Smartorhypo
Highly Overrated But Still Good
Bumpy Chip
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Guillelmina
The film's masterful storytelling did its job. The message was clear. No need to overdo.
JohnHowardReid
Buck Jones (Sheriff Larry Williams), Miriam Seegar (June Denton), Charles Morton (Mart Denton), Erville Alderson (Jeff Denton), Hank Mann (Cock-Eye), Edward LeSaint (Amos), Charles King (Skeets), Inez Gomez (Maria), Violet Axzelle (Molly, daughter of Amos), Jack Curtis (Hank, the smith), Slim Whitaker (Steve), Vester Pegg (Mac), Charles West (bartender), Buck Connors (Jim Anderson), Bob Fleming (Slim), Charles Brinley, Bob Burns (settlers), Jack King, William McCall (townsmen), and "Silver".Director: CHRISTY CABANNE. Screenplay: John Tomas Neville. Story: Forrest Sheldon. Photography: Ted McCord. Film editor: James Sweeney. Sound recording: Bruce Piersall. Producer: Sol Lesser. Executive producer: Harry Cohn. Copyright 16 December 1930 by Columbia Pictures Corporation. A Graham Jones Production for Beverly Productions/Columbia. No recorded New York opening. U.S. release: 23 November 1930. 7 reels. 66 minutes. SYNOPSIS: A popular sheriff finds himself in the middle of a potential range war.COMMENT: The basic story has been filmed many times, but despite its familiarity, Mr. Neville has worked up a tight screenplay with many fascinating turns of plot. This well-knit script has been turned over to a bunch of skillful actors and technicians (among whom we must single out director Christy Cabanne and cinematographer Ted McCord). True, stuttering Hank Mann and heavily inebriated Jack Curtis join the cast to provide a bit of humdrum comedy relief, but not to worry because Mr. Jones is quite capable of carrying the whole story on his own broad shoulders. Nonetheless he gets good help from Miriam Seegar's sympathetic little heroine, Charles Morton's good guy turned bad and Erville Alderson's protective but one-eyed father. By "B" standards, production values are high, with enough action for the men, enough romance for the ladies.
oldblackandwhite
In well-mounted early talkie "B" Western, Dawn Trail, Buck Jones plays a good-natured sheriff caught between mutually hostile and well-armed camps of cattlemen and sheepherders. The lawman's situation becomes even stickier when he has to arrest the boozy brother of his pretty fiancé (Miriam Seegar) for the murder of a sheepherder. The big rancher father of fiancé and brother, played by stalwart character actor Erville Anderson, marshals a small army of cowhands to break the bad boy out of jail. All the while a showdown over water rights between the hell-bent cattlemen and the equally obstreperous sheepherders is coming to a boil.Dawn Trail is very serviceable little Western in spite of being plagued by all the creakiness of early sound movies, such as the hum of the sound camera's motor heard in the background and players having to speak unnaturally distinctly for the benefit of the primitive microphones. There is lots of action, but with a minimum of bloodshed and other violence. Characterization is quite good. As with all good stories, the well-developed characters drive the plot, rather than being manipulated by the plot, as in cheap potboilers. No doubt this picture was produced on a relatively small budget, but it was well used. Costumes are colorful and authentic-looking, though Jones' hat is about the size of a beach umbrella, and some the the women's outfits betray the influence of the late flapper era in which the picture was produced. Sets are likewise well-turned, especially the rancher's Victorian house. Credit prolific director Christy Cabanne and a solid cast for acting above the usual low standard for little Westerns. Tall, muscular, masculine and mild-mannered, Buck Jones was a handsome cowboy hero. Obviously an expert horseman, he once had his own Wild West show, and he even knew how to shoe a horse!Dawn Trail is an exciting, dramatically engaging, and colorful Western. Not a great one, but solidly entertaining. Lots of little atmospheric touches. Get an eyeful of the saloon floozy's dance in the opening scene! If you love Westerns from the classic, era you will eventually run out of "A" Westerns you haven't seen. There is, however, a huge trove of little "B" programmers to draw from, and Buck Jones' pictures are a cut above the rest.
