Cathardincu Surprisingly incoherent and boring

Pluskylang Great Film overall

Noutions Good movie, but best of all time? Hardly . . .

Dotbankey A lot of fun.

Dalbert Pringle Let's face it - If you're a Nazi, you're damned if you do and damned if you don't.This 1947, WW2 Drama (as told through the eyes of French film-maker, Rene Clement) was, in spite of its flaws and somewhat dry story-telling, at least worth one viewing.Certainly containing its fair share of Nazi stereotypes, The Damned (aka. Les Maudits) featured a truly despicable villain (former SS officer, Forster) who, before long, I just loved to hate.The Damned's story begins on April 18, 1945 (as WW2 was quickly coming to an end).A small group of wealthy Nazis (along with some tag-along French sympathizers) board a fully-crewed submarine just outside of Oslo, Norway. Their hopes are to, sooner or later, make a clear break all the way to South America. But, of course, a mission of this one's nature (especially with these particular passengers on board) could never, ever be expected to go exactly as planned.As predicted (pressed within the unbelievably cramped and crowded confines of the submarine) it doesn't take long for betrayals, double-crosses and flaring tempers to rise to the occasion.From Norway, to the North Sea, and along the English Channel, this jam-packed "sardine can" makes 2 unscheduled pit-stops on its way towards the Atlantic Ocean. And, as fate would have it, these brief stopovers prove to be the inevitable undoing of this particular mission.P.S. - After all was said and done in The Damned, I kind of wondered whatever happened to the cute, little black & white kitten who was also a passenger on this submarine. I hope that the good doctor was able to save it, 'cause I certainly don't think this putty-tat had any Nazi leanings.

Karl Ericsson I give this film five stars although I would rather have given it one star, because of the other reviews posted here. I cannot say for sure that this is René Clement's weakest film but it is by far not his best and it is the weakest I can remember to have seen. It contains the typical Nazi stereotypes that were maybe true, I don't know, but nevertheless boring. Had the Nazis all have been such idiots they could hardly have lasted six years in a war against practically the whole world. True, they were first supported by the west to scare off the Bolsheviks but later on they were pretty much alone against the whole world. When it came out maybe there were not that many films about Nazi stereotypes and so it must have seemed better thenö but I review the film from the impact it could have to day and in that lite it is at best vaguely interesting but on no account whatsoever comparable with Les yeux interdit, for example. I just went through the list of Clements films and of the ones I've seen, this is indeed his weakest.

Spikeopath Les maudits is directed by René Clément who also co-writes with Victor Alexandrov, Henri Jeanson, Jacques Rémy and Jacques Companéez. It stars Marcel Dalio, Henri Vidal, Florence Marly, Fosco Giachetti, Paul Bernard, Jo Dest, Michel Auclair and Anne Campion.It's the last days of World War II and a submarine full of Nazi's and fellow collaborators head off from Oslo bound for South America. Hoping to evade capture by the Allies, their plans are stalled when a depth- charge attack injures one of the lady passengers causing them to stop off in France to kidnap a doctor. Once on board the doctor realises the gravity of his situation and uses his medical knowledge to spread slow- burn fret throughout the submarine; just as news of the armistice breaks…A lesson in claustrophobic suspense and slow-burn psychological edginess, Les maudits riff's on the rats leaving a sinking ship with considerable success. It's a hot-bed of unsavoury characters, where political sin hangs heavy in the scratchy black and white atmosphere. Clément inserts the tension deftly whilst also garnering rich performances from the multilingual ensemble of actors. It all builds to a quite terrific ending that closes down the picture on suitably intelligent note. It's a hard film to pin down but if you get the chance don't hesitate to view it. 8/10

writers_reign If there were such a position as Poet Laureate of the Second World War then Rene Clement would surely be a strong candidate for office. Beginning with La Bataille du rail at the very end of hostilities he returned to it in Le pere tranquil, Jeux Interdits and Paris, Brule-e-til. Les Maudits is arguably the star in his crown albeit he 'borrowed' the idea of hell as other people from Sartre and it's hardly new to use a small space as a microcosm of a larger society nevertheless - and without the use of major stars - he is able to rack up the tension like the master he is in this Henri Jeanson scripted tale of what might be called a Ship Of Foils, a mixed bag of Nazis, businessmen, mistresses etc all for one reason or another anxious to get to South America via submarine at the tail-end of the war. They make two stops en route, once to hijack a doctor after one of the passengers is injured and once in Africa where Marcel Dalio - the sole 'name' in the cast - has a warehouse. Clement skillfully builds the atmosphere and explores the conflicts that inevitably develop and offers no respite. It might be a typical Hollywood 'bomber-crew' movie but it is far from a Hollywood ending. Excellent.