ChanBot
i must have seen a different film!!
Hayden Kane
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Zlatica
One of the worst ways to make a cult movie is to set out to make a cult movie.
Leofwine_draca
THE BLACK TENT is a British wartime drama told in flashback for the most part. It's a slow-moving production that unfortunately focuses on romantic material for way too much of the running time, making what plays out quite the bore. It's a pity, because there are elements of interest in the narrative here, and at times it does get quite moving. The colour photography looks great; the supporting cast has many interesting faces including Andre Morell and Donald Pleasence, mostly playing Arab characters, bizarrely enough.
clanciai
Brian Desmond Hurst made many great films but was not much of a director. He often took care of immensely great and interesting stories with great action and fascinating intrigue and had a knack for getting outstanding music to them as well, but his films are annoyingly impersonal, as if he didn't care about the actors but just focused on getting it all done and the story told. This is one of those films, typical of him, telling a great story, featuring characters of considerable interest, but coming out with only a very conventional and almost expressionless product. He just couldn't dramatize.There are many other assets to this film, though, like the photography with the epic and extremely romantic environment, the most romantic scenes taking place in the ruins of an ancient amphitheatre, the most spectacular part of the film, and dwelling long on a very comprehensive Libyan wedding among the bedouins. We don't have many films from Libya, this is from long before the days of Khadaffi and Isis and all that jazz, and what you are shown is a paradise among the bedouins in the shadow of the dramatic turnings of the second world war by Tobruk and El Alamein.What especially lifts this film is the splendid music by William Alwyn adding another dimension of colours to the already resplendently colourful film, enhancing especially the romantic scenes with that extra touch which the actors and dialogue are not able to provide.The script is by Bryan Forbes together with the author of the novel, Robin Maugham, and there is nothing wrong with the script, the saga being so humanly interesting as it is, but such a tale could have been made so much more of. It's the stuff of Lawrence of Arabia, Rudolf Valentino's sheiks and even of Charlton Heston's Moses in the desert.Of course you come to think of Hurst's other films, like "Dangerous Moonlight" (with the Warsaw Concerto), "Simba" (of Mau-Mau in Kenya), the Malta Story with Alec Guinness, Hungry Hill and The Lion has Wings, and they all suffer from the same thing: great stories, but crippled by lack of flesh to the bones, as if the director thought the actors were of secondary importance to the epic.Nevertheless, it's definitely worth giving a chance, for its exotic settings, its great story (with a surprisingly apt end), its splendidly coloured desert environments, its romance among the ruins, and its very vivid music, the most alive part of the film.
Spikeopath
But I'm just being facetious! Brian Desmond Hurst directs, Anthony Steel and André Morell star, Bryan Forbes and Robin Maugham write, William Alwyn scores the music and Desmond Dickinson photographs in VistaVision Technicolor.It looks lovely, the Libya locations amazing, yet it's a dull and uneventful movie. Story concerns Capt. David Holland (Steel), who during WWII in the North African campaign gets injured and winds up being nursed by some Bedouin natives. He promptly becomes part of the crowd, falls in love with the Sheik's daughter and instigates a repel the Nazis front with the natives. But what happened next? Holland's brother, Col. Sir Charles (Donald Sinden), travels to Libya to find out.What he finds is obviously what we find out, that there's an inter racial romance at the heart of the story, some mistrust, loyalties born, a small scale battle and a double edged sword of a finale. It's all very contrived and mismatched, while some of the acting comes dangerously close to being parody supreme. Not good really and the tech guys deserve a better movie, and so do we. Oh well, if nothing else it obviously inspired Lawrence of Arabia. Hee hee hee. 5/10
duncankennett
Even as a fan of Donald Sinden, this is only an OK offering. The most enjoyable part has to be the amazing locations, set in Libya. The original story was obviously a long novel that was a real struggle to compress into a script
