Kattiera Nana
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Baseshment
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
Maleeha Vincent
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
gridoon2018
OK, I'll admit it: this film is so boring that I finished watching it in the space of three days - I just couldn't take more than 30 minutes a day. The story has no drive to it, and the final unmasking of "The Cobra", probably meant to be shocking, induces only a giant "Meh!". There are no exciting action scenes or stunts. The hero is scruffy and charisma-free, Anita Ekberg is hysterical (literally!), although she does briefly snap out of it at one point to save the hero's life; then she goes back to being a victim again. In short, you deserve a medal if you can get through this one - even Stallone's 1986 dud "Cobra" is better than this! * out of 4.
vjetorix
The movie starts off well enough with a cheesy rock score by Anton Garcia Abril that leads into a cool psychedelic credit sequence but it's all downhill from there. Peter Martell, who made a lot of spaghetti westerns, is a less than likable lead; a swarthy brute with John Wayne delivery who's always getting the gun knocked out of his hand. Martell is Mike Rand, an ex-Treasury agent who, we are told, was discharged from a high security post `for the good of the nation.' He must be a bad boy, all right.
Rand says `man' a lot and sweatily muscles his way into bed with the high-class likes of Anita Ekberg. Her name's Lou and she runs a women's spa when she's not shooting up drugs. Ekberg looks pretty darn good for a strung out junkie but she's not given nearly enough to do here.
The other big star, the one who's given way too much to do is Dana Andrews. Andrews is Kelly, Rand's boss, and he's in on a surprising amount of the action in the film. One wonders why, exactly. Andrews seems pretty deep into the sauce and his boot-blacked hair doesn't melt away the years the way they thought it would.To sum up, aside from a couple of bright spots, this is not really a good or fun film. You would have to be in a pretty tight spot to want to spend your time with Mike Rand, man.
