Karry
Best movie of this year hands down!
KnotMissPriceless
Why so much hype?
CrawlerChunky
In truth, there is barely enough story here to make a film.
capkronos
With his stock on the rise due to the slow-building success of the brilliant HENRY: PORTRAIT OF A SERIAL KILLER (1986), someone gave John McNaughton 2 million bucks to make a second feature. Filmed primarily in 1988, THE BORROWER ended up sitting on a shelf for several years until "Henry" finally received a proper (albeit limited) theatrical release in 1990. The delay was likely caused by two favors: 1. It was distributed by Cannon, who were having major financial problems at the time, and 2. so it could piggyback off of "Henry"s excellent reviews and publicity. Long story short, it didn't work. "The Borrower" failed to come anywhere near the critical OR commercial success of the director's previous film. Instead, it quickly faded from view after its initial VHS release. Even now, the film is hardly ever discussed. Most interviewers just skip right over it when questioning McNaughton as if it doesn't even exist. One may assume all of that means this is awful, but that turns out not to be the case at all. If anything, this film is underrated and deserves much better treatment than it has received over the years.Things open aboard a spaceship where a bug-like alien criminal receives the worst punishment an alien can receive: being "genetically devolved" into a human (ha!) The alien (Robert Dryer) is then banished to Earth, where he'll be forced to live out the rest of his days in the company of primitive Earth scum. Oh yeah, there's one other tiny little problem; because the aliens haven't quite mastered the de-evolution technique, the alien's head will occasionally explode and he'll be forced to acquire new ones every now and then. The banished alien is then dropped off and his head promptly pops. Thankfully a redneck poacher (HENRY co-star Tom Towles) is around to become the first donor. Alien Towles manages to get a ride from a bimbo teenager (Zoe Trilling) after she runs him over and eventually finds himself wandering the streets of downtown Chicago, where he's befriended by a homeless man (Antonio Fargas). Things start to escalate from there. Rae Dawn Chong and Don Gordon play a pair of detectives trying to uncover why decapitated bodies and random heads keep turning up all over the city.What separates this film from numerous others of its type (aside from a very unusual premise) is McNaughton's ability to find quirky humor in the bleak urban setting. The grimy, seedy downtown Chicago of "Henry" is pretty much the exact same Chicago seen in "The Borrower." Druggies, thugs, hookers and homeless people lurk in the alleyways. People urinate right in the street and drop rats into someone's dinner at a soup kitchen, gang members shoot up diners and - in addition to the alien killer - there's a violent serial rapist (Neil Giuntoli) on the loose. Hell, there's even rampant degeneracy in places you may not expect, like at a hospital where a doctor (Tony Amendola) is so busy screwing a nurse he doesn't seem to care that people are literally dying all around him. Even paying attention to minor details in the background, you'll notice things like posters for child abuse. Everything pretty much is laid out to illustrate that this can be an ugly world we live in, which pretty much just confirms that the alien's punishment was an apt one! While this could have easily ended up being depressing, it's not at all because there's humor, satire and / or social commentary around every turn. Instead of slapping together a routine sci-fi action buddy cop pursuit film, McNaughton is aiming for something a bit different here. When it works, it's great. When it doesn't, you're zipped right along to something else so it hardly even matters.The film also offers up many odd, hilarious and memorable scenes. My favorite is when a couple are lying in bed watching "The Garbage Pail Kids Movie" (!!) while their son's amateur rock band ("I like the part about killing your parents.") are downstairs being attacked by the alien, who's been reduced to wearing a dog's head! And then there are other bizarre scenes that, quite frankly, I have no idea what exactly they were shooting for, but the set pieces are all entertaining, bizarre and / or humorous. This film frequently receives two criticisms and both are valid. The first involves the special effects. While Kevin Yagher's gore makeups are really good, there's no explanation behind why the alien's body size and skin color changes with each head swap. The second criticism involves the ending. Well actually, this film really doesn't have an ending. It more kind of just stops and the credits roll. I'm not sure if they ran out of money or time, but concluding things on such an anticlimactic, rushed note leaves a bad taste in your mouth. Regardless, flaws and all, this is conceptually a lot more sophisticated and clever than numerous other ordinary horror and sci-fi films from the 80s and 90s that get a lot more undeserved love and attention than this one does.
peterpants66
Being sentenced to Earth after some unknown problem on another planet, one alien goes on a weird and wild quest to stay alive, one head at a time. What i mean by that is the alien can't survive unless he continues to switch heads, which is awesome! It reminds me of "The Hidden" where Kyle Mclaughlin is fighting an other worldly alien that just wants to drive fast cars and listen to heavy metal. Each movie contains a host alien, but only one contains Rae Dawn Chong! I'm mysteriously attracted to her in this, she pulls a bit of film noir and wields a badge, on the hunt for a rapist murderer. This movie has fabulous gore. There is very little back-round music, mostly white noise, giving it a creepy texture. Some real funny moments, and some nice out of focus stuff (theres a point in the movie where just peripheral to a conversation in the police headquarters a battle takes place between a cop and a wild street tough). The only problem i have with this movie is most of the interactions between Chong and her partner are labored and seem like a pacing problem. But all the sequences with the alien, ripping off heads or hitchhiking or pretending to be a human being, are highly awesome. The end is splat-tastic, a sequel is rumored but never done.
