Steineded How sad is this?

Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Mandeep Tyson The acting in this movie is really good.

jjnxn-1 Unnecessary remake that gets most of what made the original distinctive wrong. While May Britt is a very pretty girl she possesses none of the magical allure nor cheap commonness that Marlene Dietrich brought to the part of Lola-Lola. Without those essential elements explaining her ability to ensnare the professor so utterly that he throws his life away on her the picture has an empty center. Also updating the setting to the 50's removes the air of decadent decay that hung over the first's Weimar Germany. There are some good things chief among them Curd Jurgens's lead performance. His slow slide into degradation is compelling and he's the reason to see the film but Dmytryk's direction is listless and therefore the film is uninspired. Interesting to see John Banner who was best known as the simple-minded Sgt. Schultz on Hogan's Heroes cast here as an erudite educator. He's also quite good in his small role.A foolish decision to remake something so closely associated with one particular legendary figure. A losing proposition from the start, something that Marilyn Monroe, Spencer Tracy & Fredric March-all of whom were offered the roles first and rejected them obviously realized. Why bother when you know from the start your film will never measure up.

ctomvelu1 Remake of a 1930 classic that starred Marlene Dietrich and Emil Jannings in a mismatched love affair. In the remake, Curt Jurgens has the Jannings role of an aging professor who becomes entranced with a tawdry cafe singer (Britt). He marries her and it's all downhill from there. He quickly becomes her toady. Britt as the singer Lola Lola is nothing to write home about, but Jurgens pulls out all the stops as the beleaguered professor whose life quickly falls apart after he becomes involved with the singer and her subculture. His marriage proposal scene is almost painful to watch in its intensity. Theodore Bikel plays the singer's impresario. I would suggest you stick with the original. Dietrich exuded a star power that Britt completely lacks. If you do watch it, watch it for Jurgens' masterful portrayal of a desperate man.

A M Boyd I enjoyed the original "Blue Angel" with Marlene Dietrich. I happened onto the remake with May Britt and Curt Jurgens and I was bowled over. Curt Jurgens absolutely broke my heart with his portrayal as the professor who fell for "Lola-Lola". In his lowest depression when he explains the composition of a flower to the little student boy as he sits on a bench in a park, I burst into tears. When he loses it totally as the stage magician makes him a fool, dressing him as a clown, breaking eggs over his head, making him crow. I have never seen such an emotional yet silent collapse in my cinematic viewing. Curt Jurgens was fantastic in this movie and above all the "STAR" of the movie. May Britt? Yes, she did her part and she did it well. But that tragic professor? Jurgens was magnificent. Maginificent.

MarieGabrielle of romance and rejection. Curd Jurgens as professor Immanuel Rath, a teacher of biology who has led a boring and predictable life as a schoolmaster. His life ceases to be boring when he meets Lola.Lola (as portrayed by Anglic beauty May Britt) has led a harsh life- singing in clubs, flirting with available men. This matters little to Professor Rath who becomes obsessed with her. He eventually marries her and resigns from his teaching position. His friend attempts to help him, to no avail.In some sense, "The Blue Angel" is more about obsession than love. How can he make her love him?. The professor seems in great pain (indeed it is painful to watch) especially in the final scenes as he performs as a clown.Whatever happened to May Britt? She was quite good in this film as the callous, but brutally honest Lola-Lola. Overall this is a very good film. I may have to see the original to see how it compares. It is not a light romantic story, however. 8/10.