Supelice Dreadfully Boring

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

mark.waltz This '50's drive-in chick flick is a cheesy western with amateurish acting that takes all the bad girl exploitation films and adds on corsets while taking away the bee-hive hairdo's. An inappropriate use of dramatic music shows this for the clunky bomb it is. One of the girls sings a song about not trusting a man cause they'll betray you while a gun will stay with you until you die. "You kill like other women love men" one of the sisters tells another. That sums up the best dialog in this misfire where there is no real motivation for the girls robbing coaches and saloons other than the fact that men have exploited them. Not a camp classic, but enjoyable if you know what you're getting yourself into.

aimless-46 Like Howard Hughes' "The Outlaw" (1943), "The Dalton Girls" (1957) was a mixed genre film; a standard "B" western with very deliberate exploitation elements. Although both films attempted a tie-in to real western history, "The Dalton Girls" wisely soft-peddled this element; the only connection being that the four girls were sisters of the guys who started the Dalton Gang.Although almost any "B" western fan will enjoy the film, it is a must see for those who get off on cowgirls in tight jeans and gun belts. That was the film's drawing card at the time of its release and even today it doesn't get any better than Merry Anders, Lisa Davis, and Penny Edwards robbing stagecoaches and banks. Edwards is my all-time favorite cowgirl and does all the difficult riding stunts in the film. There is even a scene where she hogties a teenage boy. The film also features John Russell (who would soon star in his own television show, "Lawman") as an early anti-hero. He is an interesting mix of Richard Boone's "Paladin" character (tough but philosophical) and Bret Maverick (a calculating realist of a gambler). Sam Rolfe may have seen this film in pre-release and incorporated some of Russell's traits into the "Paladin" character he was creating. Oddly, the character's name is W.T. (Illinois) Grey but he claims New Orleans as his hometown. "The Dalton Girl's" moves along nicely and then kind of clunks to a stop with an extremely lame and rushed ending. The screenwriter (Maurice Tombragel) obviously had a lot of fun with this adaptation, and the story operates on two levels. There are some nice self-parody elements inserted throughout the story. The best is a scene where Lisa Davis is singing about how having a gun is better than having a man:"Oh you can't trust a man, because a man will lie. But a gun stays beside you, until the day that you die. Oh a man is a cheater, with his trifling ways. But a gun's always faithful, because a gun never strays. Oh a man is unfaithful, he will lead you to strife. But a gun is my true love, yes a gun is my life".Then again, what do I know? I'm only a child.

dougdoepke Actually this is not a half-bad Western if you're not expecting much, and certainly the title doesn't promise much in the way of artistry. What this B-flick has going for it are some well- staged scenes on the prairie and a couple of tough-minded chick scenes, especially the robbery episodes. The acting is uneven, to say the least. Merry Anders is fine as Holly, the leader, as is Lisa Davis as Rose, the second toughie. However, poor Sue George as Marigold should have auditioned for Leave It to Beaver. Maybe you won't have as much trouble as I did telling these "flowers" apart, but they do look alike and it can get confusing. Judging from the title, you'd probably expect more titillation than there is-- after all, this is the 1950's. Nonetheless, there is a legitimate feminist undercurrent even if much is compromised in the end. All in all, this minor production from a couple of old pro's (director Le Borg and producer Schenck) remains a rather interesting artifact as well as a fairly viable piece of period entertainment.

jim riecken (youroldpaljim) After the Dalton boys are killed by the law, one of the Dalton girls is forced to kill a lecherous mortician who tries to rape her. Being branded a murderess, the sisters follow in their brothers tracks and take up a life of crime. One of the sisters falls for a handsome gambler whom they rob and then develops second thoughts about a life of crime.THE DALTON GIRLS is one of the last gasps of the true Hollywood "B" western. This film is no different from a zillion other such films except that the outlaws are female. The box on the Fang video edition describes the film as a "J.D. chick western", and thats how the female leads play their roles; like they just stepped out of some biker flick. Aside from having the outlaws being females, there something to be said about John Russell as the slightly aloof and philosophical gambler Gray. Its little unusual to have the films hero to be a man who, while not a criminal, isn't exactly squeaky clean either. John Russell was a handsome actor with a very good speaking voice, but was also often somewhat stiff. Here he puts his stiffness, good looks and good speaking voice to his advantage. Otherwise, THE DALTON GIRLS is just another B western. Its not a film that is any good, but nothing about it is done really bad enough to make to someone hate it or provide unintentional laughs.