GamerTab That was an excellent one.

ChanBot i must have seen a different film!!

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

christopher-underwood This is all most enjoyable if insubstantial. It looks good and sounds good throughout. Jean Sorel effective, as ever, without seeming to put himself too far out. Just a raised eyebrow is often all he needs to do to convey to us his thinking. Bit bewildering at times with much flashing back and forth but the two ladies help, both Lucie Bose and Ewa Aulin as mother and daughter are easy on the eye, in and out of their clothes. Many films of this time had prolonged sequences somewhere in them where half naked lovers ran along a beach or galloped horses in the surf or ran into sunlight through cornfields but this film, at times, seems to consist of just those dreamy (but insignificant) moments.

Red-Barracuda A man called Giovanni is shot in an underground car park by an ominous old man. The rest of the story is told in disjointed flashbacks that piece together the scenario that resulted in this situation arising. It turns out that Giovanni is an idle playboy who has affair with his young wife's mother while holidaying in Morocco. The mother ends up taking up with an American drifter and Giovanni is consumed with jealousy; murder follows.The Double is a pretty interesting thriller. Its structure is one of the primary reasons why. The way in which scenes are edited together in a non-chronological way gives it a mysterious and dreamlike feel. The soundtrack accentuates this tone, seeing as it's a score that can best be described as breezy. The film benefits from the presence of Jean Sorel as Giovanni. Sorel starred in several gialli from the time and always seems to put in a solid turn. Also of note is Ewa Aulin as Sorel's young wife. Aulin had earlier appeared in the ultra-weird Death Laid an Egg, here she is also good and cute as a button; she even has time for an extended naked underwater swim, which was nice.This is a good film. It isn't a typical giallo; it's more of a psychological thriller. It's well acted and directed and it isn't particularly predictable. If you like Italian thrillers then you should like this too.

jrd_73 I saw this under the title Love Inferno about five months ago. It begins with a man, Giovanni, being shot in a parking garage. What did he do to deserve this fate? The film flashes back to show how things went wrong for this playboy. While on honeymoon in Africa, Giovanni meets the sexy mother of his (attractive) wife. Since the mother is played by Lucia Bose, I can understand the guy's predicament. The mother-in-law is, needless to say, appalled by the advances of her daughter's new husband and instead takes up with a young hippie type. Jealousy and frustration follow. I was certain where the film was going but turned out to be only partially right. Ewa Aulin, certainly no wallflower either, plays the wife. After only five months, I'm having a hard time remembering much about the film. It was okay but don't expect an erotic thriller - the film is lacking on both counts.

The_Void Like Luigi Cozzi's The Killer Must Kill Again, and Aldo Lado's Short Night of the Glass Dolls, Romolo Guerrieri's The Double has tried to do something a little different with the common Giallo formula, and like the latter film; this one isn't entirely successful, although it's certainly an intriguing take on Italy's finest style of film-making. The plot is narrated via a series of flashbacks, and while this gives the film a rather disjointed feel, the talented director ensures that every scene flows well and is relevant to the plot. The focus of this movie isn't on murder, despite someone being shot in the opening scene and it's always clear that the characters are the star of this show. The film revolves around Frank; the man shot at the beginning, as he lies in a pool of blood, he thinks back to how he got into that position - a story that centres on the mother of his nineteen year old girlfriend. Frank is an architect living off his father's allowance and he's also a jealous lover. He doesn't like his girlfriend seeing an American holidaymaker, also staying in Morocco - but he also can't resist the lure of his girlfriend's sexy mother...The Moroccan locale that makes up the first part of the movie is beautifully shot, and director Guerrieri delights in overlapping his beautiful scenes with a catchy score from Armando Trovajoli. The film doesn't include a lot of tension or suspense, but The Double does manage to retain the viewer's interest by way of the characters' motivations. The film bathes in the glow of the people in the story, and this is one of the movie' strongest elements. The Double is brought to life by Jean Sorel, who takes the lead role. While his character is something of an interloper between the others in the plot, Sorel does well with what he has. Lucia Bosé and Ewa Aulin are both good as the female leads, and the director delights in capturing as much of their flesh as possible. The fact that the movie doesn't feature the stylish murders or exciting chase sequences that have made the sub-genre famous will leave some disappointed; and I've got to say that's true for me. Films such as The Forbidden Photos of a Lady above Suspicion have proved that sex and characters can carry a Giallo, but this one doesn't quite manage it. However; The Double is an interesting film and one that fans of Giallo will not want to miss.