BA_Harrison
You gotta say one thing for director John McNaughton: he certainly hasn't been predictable, having directed horror, comedy, documentary, erotic drama, and even a made-for-TV women in prison flick. For The Borrower, the follow up to his dark, gritty, and critically acclaimed 'Henry: Portrait of a Serial Killer', he stays within the horror genre, but still surprises by drastically changing tack to enter cheesy, B-movie territory with the tale of a violent alien creature, banished to Earth in human form, who regularly requires new heads in order to survive.This hokey story allows McNaughton to indulge in some cool special effects (courtesy of Kevin Yagher), a touch of light hearted humour, and plenty of horror/sci-fi silliness in the vein of The Hidden—and for a while, it looks like his new, fun approach is going to pay off, with the first half-an-hour or so being very entertaining stuff. After the premise has been established, however, the action becomes rather monotonous, with the alien repeatedly swapping heads (allowing several actors to play the monster, including Antonio 'Huggy Bear' Fargas), whilst tough cop Diana Pierce (Rae Dawn Chong) struggles to make sense of the carnage left in his wake.Towards the end, the film is lifted momentarily by a bonkers scene in which the creature, wearing the head of a dog, attacks and kills a metal-head, but this level of craziness isn't maintained for long—a shame, because this is exactly the kind of lunacy the film needed more of. Instead, the momentum quickly wanes, and the film finishes with a very unsatisfying ending that feels as though no-one could really be arsed to think of anything better.5.5 out of 10, rounded up to 6 for the dog-headed monster, a bit of dead mouse munching, and a totally gratuitous sex scene.
spacemonkey_fg
Director: John McNoughtonCast: Rae Dawn Chong, Don Gordon, Tom Towles, Antonio FargasTagline: Dont lend him anything you cant afford to looseReview:Director John Mc Naughtons follow up to Henry Portrait of a Serial Killer is a b-movie sci-fi/horror flick. I know that might not make the best of sense to some of you because youd expect something grand after seeing Henry, but this is the route that the director took. Its not a total waist though.
An alien criminal is sentenced to earth as a punishment for his crimes. The worst part of his punishment is, he will be a human all through out his sentence here on earth. And he has to take care of his body parts because they are fragile. After every couple of hours his head explodes so he goes around replacing it with other peoples heads and living out their lives. kind of like the same plot of a similar film called The Hidden only there the idea was better developed.The problem with this movie is that it becomes redundant after a while. The alien dude does nothing but going around switching heads and walking around acting like a retard, repeating everything that everybody says and wobbling around like a zombie. Aside from this, theres no real suspense or tension...its just a one note gag with a few amusing moments along the line.The film is trying to make a social commentary on humanity. Kind of the same way the Gremlins made fun of the worst things about us humans (vices, violence and the such) the alien on this film goes around seeing the worst of the human species. Violence, sex, murder and greed all make an appearance, with some funny results. I thought those scenes with the homeless where the best in the film. But ultimately, the movie had a good premise, a good idea and an opportunity to make a socially conscious sci-fi/horror film, but sadly it falls flat on its ass.The movie does come up with some interesting moments, like those involving a dog (wont spoil it dont worry) and those head exploding scenes. There are some cool images int his film similar to the exploding head scenes in Scanners. Kevin Yagher and KNB effects guys did a decent job with the aliens and the make up effects. But these moments arent enough to save the movie from the poor execution that it was given.Rae Dawn Chung demonstrates in this movie why she is no longer making movies. She plays a detective on the hunt for the alien. Her performance sucks like crazy, nothing special. On the other hand, Tom Towles as the hillbilly guy hunting dear was funny as hell, unfortunately he gets the least amount of screen time. Atonio Fargas as the homeless guy who befriends the alien had me cracking up a few times. They were the real highlights of the film for me. I thought they brought a certain amount of humor that the movie needed. I think the movie should have amped up the humor a little bit more given the type of film that this is.The ending for The Borrower was very unsatisfying. Aside from the fact that the movie doesnt build any suspense or momentum, its just feels flat. I hate it when films just suddenly and abruptly end, just like that and leave you hanging. Its purposely left open for a sequel, but I dont think that it will ever get made.Ultimately, I think this movie works as a b-grade, cheesy fun time. It has some social commentary, but it doesnt get its points across to well. If you dont mind ludicrous stories and situations or just a plain weird ass tale, lightly sprinkled with social commentary then check The Borrower out. But if your in need of a conventionally told story that gives you suspense and chills, then pass this one up, watch The Hidden instead.Rating: 2 1/2 out of 5