The Cremators

1972 "From the sun come the Fire-People to incinerate all mankind! Great Balls of Fire: Scorching! Ravaging! Engulfing!"
2.6| 1h12m| PG| en| More Info
Released: 06 September 1972 Released
Producted By: Arista Productions Inc.
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

An alien life form, resembling glowing rocks, summons forth a huge, rolling ball of fire, whenever threatened, that incinerates people.

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Director

Harry Essex

Production Companies

Arista Productions Inc.

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The Cremators Videos and Images
  • Top Credited Cast
  • |
  • Crew
Marvin Howard as Dr. Iane Thorne
Eric Sinclair as Dr. Willy Seppel (as Eric Allison)
John Barnum as Merv (as Barney Bossick)

The Cremators Audience Reviews

Lovesusti The Worst Film Ever
Lawbolisted Powerful
Tockinit not horrible nor great
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Woodyanders An evil lethal bright orange yellow fireball comes to earth and goes on a rampage in a remote lakeside area; the flaming thing rolls over various hapless folks and reduces them to ashes. It's up to nerdy scientist Dr. Iane Thorne (blandly played by Marvin Howard) to figure out a way to stop it before it's too late. Writer/director Harry Essex, who also wrote the scripts for the classic 50's fright features "It Came from Outer Space" and "The Creature from the Black Lagoon," pukes forth a 50's style micro-budget clunker that boasts all the necessary bad movie vices to qualify as a real four-star stinker: the flat acting from a lame no-name cast (flash-in-the-pan 70's drive-in flick starlet Maria De Aragon in particular just takes up space as fetching love interest heroine Jeanne), sluggish pacing, ragged editing, rough, grainy cinematography by Robert Caramico, meandering narrative, a roaring, overwrought score by Robert Freeman, several ludicrous touches (the fireball stalks people before it kills them!), and a hackneyed "it ain't over yet!" ending all combine together to create one laughably lousy and leaden lump of a total stiff. Only Doug Deswick's surprisingly nifty special effects manage to impress. A shamefully unsung crud anti-classic.