Lovesusti The Worst Film Ever

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

blanche-2 John Payne worked hard to overcome his image as a handsome leading man by turning to more character-like roles in the 1950s, and actually producing a few films. He was effective, but like anyone else, he needed a good direction."The Boss" from 1956, written by the blacklisted Dalton Trumbo under the name of Ben Perry, could have used such a director. Based on the story of Kansas City political boss Tom Pendergast, it tells the story of this powerful man whose reign lasted from the end of World War I to the beginning of World War II.Some of this is fiction, and some is fact. The personal life situation is fictional. In this film, the main character, Matt Brady (Payne) marries a woman, Lorry (Gloria McGehee) described by him as a "beat up alley cat" one night while drunk and after being rejected by his true love Elsie (Doe Avedon). All we hear about in this movie is how homely Lorry is, when in fact, at 35, she's a few years older than Doe Avedon and good-looking. To me it was bad casting. Maybe I missed a second head or something.Brady is a crooked politician who steps on his enemies (including a country club where he was blackballed) and, as he rises in power, uses anything and everything to get his way and wangle big profits for himself. It's a well-oiled machine and includes his best friend, Bob Herrick (William Bishop) and others he can control. Eventually, though, things catch up with him."The Boss" is somewhat overblown, with Payne yelling through most of it, when he isn't drunkenly punching somebody out. It's way over the top, and I for one lost interest in the story quickly.Not really much to recommend this. Doe Avedon, who plays Elsie, was the inspiration for the Audrey Hepburn character in "Funny Face."

sol ***SPOILERS*** The film is obviously based on the notorious and mobbed up Tom Pendergast Missouri political machine that got future president of the United States Harry S. Truman, played by Joe Flynn using the name Ernie Jackson in the movie, elected senator. "The Boss" follows the career of a crooked politician Matt Brady, John Payne, from running the state of Missouri, that's never mentioned in the film, to running from the law and ending up spending his golden years in a federal penitentiary.Coming back home from WWI as a decorated US Army captain Brady was uninterested in following his older brother Tim, Roy Roberts, footsteps in taking over the city's Third Ward. It was after a night of drinking and fighting with his best friend Bob Herrick, William Bishop, and while barley sober marrying a complete stranger Lorry Reed, Gloria McGhehee, that Brady finally came to his senses. It was also after being dumped by his girlfriend, who would later marry his best friend Bob, Elsie Reyonolds-Doe Avedow- and his brother Tim suddenly dropping dead, after having a violent argument with him, that changed Brady's way of thinking. Changing it for the worst not the better.Being the top political king maker Brady controlled every politician in the state from Governor Beck, Harry Cheshire, on down to the local dog catcher. Ruthless and vindictive at anyone who as much as meekly disagreed with him Brady nurtured a slew of enemies who, when the time came, descended upon him like vultures on a dying corpse in the wild.Brady went so far as getting involved with the mob who's head man Johnny Mazia, Robin Morse, he helped out, from going to jail, when he was a teenager. This happened when Brady got wiped out in the stock market and was deeply in debt to Mazia's gang in him losing over $200,000.00 in his gambling with Mazia's illegal bookies. With Brady having no choice but letting Mazia's gang have their way they turn the entire state of Missouri into a den of political corruption and mob drive-by shootouts and sponsored hit-jobs.The final shoe to drop is when Brady gave the go ahead for Mazia to whack former gang member Morris Lazetti, John Mansfield, who was to turn states evidence against both him and Mazia in their criminal activities. This lead to what is now known as the "Kansas City Massacre" that cost the lives of a number of FBI Agents who were taking Lazetti, who was also killed, to Washington to testify.With public outrage reaching its hight the city fathers lead by newly elected District Attorney Stanley Millard, Rhys Williams, have Brady kicked out of his position as head of the Third Ward. On top of all that there's also a federal charge in the murder of the FBI Agents, as well as fixing both federal and state elections, also hanging over Brady's head.In the end even Bob Herrick, Brady's best friend, turned on him perjuring himself-in order to save his own hide-by falsely testifying that Brady took over a million dollars in kickbacks from a number of city insurance companies. What hurt Brady most is that he risked his life in saving Bob from being murdered by the Mazia mob! And this is the gratitude he ended up getting from him!In the end a beaten and broken man ,looking at least twenty older then he actually is, Matt Brady who even his long suffering and abused wife Lorry couldn't quite bring herself to feel sorry for is seen walking into the state penitentiary- Leavenworth- with his trademark Cuban Cigar dropping to the ground as he prepares himself to spend the rest of his life behind prison bars.

Zipper69 Sorry if that title confuses but, watching this on TCM recently I was convinced this was made in the early 40's so was amazed to see the 1956 date on it. It was the staging and story arc so reminiscent of several Bogart and Cagney movies that made it seem so dated in it's overall production.That being said, John Payne gives a powerful and well nuanced performance as a man whose inner turmoil of unrequited love, filial duty and tussles with what is "right" (feeling he has to marry a one night stand) and the attraction of an easy but crooked lifestyle are visible on his gradually hardening features as he ages - nicely done.Based clearly on the Pendegast machine of the 20's and 30's the action becomes a little stereotyped, with the "good citizens" of the town having to include a priest as a sign of moral rectitude.Brady's downfall in the Crash of 1929 is perhaps a little convenient (a sharp guy like this would have had hot cash stashed in many accounts and ensured that the diamonds seen earlier were part of a large collection of readily realizable assets but, I digress)and the heavy symbolism of the final shot of Payne shuffling towards the shadow of a tall, barred prison gate, dropping the cigar that had been his symbol of success owes much to the existential films coming out of many central European studios at the time.An excellent central performance but Dalton Trumbo's uncredited screenplay lays on the "truth prevails" message too heavily.

bmacv The Boss, filmed from a script by the blacklisted and hence uncredited Dalton Trumbo, starts in 1919 and ends somewhere in the Great Depression. It's about the corruption of a municipal machine that focuses on demobbed doughboy John Payne who, when his older brother dies, inherits his political clout. On the night of his return he godrunk and married a stranger he comes to scorn (Gloria McGhee, whomakes you yearn for more of her). His only unwavering loyalty lies withan old wartime buddy (William Bishop), who has married the girl Payne loved. So all his passion goes into strengthening his hold over the city, including forging an unholy alliance with the (unnamed) Mafia.Despite a precisely staged shootout in the train depot (did Brian De Palma borrow from this as well as from The Battleship Potemkin, for The Untouchables?), The Boss is really a somewhat Kane-ish look at the rise and fall of a lone wolf; Payne's tough yet touching performance lends an almost tragic tinge. The result is an involving period piece that dwells on the late fringes of film noir. (One topical note: the men's costumes were by Dick Cheney.)