Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Phonearl Good start, but then it gets ruined

MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Drifteral99 I really enjoyed this movie. The acting was excellent throughout and the storyline gritty and lifelike. This is life at the raw end of the spectrum. The violence was visceral and essential to the plot. Some good sights of Edinburgh and the iconic Forth Rail Bridge.A tale of a violent man struggling to shake off his past, though it seems far behind him. When a contemporary from that past makes it all the more difficult to forget the haunting truth of 'another' life. Nick Dryden ,convicted gangster and man of violence emerges from prison a respected sculptor and marries a middle class journalist.Francesca Annis for me took the acting honours though all the male roles were almost equally well performed.Stott and Connolly both excel.As someone said already 'a debt well worth collecting', see it soon if you haven't already

paolo_piponi Great character story. No good guys and no bad guys, just human beings. Yes, we find it difficult to sympathise with any of them, but then it's not supposed to be an emotional story, just a series of character sketches. Connolly did not give a great performance and in many scenes where others might survive a close-up we see his head drop out of view (what's he hiding - lack of ability perhaps?). However, I would recommend it to anyone who likes sombre tales about ex-cons who do or don't make it. I'd like to see a remake with De Niro and Pacino - although I think they've already done it. What's it called?

choder I really can't believe how highly rated this film is on these pages. The plot seemed to be unnecessarily full of very obvious twists (who actually thought that the policeman had killed Dryden's son?) The climactic stabbing scene was too awful to watch apart from on fast forward, and the attempt at a happy ending just lodged in the throat. All the male participants were mentally unstable which ment that there was no sympathy for any of them. I can't believe that my local paper described it as "funny", surely some mistake?

re-veers The Debt Collector is a brilliant study of one man's attempt to escape his past without fully paying for his sins and one man's obsession which eventually takes over his life. Nicky Dryden (Billy Connelly) is the man with the past, a vicious debt collector. Keltie (Ken Stott) is the cop who ensnares him and puts him away. When Dryden is released he starts to make a name for himself as an artist and marries a beautiful reporter. Keltie cannot bear to see a man like Dryden living a lifestyle like that after all the horror he created. Dryden of course is a reformed man but is haunted by his past. His wife Val (Francesca Annis) seems to be the only one who understands. All Keltie had is his mother (Annette Crosbie) who is starting to suffer from dementia. When Keltie seeks revenge on Dryden on behalf of all his victims it becomes an obsession. Then Flipper (Iain Robertson) a young thug who hero-worships Dryden, becomes the catalyst for tragic events to unfold and nobodies life is untouched. You will never see a more intense study of obsession. The closest film comparison would be TAXI DRIVER, but that is the story of a loner. The men in Debt Collector both have responsibilities toward family and that is the source of the tragedy in the film. The performances are brilliant, Connelly, Stott, Robertson and Annis are perfect, with Stott deserving a special mention for creating one of the most complicated characters in Scottish Screen History. The Direction is tight, Neilson never once showing his TV roots. This is a film well worth seeking out.