwood's comments and recollections make for a highly engrossing format that will hook you in the first five minutes.Basically, if you are a fan of any of Eastwood's varied body of on-screen work, this is a DVD that needs to be in your collection pronto!
boblipton
This is a decent but completely unremarkable retrospective of Clint Eastwood movies -- at least of his work at Warner Brothers. It's told in the form of clips from his appearance in WB products, ranging in age from an early appearance of the TV show MAVERICK on through last year's INVICTUS.Despite a graceful narration from frequent collaborator Morgan Freeman, however, it is little more than a collection of clips and interviews with Eastwood in which he says pretty much what he has always said: that he makes movies he likes to see.His career has thus been a treat for those of us who like middle-brow movies, movies with strong plots that tell stories about people whom he makes us care about -- despite occasionally being just the sort of people who think we shouldn't sympathize with. So an occasional puff piece like this is a welcome time-waster.
Neil Doyle
And who's to blame for this? Why, CLINT EASTWOOD himself. And the script.He comes across as a man who strains to be vaguely articulate, one who's had enormous success at the box office with a string of violent films for decades now but has little to say about them except that he makes the kind of film he likes to watch. A simple philosophy. It's like a writer saying he writes the kind of stuff he himself would like to read. Okay. But that's the only perspective we get.Clint's off screen persona is strikingly similar to that of the equally soft-spoken and elusive Henry Fonda. He's a mild-mannered man who looks today as harmless as the guy behind the counter at the local pharmacy, totally unlike the sort of action-oriented figures he plays on the screen with such authority and presence. It's as though all those action years have sucked the energy right out of him.Fortunately, he grew up watching a lot of the old James Cagney/Humphrey Bogart films at Warner Brothrs, a studio where he himself has spent a lot of time over the past few decades churning out one macho action flick after another with little pause between. Occasionally he delved into deeper stuff with films like MILLION DOLLAR BABY, but his fans are really loyal because he gives them the kind of mindless action features they can all fantasize about. Good guys bring the bad guys down.But don't expect anything deep from either Richard Schickel's script or Morgan Freeman's narration if you want insight into what makes the man tick. No mention of his turbulent personal life except that he lives in Carmel, California and likes to walk along the sand and beach-front areas in casual attire while pondering how much violence he can wreck in his next film to ensure it hits box office gold.A simple-minded narration for a man whose life has got to be further explored to really give anyone a fair assessment of him, both as a filmmaker and a man. He's got to be more complex than he's presented here. The documentary is only remotely interesting when it concentrates on highlights from some of his most famous films. Even here, it fails to select the most impressive clips.Summing up: An unremarkable view of a remarkable man.
Vagabear
Just caught the premiere of this on TCM. There have easily been better overviews of Eastwood's career (the 2000 American Masters documentary 'Out Of The Shadows' is an excellent example) and it's easy to tear apart Richard Schickel's often sloppy style. But just to focus on a technical/aesthetic aspect of this production - who the hell was in charge of actually assembling the clips from the films? Eastwood's filmography includes films produced in just about every aspect ratio from full-frame to scope - and it's a TOTAL crap-shoot here whether a scene from a film will be properly letter-boxed or miserably pan-and scanned - or something in-between! (sometimes in a montage using scenes from the same film!) There were scenes from DIRTY HARRY that were pan-and-scanned, slightly letter-boxed and in full letterbox (it's a scope film) while others like A PERFECT WORLD (also scope) were in total, horrendous pan-and-scan - ruining not only the composition of the shots - but the beauty and impact of the scenes shown. These are just two of numerous examples throughout this production. This kind of oversight was simply inexcusable - especially from a man (Schickel) who is entrusted with how contemporary audiences see Clint's cinematic legacy. Next time hire somebody (like me!) who knows and cares that the examples shown are presented and represented correctly! Amateurish hack work beyond belief!
