Otavio-clubpenguin
I Consider the Realistic Animals Tom and Jerry era to start at Puss Gets the Boot and end in Sufferin' Cats.The Story is that Jerry is having some fun at the Bowling Alley, when Tom appears and wants to eat him, leading some fun and inventive gags, that didn't take place inside a House.This is Tom and Jerry first cartoon to take place outside a house. And for me, it's for the best, it allowed some new gags, that weren't seen in the earlier episodes, such as Jerry using a bowling pin as a baseball bat, Or Tom trying to catch a bowling ball like a baseball ball and gets smashed by it. Another Highlight was Jerry teleporting himself to other Bowling Ball inside another far away bowling ball.I recommend it to every Tom and Jerry fan.
Tweekums
This 'Tom and Jerry' short starts off gently with Jerry skating on the slippery surface of the alley; things don't remain gentle for long though as Tom appears and the two of them end up fighting it out as usual. Being in a bowling alley means plenty of violence involving heavy bowling balls and pins as well as the various mechanisms used to reset the pins and return the balls. Who has the upper hand switches between them although for the most part it is poor Tom taking the battering... frequently due to his own actions or stupidity... would any sane person try to catch a flying bowling ball!?This is a fairly standard 'Tom and Jerry' short although it benefits from the novelty of the location; if you are a fan of the duo I'm sure you'll have plenty of laughs here and if you aren't then odds are you won't. The animation is top notch with the balls given just the right amount of shine to make them look real and thus heavy; clearly the animators weren't rushing and making this on the cheap. The action is inventive as are the accompanying sounds; we hear a speeding steam train as a 'train' of bowling balls bears down on Jerry. Overall it is a fun cartoon than can be enjoyed by viewers of all ages.
Shawn Watson
This is one of the first Tom and Jerry shorts that doesn't take place inside a generic 1940s house but inside, as the title would suggest, a bowling alley. This new environment allows for fresher gags and more imagination. There are some inventive sequences and it doesn't resort to the ancient clichés of Jerry plugging Tom's tail into a power socket or putting his tail in a mousetrap.There are no humans to be seen at all and it appears that Tom and Jerry at alone in the bowling alley. Which is good. I find that extra characters such as stray cats and unseen humans (including the staggeringly un-offensive Mammy-Two-Shoes) to be a distraction. New locations, new torture devices and no diversions would make Tom and Jerry funny every single time. Too bad they mostly never really turned out that way.
Spleen
The Tom-and-Jerry shorts were unquestionably, UNQUESTIONABLY, the most violent cartoons of the golden age. I recall reading that, in terms of bashings, stabbings etc. per minute, the Pink Panther cartoons are the most violent, followed (not surprisingly) by the Road Runner - but we know better than to trust such statistics. It's the Tom and Jerry cartoons that make you say "ouch". This is a tame sample, actually, from the days before Tex Avery came to MGM. Orthodoxy (for instance, Leonard Maltin, "Of Mice and Magic") has it that even the cartoons directed by Hanna and Barbera perked up after he arrived, and orthodoxy is correct. This is still a good cartoon. Watch it, and you'll see the violence I'm referring to clearly enough.It's a clash between two forces that makes Tom and Jerry so bracingly brutal. Firstly, there's the detailed, polished, true-to-Newton realism. That bowling alley floor really is slippery, and the bowling balls really are heavy - one could get hurt playing with such things. Secondly, there's an element's somewhat muted in this pre-Avery cartoon, although it's still there - the hyper-exaggerated, sadistic anarchy which Avery brought over from Warner Brothers, back when that studio really was producing loony 'toons (mostly not very good ones, it must be admitted). Put them together and you have a bowling ball that will go out of its way to injure a cat, as only a cartoon bowling ball could - except that, somehow, it also behaves like a REAL, genuinely dangerous bowling ball. Ouch.Tom and Jerry were at their best in the years following this cartoon, when the balance between realism and cartooniness was precisely maintained. At some hard-to-pinpoint moment in the 1950s, the realism got lost, and the cartoons became unbalanced in the opposite direction.Another factor which enhanced Tom and Jerry cartoons, right through to the end, was their uncertainty. Usually, we side with Tom (the cat), who is mean-spirited but at least honest about it - and usually, it's Tom who is roundly walloped. But Jerry rarely emerges unscathed himself (unlike the Road Runner, or that unendurable creation, Tweety Pie). And sometimes, just once or twice, he gets the worst of the exchange. We suspect that Tom will somehow end up losing the battle, but we don't KNOW that he will - which, I suppose, makes his defeat sting all the more.
