Moustroll Good movie but grossly overrated

Reptileenbu Did you people see the same film I saw?

Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.

Kayden This is a dark and sometimes deeply uncomfortable drama

Paul Magne Haakonsen When I found out about this movie, my interest was peaked and I was thrilled to find out about what Midnight Syndicate would muster to put into this movie.And now having seen it, it is with a heavy heart that I must say that in my opinion, then Midnight Syndicate should stick to what they do so well, and that is making music - not movies! This movie was bad, plagued by a shallow storyline, unenthusiastic acting performances and generally a lack of appeal. I am sure that Midnight Syndicate meant well and tried their best, but the end result was just not that impressive.And more so, it was just downright tacky the way they were self-promoting themselves throughout the movie; such as the ring-tone on a phone was a classic Midnight Syndicate tune, and the mentioning of the band when someone was looking at vinyl albums. It was just too sleazy the way they were subtly trying to promote themselves through the means of the storyline.The story was mediocre at best, though it was heavy with stereotypical things, and it didn't really work out all that great. If they had stuck to just one type of classic horror creatures instead of two, it would have worked out much better. Either go with zombies or vampires, both of them together just doesn't really work out all that great.And what was up with the horrible fake wig plastered to Andrew Divoff's head? It looked God-awful, and I was laughing most of the time when he was on the screen because of it. So it was hard to take this movie seriously. And it was far from anywhere near the usual performances that Andrew Divoff delivers in movies. It was cool to see Tom Savini in the movie, though, and that much credit is due to the movie."The Dead Matter" is a shallow movie experience that is thick with self-promoting from Midnight Syndicate. And for a horror movie, then it turned out to be as far as it could be from being a horror movie. It sort of resembled a parody of horror at best.The one thing, and the best thing, that the movie had working for it, was - without any surprise - the music score / soundtrack. As always with Midnight Syndicate, you get some really great atmospheric and ambient music that emphasizes on the horror and occult aspect.

lovecraft231 It's a bit weird to me when a movie that's less than a year or at least a year old passes me by, or that I've heard of it but haven't seen it. Case in point: last year's "The Dead Matter." Directed by Midnight Syndicate main man Edward Douglas, and a remake of sorts of his earlier film of the same name that was shot on camcorder, I had heard good things about this movie, with Fangoria, Arrow in the Head and FEARnet singing its praises. So, does it live up to the hype? For the large part, yes.The plot goes a little something like this: Gretchen (Sean Serino) is morning the loss of her brother, so she and her buddies-Mike (Tom Nagel), Jill (C.B. Spencer) and Frank (Christopher Robichaud) hold a séance to bring him back. Well, what do ya know, Gretchen finds an ancient relic that can bring back and control the dead. Thing is, two warring vampire lords-Vellich (Andrew Divoff) and Sebed (Tom Savini) want possession of the relic, and vampire hunter McCallister (Jason Carter) wants to destroy it.If there's anything that harms the movie, its the fact that the actors playing our heroes don't do a good job. Serino tries her hardest, but she's just not that convincing as our lead protagonist, no matter how hard the movie tries to make us care about her plight. Meanwhile, Robichaud is hit and miss as the science loving Frank-sometimes admirably goofy, but other times kind of flat, while Nagel and Spencer feel like they're just kinda there.Apart from that, "The Dead Matter" is a lot of campy fun, and one of those movies I find myself disappointed that I didn't see it sooner. A fun mix of Gothic atmosphere and tongue-in-cheek black humor, the plot and events usually play like Hammer meets a horror-comedy from the 80's ala "Night of the Creeps" with vampires and zombies. Speaking of which, the dead here are interesting-the zombified Mark (Brian Van Camp) is amusing with his drinking beer and other goofy antics that thankfully don't suck, but most of the dead here of of the more haunting, specter like variety ala "Carnival of Souls." I find it refreshing to see someone who thinks outside of the box instead of constantly feeding us the typical zombies eating yards of intestines type of movie.Also, while our heroes are bland, everyone else does a fine job. Divoff is a hoot to watch (bad fright wig and all), while Savini makes the most of his time as his vampire rival, and Carter is a lot of fun as the vampire hunter out to stop them. Oh, and while not a gore-fest, you still get some nice scenes here and there (including an awesome bit with a jaw being torn off), though I must say the director must also be commended for not going overboard with splatter.So, will "The Dead Matter" win any awards for originality? Probably not. It is however, a refreshing little sleeper that shows what plenty of gumption and can-do spirit can accomplish, and for that, I applaud it. Check it out if you dig your Gothic horror with a sense of humor.

mousecavalier Ooeey Gooeey Cheesy Goodness. Please SYFY, you MUST show this movie on a Saturday Night time slot. Gather your friends for a Beer and Pizza party and get ready to laugh your butts off! Scary? Parts. Comedic? Indeed. Hot Chicks? Yeah..especially the one ogling Tom Savini. GRRrr. Boobtastic. So, get off your couch surfing behind and watch this film full of 80's satire humor and some bad ass Vamps and Post-Mortem Americans! Did I mention the creepy minds of Midnight Syndicate scored this film and the ultra goth Edward Douglas directed? Well, Duh! Of course he did..what other kind of a mind could ever bring back exactly what we have been missing in the horror genre? Thank you Mr. Douglas. I owe you a coke.

