Matrixston Wow! Such a good movie.

Jeanskynebu the audience applauded

UnowPriceless hyped garbage

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Antonius Block Steve McQueen is the young upstart poker player, Edward G. Robinson an old master, Karl Malden is their friend and dealer, Ann Margret his flirtatious girlfriend, and Tuesday Weld is McQueen's. It's a fantastic cast – McQueen oozes cool, it's special to see Robinson at age 72 deliver a very good performance, Malden plays 'conflicted' well when he's pressured to fix the match, Margret is sexy and has a way of speaking with her eyes, and Weld is incredibly cute but also nuanced. To top it off, Joan Blondell is the backup dealer, and while her role and performance aren't amazing, it's very nice to see her and Robinson together again nearly three decades after 1936's 'Bullets or Ballots'.New Orleans is a fantastic setting and director Norman Jewison makes good use of it. I have to say, I was not all that jazzed about the scene with the cock fight, which is cruel. And, he's less effective in making the movie feel as though it's in the 1930's, but maybe that doesn't matter. The poker talk at the tables is pretty authentic, but I always find it amusing that the 5-card stud hands shown routinely in movies are extremely rare. The ending comes as a jolt and seems abrupt, but perhaps that's because I was thinking how interesting it would have been if it was revealed that Robinson was engaged in a nefarious fix with Blondell. As it is, the movie is about integrity and dignity, even in what may seem to be an unlikely place, amongst gamblers. Cheating, and accusations of cheating, are shown more than once to be signs of weakness, whereas real skill is cool and confident, and there is mutual respect between McQueen and Robinson's characters. How interesting that McQueen falters on the relationship side by being seduced by Margret, though even then he doesn't deny it or make excuses. It may be a little clichéd and it may have borrowed its theme from 'The Hustler', but it's an engaging, interesting film.

BoomerDT Somewhere I read that at the heart of it, deep down in their souls, all hard core gamblers really want to lose…that they enjoy the pain and angst. Personally, I think that's complete bullshit. But "The Cincinnati Kid" is a profile of a stud playing expert, one Eric Stoner, played by Steve McQueen in one of his most memorable roles. By 1965 McQueen had become a screen superstar, following the release of "The Great Escape" in 63 and he would have about a 10 year run of top notch dramatic classics that would also include "Nevada Smith" "The Sand Pebbles" "Bullitt" and "Papillion" among some other solid offerings. In TCK McQueen is paired with screen legend Edward G. Robinson, who is brilliant as "the Man" Lancey Howard, regarded as the top stud poker player of his era. Their characters are similar to their real life personas…McQueen, like the Kid was an up and coming superstar while Robinson, like Lancey was now entering the twilight of a brilliant career, but not ready to step aside yet.TCK has a superb cast. Karl Malden is Shooter, the Kids mentor and seemingly only real friend. Ann Margaret plays his incredibly hot wife Melba, a complete slut and gold digger. She's one of those women men can't resist, even though they know she will only cause trouble and Ann is at her absolute sexiest in this role. Tuesday Weld turns in a surprisingly strong performance as the Kid's girlfriend Christian, who has moved to New Orleans from a farm in rural La. She and McQueen are in love but they both know that his top priority in life is stud poker. Speaking of which, the marathon poker game which is at the heart of this movie is done superbly. Also credit director Norman Jewison for keeping this moving at a steady clip, 102 minutes. I could easily see where other directors could have stretched this out to well over 2 hours, give us a lot of back story about McQueen's character. But we get virtually none-the Kid really had nothing except his ability to play poker. Whether he and Christian have any future together after the game is left for the audience to speculate.

dougdoepke Poker whiz The Cincinnati Kid arranges a marathon showdown in New Orleans with the reigning poker champ, Lancey.The cast and crew manage to pull off a difficult cinematic trick—make action around a stationary poker table interesting. So does Lancey (Robinson) have that jack of diamonds in the hole or not. If he does, the Kid (McQueen) may be finished. Those hard-eyed stares give away nothing, but I'm sweating just watching. Not all the action is around the 5-card stud contest. There're a number of subplots, the best one being the struggle for Shooter's (Malden) integrity, pitting his sense of right and wrong on one side against the lusciously devious Melba (Ann Margret) on the other.It's a heckuva colorful cast with a good dash of local New Orleans exotica thrown in. McQueen's perfect as the quietly cocksure challenger, while Robinson exudes the self- assurance of a long-time champion. In fact, the plot's crux strongly resembles that of a big boxing match or an epic western showdown, except the stakes are big money and a poker crown. (Then too, I'll bet Robinson and Blondell {Ladyfingers} had fun talking over old times at Warner Bros.) Add the always reliable Karl Malden, a slimy Rip Torn (Slade) and a sweaty Jack Weston (Pig), along with the ravishing Ann Margret and the vixenish (not here) Tuesday Weld, and you've got a cast that could carry even a bad movie, which this movie definitely is not. Besides, there's that downbeat ending that nevertheless shows how losing can sometimes be winning.

Anthony Pittore III (Shattered_Wake) "The Kid" (Steve McQueen) is the up-and-coming new player in the stud poker world. He travels from game to game, usually with the help of his buddy Shooter (Karl Malden), only to clean out his competition in good form. When Lancey "The Man" Howard comes to town, the Kid and Shooter arrange a high-stakes poker game with some of the best players around to find out who the real king of stud poker is.There have been a number of solid poker movies throughout the years, with the most recent being the Matt Damon vehicle "Rounders," a film which basically spurred the "poker boom" back in the early 2000s (along with donkey Chris Moneymaker's World Series of Poker win in 2003). One poker flick that's never forgotten in the wide array of films in the subgenre is 'The Cincinnati Kid.' The film features one of Steve McQueen's most legendary performances (in a long list of great roles) and puts him alongside such other great actors like Karl Malden, Rip Torn, and oh-so-sexy Ann-Margret.One issue that has come along with this film is that it does feature a LOT of poker, but what really works about the poker scenes is that it's more about the characters than the actual game. The dialogue, the staredowns, and everything else at the table works so well that it never, ever gets boring. Away from the table, there are some terrifically formed bonds between the friendship of Shooter & the Kid, along with the Kid's relations with girlfriend Christian (Tuesday Weld) and Melba (Ann-Margret). Including this additional drama helps to round out the film into something entertaining and interesting for all viewers, whether they be poker fans or not.Overall, while I do, as a poker player and cinema enthusiast, prefer 'Rounders' slightly, 'The Cincinnati Kid' is one of the best films you can find on the subject. It's just a shame that McQueen wasn't around long enough to have a showdown between The Kid and Mike McDermott.Final Verdict: 9/10.-AP3-