Spoonatects Am i the only one who thinks........Average?

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

MaximumMadness From Terrance Zdunich, creator of "Repo: The Genetic Opera", and Darren Lynn Bousman, director of the film adaptation of "Repo", as well as "Saw" II-IV comes the short film anthology "The Devil's Carnival", an insane, musical horror/comedy centering on three people who have died and ended up in Hell, where the must contend with various obstacles.This is an entertaining, yet highly flawed film.We follow John (Sean Patrick Flannery), a grieving father who committed suicide, Tamara (Jessica Lowndes) who trusts people too easily and was killed by her boyfriend, and petty thief Ms. Merrywood (Briana Evigan) whom was gunned-down presumably by police. All three awaken near the "Devil's Carnival", a twisted sideshow in Hell run by and populated by various demons, harpies and oddball characters, and of course headed by Lucifer himself. (Zdunich)Meanwhile, Lucifer reads to a young child from Aesope's Fables, narrating stories that mirror the struggles of the three main characters as they are forced into dark, deadly tests.The film is fairly simplistic and has a decent structure, and is populated by a handful of well-done musical numbers. (It is a bit of a Rock Opera, to be honest, similar to Repo) The musical numbers may not be too memorable, but they're an absolute blast, and are very well- written and performed.Characters are developed just enough for it's short 50-or-so-minute run- time. Although the only character you will really care about is John, as he's far more sympathetic than Merrywood or Tamara.The supporting cast (including Bill Mosely, Alexa Vega, Emilie Autumn and others as the cast members of the Carnival) are a lot of fun, but aren't really developed.And the camera-work, though decent for a short film, is a bit too chaotic at times. During the titular musical number "The Devil's Carnival", the camera seems to randomly glide around rather than follow any sort of direction, which kind of distracted from it.I also take issue with the pacing of the story. Well it is well- structured, the film bogs itself down too much in the first 10-or-so minutes, making the rest of the film feel needlessly rushed.But for what it is, it's worth seeing. The music is good, the characters are memorable despite uneven development, and it's a fine little short film.I give "The Devil's Carnival" a slightly-above-average 6 out of 10. Fans of Zdunich, Bousman or horror in general should check it out.

Pixie Noir A few years ago I was really into Emilie Autumn and I had seen Repo! around that time because of the Emilie Autumn fan group. But I really didn't pay attention to her after early 2011.I found out about a month ago that Emilie had a new album and stared in the devil's carnival, which I had heard was a great sequel to Repo!. I listened to the soundtrack even before watching the movie and adored it. I felt the songs and what I had seen of the fantastic costumes and make-up held up to my love of Repo!. But once I finally saw the movie, I was sadly underwhelmed.The concept was fascinating but it lacked a well structured storyline for each character in the carnival. I wanted more from the scorpion and I wish Emilie & The Bloody Crumpets characters had spoken parts. I just overall felt it should have been longer as well, it was too short IMHO. Maybe if it was longer the characters could have been developed better, who knows??? Still in love with the soundtrack, I'll hold that dear to me but never gonna get over how underwhelmed I was with the characters in the movie. If you love Repo! I probably wouldn't recommend watching this.

Elizabeth Wylie First of all, I've read through some of the reviews already on here and it just made me realise that the majority of these people didn't actually watch the film. I mean, they must have not? Some of the things they say are just completely ridiculous and wouldn't be said if they had watched the film.First of all, someone said this movie promotes victim-blaming. Uh, no it does not. The young girl goes to hell because she is naive, she trusts her abusive boyfriend over and over until it leads to her death. Her naivety even when she knows better is her sin, as is made blatant when she trusts Scorpion even after he kisses Painted Doll, and when she puts her trust in Lucifer at the end of the movie.The victims are tortured and ridiculed because it's hell. It's the age old assumption of what could be worse than death, and the older woman's nakedness and ridicule is, to her, what is worse than death. She is stripped literally and metaphorically of everything that corrupted her. It isn't mindless titillation, anyone who thinks so clearly has no analytically skills whatsoever.The aesthetics are incredible and the way they've combined Aesop's Fables with a Gothic-esque atmosphere works very well.The only complaint I have is it was too short. There wasn't enough time for character development and the only character I felt any connection at all with was the male victim.

Kim Hogue I loved Repo! The Genetic Opera so I thought I would at least like this. Did I? Well, the concept was interesting and there were, like, two catchy songs (one that played in the middle of the end credits). However, I didn't feel anything for the characters and I found myself checking the time throughout most of it. As for the music, I guess I was expecting more rocky tunes like the ones in Repo. I quickly learned that this is nothing like the movie I saw 20 times (and counting).The Devil's Carnival isn't the worst film ever, but it's not a film I would willingly watch again.