The Company of Wolves

1985 "The Desire...The Fantasy...The Nightmare."
6.6| 1h35m| R| en| More Info
Released: 19 April 1985 Released
Producted By: Palace Pictures
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

An adaptation of Angela Carter's fairy tales. Young Rosaleen dreams of a village in the dark woods, where Granny tells her cautionary tales in which innocent maidens are tempted by wolves who are hairy on the inside. As Rosaleen grows into womanhood, will the wolves come for her too?

Genre

Fantasy, Horror

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Director

Neil Jordan

Production Companies

Palace Pictures

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The Company of Wolves Audience Reviews

Lovesusti The Worst Film Ever
Contentar Best movie of this year hands down!
Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
gavin6942 A teenage girl (Sarah Patterson) in a country manor falls asleep while reading a magazine and she has a disturbing dream involving wolves which appears to take place in the woods visible from her bedroom window.How is it that after so many years as a horror fan, this title has escaped me? I may have vaguely heard of it, but certainly never saw it or had any reason to seek it out. Gee, I wish I had known about this much sooner.While the narrative is not very straightforward, and at times a bit confusing with its story-within-a-story structure, it is such a great blend of horror and fantasy. Horror fans get the werewolf, the gore effects, and some really cool transformation scenes. Fantasy folks get vibrant colors (especially red), and very dreamlike atmosphere.David Warner and Terence Stamp both have smaller roles, but add a bit to the picture that only they can. Angela Lansbury has a bit bigger role, though it is not one of her more flattering.As far as the so-called "wolf cycle" of the early 1980s goes, this has to be among the top three released at the time, perhaps second only to "An American Werewolf in London". Truly art in motion.
gogoschka-1 What a weird fairy tale: director Neil Jordan (Interview with the Vampire) seems to have had the intention of taking a Freudian approach to the story of 'Little Red Riding Hood'. The result is an almost surreal collection of stories about rather testosterone driven werewolves, who all have a little more on their minds than 'just' to kill. If you like old school practical effects and transformations, this film has 'em by the truck load (although they do seem a little dated by now). Not everything works in this strange tale; the mix of sexual symbolism, poetic beauty and gory horror moments seems a bit forced at times - but when it does work it's utterly fascinating. For fans of the weird and lovers of the pre-CGI era, this is a rare treat. 7 out of 10.Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/
BobforTrish Neil Jordan co-wrote and directed this mishmash of a story within a story within a dream within... herein lies one of the major concerns. What exactly are we watching? Beginning with a young girl's nightmare we journey through various tenuously connected - if at all - stories, flashbacks and sub-plots. we enter a nightmare world which is seemingly unbound by anything as urbane as geographical or historical context; realism being usurped by surrealism.Apropos of the general confusion Angela Lansbury's lilting accent seems to defy any attempt to pin it down to even a country let alone a particular district. Added to this is her propensity to chew the scenery in an attempt to play the doting grandma doling out words of wisdom to the strangely unlikeable heroine Rosaleen played by Sarah Patterson.There seems to be little in the way of a structured plot although the general ideas seem to involve the killing of werewolves and a rather strange updating of Little Red Riding Hood. The confusion continues scenically, chronically and symbolically.Giant mushrooms, haunted forests, a Rolls Royce, eggs hatching to reveal...? Settings, along with special effects are at times almost comical, at others rather unsettling. With little in the way of light-heartedness (oh how I prayed for Brian Glover to wrestle a werewolf!) and underlying - although frequently surfacing - sexual references the whole becomes a dark dingy effort which, even at 95 minutes seems overlong.As with other efforts by Mr Jordan I feel as though I have been invited to a private party where everybody else knows the in-jokes...
siderite I can't really seem to rate this film in any way. It is basically a filmed play, all the actors behaving as such and the sets created in that sort of style. The plot is using Red Riding Hood as a background, but all dark and adult, to tell a series of stories regarding wolves in people clothing. The structure is rather that of a dream, with confusing blending in of characters and icons.Even if it has scenes one usually associates with horror, like transformations of people into wolves (the first being one of the best and creepy I've ever seen) this is hardly a horror movie. It is more a dark story telling, perhaps akin to what the original Grimm brothers were writing. Elements of sexuality, betrayal, rage, insanity and violence are found throughout the film.Despite all that, the creepiest character of all seemed to me to be Angela Lansbury's granny. Devious and androphobic, the old woman is happy to use the pretext of caring after a young girl following the girl's sister gruesome murder in order to "educate" her into the ways of the world, where she must never stray from the path or trust strangers. Of course, this had some sense in the context of the movie, but brrrr.. what a spooky character, portrayed perfectly by the veteran actress.So, was the film good? I guess it was. Was it entertaining? Not really. The sets, the clothing, the storyline and the acting were all meant to create the atmosphere. In that sense it was mostly unique and successful, but I still can't say if I liked it or not.