FeistyUpper
If you don't like this, we can't be friends.
MoPoshy
Absolutely brilliant
Casey Duggan
It’s sentimental, ridiculously long and only occasionally funny
Curt
Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.
professorminh
This sequel is quite awful to be honest. I'm a fan of kung-fu movies and this is by far the worst I've seen. Bride with White Hair 1 was actually quite good and this is a huge disappointment. BWWH 1 was brilliant in some ways with an unique odd-ball evil bad guy.The couple from the first movie played a small role in this movie. Instead the movie revolves around a bunch of uninteresting characters trying to seek revenge on their fallen clans. But there's no antagonist in this movie so the revenge is mute.The worst part to this movie is the kung-fu or lack there of. They literally had a street style knife fight. The character at the end refused to fight because there was lack of choreography.
victorsyrmis
The Best Chinese/Hong Kong Action flick you'll ever see. And it's 20 years old. Ronny Hu set the standard with this classic action packed HK spectacle. A must for budding action directors..
Puppetmister
There's some confusion in these reviews between the first and second movies. The sequel was rushed into production to capitalise on the success of the first, so obviously there is a drop in quality. Brigitte Lin did not "retire" as such, but got married, which in Hong Kong cinema often counts as the same thing - its seen as bad form if a woman has to work because it suggests that the husband is not providing. The rest of us know that acting in movies doesn't actually count as real work, but we almost lost Maggie Cheung to this odd syndrome, and even Michelle Yeoh retired for the few years when she was married to a big name producer. Anyway, Brigitte Lin is still fine in this film (great to see a woman "of a certain age" still given such a strong part in a HK film), despite her performance being simplistically villainous throughout. And Christy Chung is fantastic in a cigarette chewing pastiche of Chow Yun Fat. The gender politics in this movie are particularly striking - the men are mostly sexist pigs trembling in the face of female empowerment, while the women inhabit a man-hating commune where they are gradually eradicating the two-timing dogs from their world ("Men. I see one, I kill one."). Both are somewhat reprehensible in their own way, but in the Asian context, it is notable that many such films indulge fantasies of powerful evil women permitting spectacular displays of forceful sexuality which is always punished or destroyed at the end to return the gender balance to its patriarchal, safe norm. As such, it fits neatly into all the categories which have made Hong Kong films so fascinating and extreme to Western viewers.
muichimotsu
Much more action and a varied storyline makes the closing effort shine brilliantly.There is a wide array of new characters each woven into the fabric to make a smoother flowing piece.Gentlemen please pay homage to your significant other or else..Brigitte Lin is as always superb.she holds the camera with her patented stare.Sterling swordplay,great music and the support characters make this an enjoyable film..romance and unrequited love abound.The ending is pure magic.Hell hath no fury like a woman scorned..Great film.