Plantiana Yawn. Poorly Filmed Snooze Fest.

Noutions Good movie, but best of all time? Hardly . . .

Claysaba Excellent, Without a doubt!!

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

jotix100 The political life of Nicolas Sarkozy is the basis of "The Conquest", a fictional work that examines the events in his life, before and after becoming France's president. There is a disclaimer as the film opens in which a warning informs the viewer this clearly an attempt to tell the story, not exactly what happened in real life.Nicolas Sarkozy, an ambitious man, was tapped by Jacques Chirac to be his Interior minister. At the time, M. Chirac had no intention of running again. He nurtured Nicolas, whom he found to be an astute politician with charisma and chutzpah, enough to capture the voting public's imagination. Sarkozy had a formidable opponent in Dominic Villepin, who had ambitions of his own. The story deals with the intrigues and obstacles surrounding these professional politicians.The story also zeroes in Nicolas relation with his then wife, Cecilia, an intelligent woman who besides being Mrs. Sarkozy, was his adviser. It becomes imminent the deteriorating relationship between Nicolas and Cecilia. They eventually divorced. The political animal Nicolas Sarkozy was, lost much more than Cecilia in the process.Xavier Durringer directs "The Conquest" more as a farce than a real portrayal of the man. There are glimpses throughout the story of his power and prominence in the French political life, but ultimately, the film feels empty as it tries to entertain rather than examine in depth the issues that brought M. Sarkozy to power.The director achieves a coup in the casting of the main roles. Denis Podalydes reminds us of Nicolas Sarkozy's posture doing an excellent impersonation of the subject of the picture. Bernard LeCoq is perfect as Jacques Chirac, the powerful figure in French political life. Samuel Labarthe bears an uncanny resemblance to Dominic Villepin and Florence Pernel does wonders as Cecilia.

ngreenha-215-109373 The Conquest has exceptional acting, a brutally honest script, no attempt to sweeten a power-monger from what he/she is. An top-notch case study in what the ultimate "Type A" personalities (presidential candidates) are like, Durringer succeeds with The Conquest where Stone failed with Nixon and W by over-sentimentalizing the ruthless, power-hungry nature of their subjects by emphasizing an altruism that's not really there. The fact that its subject matter may not be immediately familiar shouldn't deter you from watching the movie, as the characters are well-acted enough you'll be entertained anyway. Will you sympathize with Podalydes' version of Sarkozy? At times, as his character isn't a clear-cut hero or villain but a number of shades of gray in this docudrama-like approach that is much different than Brolin's version of W. The Conquest is the best political drama I've seen in years. I wish that it went on to cover Sarkozy's courtship of Carla Bruni, but I suppose that could make a good sequel.

Jan Willem Wilkens A president's rise to power. But I don't think it is very typical for Sarkozy. These are the motions for all political flyer's. (Obama is probably the same kind of bitch when the lights and cameras are off) Therefore it is very easy to ridicule especially Sarkozy. And besides bringing us actors who look like and act like factual persons we never know whether the dialogs is truthful or whether all actions really took place. That makes this film an easy way out for all parties: makers and viewers. But it also provides us with a film that is no drama. It is all puppet play. Having said that, the acting is good and the film is funny at times. With some nice camera-work, especially during the big election events.

richard-1787 The other reviewer spoke about how good the imitators are here, and it's true. The actors who play the parts of Chirac, de Villepin, and a few of the other roles, look a great deal like their real-life counterparts. But that wasn't what most interested me in this very entertaining movie. This is really a no-holds-barred presentation of Sarkozy as a monomaniacal, power-hungry little despot. I couldn't imagine such a film being made about a sitting president here in the US. Even Michael Moore's depiction of Bush during the 9/11 disaster, while it ridicules him, comes nowhere close to this sort of thing. Nor does Frost/Nixon, which of course was filmed long after Nixon left office.Where fact stopped and fiction/imagination begins I didn't always know. But this is one very devastating movie, all the more so because Denis Podalydes does not settle for some sort of caricature, which, given Sarkozy's personal ticks, would have been easy. He gives a very developed, well-rounded presentation of a rather frightening, and not really funny, individual - who could learn a lot about himself by watching this movie.