DriveInoftheDead As a fan of the musical duo Midnight Syndicate, I was thrilled to learn that Edward Douglas was working on a feature film entitled 'The Dead Matter.' I have followed the musical exploits of this group for over a decade and I looked forward to how their audio work would translate to the medium of film - with the chilling music they created it just seemed like a natural progression for them. Was it worth the wait? Most definitely – but there is a catch. First off it helps to have a healthy dose of Hammer Studios and Universal Monsters blood in your veins. If you grew up watching b-movies starring the likes of Peter Cushing, Christopher Lee, Bela Lugosi, and Boris Karloff in late-night creature features, then you'll totally 'get' this movie's vibe. If, however, you aren't cursed with a wickedly warped sense of humor (and fun), then 'The Dead Matter' might come across as just another off-beat vamp flick. For me, I totally jived to the old school approach to horror that screenwriters Ed Douglas and Tony Demci offered up. You can see how they were influenced by their horror forefathers, but they also give the film a groovy twist by injecting a bit of George A. Romero into the picture's undead veins. I've tried to think of another movie that incorporated vampires AND zombies into the same film and came up empty. Nice! Throw in the fact that the film is capably directed by Douglas, has a healthy sense of humor (you'll dig the classroom dream!), sports a likable ensemble cast including genre legend Tom Savini, not to mention some killer make-up effects, Midnight Syndicate's Gothic, Hammer-esquire score, some genuine scares (I was all about the creepy cemetery 'death is the answer!' scene) and you'll understand why this movie satisfies an old-school fan-boy like me.There were, however, a few minor points that I felt kept 'The Dead Matter' from becoming a classic film. For one, there were a lot of characters to keep track of – none of whom are fleshed out to their fullest potential. A little more backstory on the main characters of McCallister and his vampire adversaries would have been nice, as well as more history on Gretchen and her group of friends (not to mention the amulet). Likewise, some of the acting was hit or miss. I can't help but feel that some scenes might have been a bit rushed, resulting in fewer takes, so the actors weren't able to achieve the best performances they were capable of (Also – here's my idea: Douglas should have worked Vellich's horrible wig into the story somehow. Since he seems like such a vain vampire, seeing him put the wig on over nasty, patchy hair would have been a hoot. There was no way to hide the fact that he was wearing a wig, so they should have played it up rather than try to sell it as his real hair). One last point is the effects. While the make-up designs were amazing, some of the CGI was not entirely convincing. I also thought some more locations were needed and the ending was a bit too vague for my taste – but these gripes have more to do with budget constraints than anything and are minor issues that don't dramatically decrease the quality of the film as a whole.When the final bloodsucker is staked, I thought Edward Douglas's 'The Dead Matter' was a fun-filled horror-fest that mostly satisfied and definitely entertained – which is what Douglas set out to do – so in that regard, the film is a smashing success. The clever plot, the gnarly make-up, the perfect score (that had many nods to Midnight Syndicate's past), and a healthy mix of b-movie charisma make this film a refreshing change from the usual horror schlock that Hollywood churns out. It's always a thrill to see when a group of filmmakers 'get it.' For me, the dead definitely matter!As I mentioned above, the acting is a hit or miss affair in 'The Dead Matter.' Some of the actors came across as rather over-the-top (Divoff as Vellich needed to be de-fanged), many were somewhat wooden in their delivery (Sean Serino as Gretchen was pretty and definitely talented, but I just couldn't connect with her performance), and some, like Jason Carter as McCallister and Brian Van Camp as Mark were as solid as you can hope for. I can't come down too harshly on the cast as I feel like they were doing the best they could within the constraints of the script. Crafting more subtle, nuanced, and natural performances is something director Douglas will perfect as he grows as a director.For his first full-length feature film, I thought Edward Douglas did an admirable job. With the amount of money invested in this picture it would have been easy to buckle under the pressure, but Douglas definitely holds his own. The direction tends to get a little static in places, particularly when there's a conversation taking place, but thankfully Douglas makes up for it with an energetic style when the pace of the film picks up – and I know he will only improve as a director with each film he gets under his belt. Well done!