The Devil's Wedding Night

1973 "Dark desires unleash the legions of lucifer!"
5.3| 1h23m| R| en| More Info
Released: 01 April 1973 Released
Producted By: Virginia Cinematografica
Country:
Budget: 0
Revenue: 0
Official Website:
Info

The 1800s: scholarly Karl Schiller believes he's found the ring of the Nibelungen, which holds great power. It's at Castle Dracula. His twin, Franz, a gambler, asks if vampires frighten Karl; Karl shows him an Egyptian amulet, which may protect him. Franz takes the amulet and sets out ahead of his brother, arriving at the castle first. There he finds a countess who invites him to dine. Later that night, Karl arrives. Coincidently, it's the Night of the Virgin Moon, a night that falls every fifty years and draws five virgins from the surrounding village to the castle not be heard from again. Can Karl protect his brother, find the ring, and rescue any of the women?

Genre

Horror

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Director

Luigi Batzella, Joe D'Amato

Production Companies

Virginia Cinematografica

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The Devil's Wedding Night Audience Reviews

ThiefHott Too much of everything
Pluskylang Great Film overall
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Bezenby Mark Damon and his twin brother Mark Damon are academic types out to find the ancient ring of Nibelungen for reasons that passed me by. The two are quite different - one is a bookish, academic type who has an amulet to protect him and the other is a hunky type who steals the amulet and heads off to a creepy castle, stopping on the way to bed a local innkeeper's daughter. He gets her in the sack when she tells him that the local creepy castle calls five virgins from the village every year who fall into a trance and walk up to the castle. Hunky Mark effectively says he'll save her life by popping her cherry - looks like another Italian film with a feminist agenda is well underway.He gets to the castle and finds a dozy-looking maid who tells him that the sexy countess isn't around and he might as well have a trippy walk around the castle. After finding the tombs, and hearing strange screaming,he finds the maid dead in one of the coffins, and heads back to the castle to find sexy Rosalba Neri who is definitely not an evil vampire. Rosalba hits it off with Hunky Mark when she introduces the alive again maid, but to keep your mind off of why nothing up to this point makes any sense, Rosalba gets Hunky Mark in the sack for some filthy squeezy, then turns into a giant bat and bites him.By this time Nerd Mark arrives at the castle and doesn't believe Rosalba when she says his brother wasn't there. Just when you think the last scene is going to repeat itself Rosalba gives Nerd Mark some drugs and while he's rolling about laughing gets the maid in the sack instead and has her pour blood all over her naked body. Up periscope!This is all leading to the big virgin sacrificing scene where one brother has to rescue the other brother from a sexy vampire and although Luigi Betzella is associated with bottom of the barrel trash like the Beast in Heat, this is a decent film with a lot of effective scenes, and one particularly hilarious one of someone superimposed in front of a giant real bat. I'm not the hugest vampire film fan in the world so if I like it then it must have something good going for it.There are also a huge amount of nude scenes in this one too, most of them by Rosalba Neri. There's a rat staring at me. Not much else to say, except that the image of Roslba emerging from a crypt nude and covered in blood is one you won't forget in a hurry,
Michael_Elliott The Devil's Wedding Night (1973) ** (out of 4) Archaeologist Karl Schiller (Mark Damon) is doing research on a mythical ring that was apparently once owned by Count Dracula. Even though his twin brothers tries to talk him out of going, Karl heads off to Transylvania where he goes to a castle ran by Countess de Vries (Rosalba Neri) and her assistant Lara (Esmeralda Barros).THE DEVIL'S WEDDING NIGHT is one of the most popular EuroHorror movies out there but I'm going to guess the main reason is because of its public domain status and the fact that this film has been included in so many cheap releases that most collectors would have bought one of the various versions at some point in their life. That's not to say that this is a completely worthless film because it isn't but at the same time it's certainly not what one would consider a "good" movie.Like most European films from this era that deals with vampires, this one here has a rich atmosphere as well as plenty of nudity, sex and of course blood. There are some effective moments throughout the picture but the highlight has to be a sequence where Neri is bathed in blood before standing up where we get a terrific shot of the blood covering her body as the fog rises and covers here. Neri was one of the most beautiful starlets from this era and she's very effective in the film here. Obviously she's on full display in regards to the nudity, which is never a bad thing. Damon is also good in his two roles and Barros is effective as well.As I said, director Luigi Batzella does a very good job at building up some atmosphere and a few of the scenes are quite effective but at just 83 minutes there are still plenty of moments where the film becomes quite dull and talky. Even with that short of a running time the film seems long but the ending packs a nice punch. THE DEVIL'S WEDDING NIGHT isn't a masterpiece or even a good film but fans of Neri will want to check it out.
