Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

mark.waltz Sentenced to a horrific death by his evil father for cowardess, Canterville her Charles Laughton must find a brave descendent to be released from a family curse. 300 years go by with no luck, and with his abandoned castle now inhabited by American soldiers. the bored ghost does what the idol dead do: pass the time by trying to scare the living. It's no shock to the audience that ironically one of those Americans (Robert Young) has the family birth mark, and with the help of distant Canterville relative (Margaret O'Brien), Young fulfills his destiny, faces his own cowardess and aides Laughton in escaping from the curse which keeps ghosts earthbound eternally.A true crowd pleaser, mixing in comedy, slight horror and war propaganda, this features three great performances, two of which are by notorious scene stealers and hams. Laughton is showy but filled with touching philosophy, longing for eternal rest after 300 years of a living non death, and O'Brien only goes off on a screeching tangent once but out of necessity. Young proves himself as always to be the completely likable all American hero. Joining them are Rags Ragland as Young's best pal, Una O'Connor as the hysterical and superstitious maid, and Elisabeth Risdon as Obrien's kindly aunt. There's a great jitterbug scene (referred to as woogie boogie by two British locales), a funny attempted haunting sequence by Laughton (where he gets scared himself) and an encounter with a missile at the end which is both tense and funny. An absolute winner overall in my book!

maxvaughn Okay, I'm the first to admit this movie has almost nothing to do with Wilde's original story, but I can't help loving it. Like most versions of the story, this one is adapted for the time it was made in, so this one revolves around war and bravery. When I was eight years old I forced my entire birthday party to watch this movie and every year after they all always wanted to watch it. It's been a long time since I 've had a birthday party like that, but some of those friends have even gone out and bought the movie since then. We all had a little crush on Robert Young in this. Margaret O'Brian is fabulous sneaking around the Ghost's room and doing her bob of a curtsy. And of course Charles Laughton spitting in at the portraits of his cowardly kinsmen. The comedic timing is wonderful and there are great one liners. Best line: "I believe they call it woogie boogie".

tomcnewman While there are few movies that I wholeheartedly endorse, this is definitely one of them. It has been a favorite since I was a child and it still is. It was a patriotic film in World War II to get our minds off of the horrors in Europe. Charles Laughton gives a superb performance as a 300+ year old ghost. It is very out of character for such a great dramatic actor, but slides into his comedic role effortlessly and flawlessly. The comedy duo of Charles Laughton and Robert Young in this film will never rank as high as Abbott and Costello or Laurel and Hardy or even Hope and Crosby, but I see it as a brilliant discovery of comedy "chemistry". Had Hollywood developed this comedy team, I think we would see some Oscars from their efforts. This movie has a great plot, good character development, and fresh, clean comedy. This is a must for Margaret O'Brian fans. This is clearly her second best film (her best was "Meet Me in St. Louis"). If you are looking for space ships and aliens, you won't find any here. It's just great family entertainment.

timewing This review is somewhat biased, as I am an avid Robert Young fan, and have yet to see him in a less than stellar performance. Margaret O'Brien is also splendid, and it is hard to believe so much talent projects out of a six year old girl. Charles Laughton is memorable in his fine delivery of both pathos and comedic skills.A highlight of the film for me is the music played by the G.I.s. at a local party. Music is classic 40's 8 to the bar, visually punctuated with awesome jitterbugging by the soldiers. A proper female British spectator comments to an incredulous priest, "I believe they call it woogie boogie." It is unknown what what the song title or who the recording artists may have been, however credits list original music for the film as provided by George Bassman.