Scanialara You won't be disappointed!

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

dougdoepke Despite the many unfavorable reviews, the first 15 minutes of this programmer are exotic and memorable. Take a look at the impressive outdoor set that places the nightmarish swimming pool in front of the majestic stairway leading up to the mansion's front door. All are full-size components of a single sound stage creation (listen for the echo), unusual for a movie of this type. Now, it's hard for me to believe that First National (Warner Bros.) would go to the trouble and expense for a series B- picture like this. But however that may be, the result is unusually atmospheric, particularly the eerie pool where any kind of mutant creature might be growing amid the ugly murk.Then there are the stylishly dressed party guests, a good look at high fashion, circa 1934. How the guest-suspects react to the fighting fish battling to the death in the mansion's many aquariums is how we get to know them. It's an offbeat idea that also shows how the mansion's inside is as strange as its outside. And when one of the guests mysteriously vanishes in the haunted pool, thanks to the weird build-up, I was ready to believe that the legendary dragon had gotten him.At that point, however, the screenplay collapses into a routine who-dun-it, and a not very coherent one, at that. Note how little interaction there is among the suspects after the murder. In fact, the comely Margaret Lindsey almost disappears until the end. Most of the dialogue goes to humorous throw-away lines from the froggish Sergeant Heath (Palette) and the raspy Dr. Doremus (Girardot). Nor, for that matter, does director Humberstone show any imagination in developing the characters or the initial atmosphere. Even the usually forceful Warren William seems uninterestingly subdued. Too bad a more stylish director and less pedestrian screenwriter didn't get hold of the material first. That way maybe we would have gotten more than just a promising start.

MartinHafer In the 1930s and 40s, there were a long series of detective films such as THE SAINT, CHARLIE CHAN, BOSTON BLACKIE and many others. One of the lesser series that never really seemed to hit its stride was the Philo Vance series. Much of the reason the series never really caught on was perhaps because several different actors played Vance (such as William Powell, Paul Lukas, Basil Rathbone and several no-name actors). In this early Philo Vance film, Warren William plays the sleuth. As a result, it seems very much like one of the Lone Wolf films--another detective series that starred William just a few years later. As a B-movie, its budget was relatively small and the film has very modest pretensions. Unlike some of these style films, Vance had no sidekick but there was, of course, a stupid detective--this time in the form of the wonderful character actor Eugene Palette--who was wonderful as the befuddled and slightly daffy cop. In addition, Robert Warwick played a cute small part as a coroner with some of the best lines in the movie!As for the mystery, it's not one of the better ones in the genre because I figured out who the murderer was before it even occurred. This is NOT a good sign for a detective film! By the way, I didn't figure it out because I am some genius (my kids remind me all the time that I am not), but because it just was too easy to figure out at the onset.Still, despite there not being a lot of mystery, the film moves at a brisk pace and is a decent and watchable film of the genre. If you're a fan of this style of film, then this is a must-see--otherwise, there is better entertainment out there if you look!

bkoganbing At one of those closed gatherings of suspects so popular in murder mysteries where a whole lot of the guests have good enough reason to do the victim in, George Meeker dives into a swimming pool and does not emerge. The disappearance is enough to call in the District Attorney, Robert McWade who just happens to be out on the town with famous private detective Philo Vance in this film played by Warren William. One thing about the Philo Vance series that I always found amusing was that the District Attorney and the police in the person of Sergeant Heath, Eugene Palette, never are too proud to accept and be grateful for the help that super sleuth Vance gives them. They were anticipating Adrian Monk by a couple of generations.Of course the body is found later on with the appearance that he may have been done in by something terrifying and unknown. The pool is not a pool in the usual sense, it's a dammed up stream and legends have it that a monster lived down there back in the days when the Indians were the only ones around.Philo Vance was getting into science fiction it seemed. But of course he does solve the case and the culprit is quite human with some very human motives for the crime.S.S. Van Dine for reasons I can't explain sold his various novels piecemeal to different studios. Which is why there are so many Vances on the screen. Warren William is one of the best of them.This particular Vance is not one of the best, but it's still a pretty good mystery though fans of mystery films I think will figure out early on who the murderer is.

aimless-46 "The Dragon Murder Case" (1934) is not nearly as weak as some of these comments would lead you to believe. It should be cut some slack based on when it was made (it has Code Certificate #109) and viewed from the perspective of its intended audience. At the time its claim to fame was as a murder mystery packaged inside a lot of clever misdirection. For today's viewers, these sorts of twists will seem rather routine. Not so forgivable are several huge plot holes but as long as you are suspending disbelief anyway….There is even a (Stanley) Kubrick-style subtext about Native Americans although they don't take it as far as he did in "The Shining".This is a Philo Vance story (basically an early version of William Powell's Nick Charles character) with Warren Williams replacing Powell. Williams is nothing exceptional but the supporting cast and the production design are quite good. Eugene Palette (Friar Tuck) steals all his scenes with the funniest lines and the best delivery; his stuff alone makes the film worth viewing. The quotes section has his line about women generally speaking. Helen Lowell has a lot of fun playing the loony grandmother; she was born in 1866-wonder how many pre-1870 actors can claim lines in a talking picture. Margaret Lindsay is extremely beautiful as she was in "Jezabel" (1938); beautiful enough to stand out from all but a handful of her contemporaries. Then again, what do I know? I'm only a child.