Boba_Fett1138 Of course this movie is not a great one but you need to see it in its perspective. Within its genre this movie still simply remains a good and original watch, that will most definitely please most of the Italian horror movie lovers out there.To me, this was a movie that was all about its atmosphere. It's a pretty odd movie to look at and follow but it's all very captivating. The entire movie had a dream like feeling and look to it, which was something I particularly liked about this movie.The story...well, it's all very secondary to the movie really. It's all about the way it gets presented and looks. The story in itself is nothing special really, or anything that makes you care about the movie, or for any of the characters that are in it. It's also quite slow moving at times and it definitely takes its time with some of its moments. Not that I minded this very much though. It actually added to the moody and hypnotic atmosphere and style of the overall movie. Horror-wise, this movie is also being very typical for an Italian '70's production, meaning that it's also a quite sleazy at times, in terms of its nudity and female characters. I still always amazes me that vampire movies so often have an erotic, lesbian undertone to it. It's not a movie with any scares in it but it's one that constantly builds- and relies on its atmosphere instead, which is something perfectly dark, Gothic and weird, in a good and original way.Something that is also really worth mentioning is its musical score by Vasili Kojucharov. No idea who this guy was but his music almost sounded too good and classical for a movie of this sort. It's true that you need to be into the genre to fully appreciate it but to me it was a great, atmospheric, little Italian genre film.7/10 http://bobafett1138.blogspot.com/
Witchfinder General 666 Italian Gothic Horror films from the 60s and 70s are usually as elegant, eerie and rewarding as Horror can get. While Luigi Batzella's "Il Plenilunio Delle Vergini" aka. "The Devil's Wedding Night" of 1973 is certainly no highlight of the genre, it is an enjoyable little slice of Sleaze that my fellow Eurohorror buffs should enjoy. Even though there are some brilliant Italian Gothic Horror films made in the 70s, one might say that the sub-genre had its heyday in the 60s, when filmmakers such as the inimitable Mario Bava, Antonio Margheriti and Riccardo Freda delivered the greatest contributions to the genre. In the 70s, the main focus of Italian Horror/Suspense cinema was on the equally brilliant and elegant Giallo-Genre; however, there were still plenty of Gothic Horror films being made, and those went with the time and were filled with the delightful sleaze that is omnipresent in 70s cult-cinema. "The Devil's Wedding Night" is a good example for this.One has to admit that the storyline is not the film's strongest aspect, as it doesn't make a lot of sense. In search of the legendary Ring of the Nibelungen, Karl Schiller (Mark Damon) comes to Transylvania where he inspects Castle Dracula, claiming that he does so for architectural studies. The stunningly beautiful and sinister Contessa Dolingen De Vries (Rosalba Neri), who owns the castle, immediately seduces him. However, the sexy Contessa has some unholy secrets... In the meanwhile Karl's identical twin brother (also Mark Damon), has followed him to Transylvania in order to look after his safety...As stated above, the story doesn't make a lot of sense. The film starts out extremely cheesy, but it gradually gets better and more entertaining. Italian directors have always had a particular talent to make their films visually elegant, even when the budget was low, and this film is no exception. "The Devi's Wedding Night" is beautifully shot in nice locations full of elegant and macabre set-pieces. The ravishing Rosalba Neri (credited here as Sara Bay) who is best known for her roles in other sleazy Italian gems such as "La Figlia Di Frankenstein" ("Frankenstein's Daughter", 1971) and "La Bestia Uccide A Sangue Freddo" ("Slaughter Hotel", 1971) and who is once again more than willing to take her clothes off, fits in the role of the Vampiric Countess very well. The rest of the female cast members are also beautiful to look at, and all have exhibitionist tendencies. Apart from her beauty, Rosalba Neri also has a great screen presence and the talent to be effectively eerie. The film includes all the essential ingredients of 70s Eurosleaze, such as gratuitous female nudity, lesbianism and lesbian Vampires, and bloody and perverted Satanic rituals. Leading man Mark Damon was in the greatest of Gothic Horror films in the sixties, including Bava's "I Tre Volti Della Paura" ("Black Sabbath", 1963) and Roger Corman's "House of Usher" (1960). He continued to be in the sleaziest of Gothic Horror movies in the seventies, including the visually stunning "Byleth - Il Demone Dell'Incesto" and this film. Overall, "The Devil's Wedding Night" is no must-see, but it certainly is a fun flick to watch for a fan of low-budget Eurohorror. 6.5/10